Ballata di un soldato

Many Americans suffered enormously on account of WWII. My own grandmother, who not only survived the Great Depression but also World War I while it was being fought right in her own Polish town, once said that the most difficult event in her life was sending two of her sons off to battle in the faraway Pacific theater. One of them ended up in heavy combat on Okinawa, and the other one served as a bombardier.

As hard as World War II was for so many Americans, including my grandmother and my uncles, I believe that it was even more difficult for the Russians as a people. The terror of war came to their very doorsteps, civilians and warriors alike, and it was inescapable for them. Regardless of any specific political situation or attempt at propaganda by either side, I think that this historical fact must be objectively recognized and respected.

A "ballad" is a form of poetry, and, for me, "Ballad of a Soldier" is where poetry meets the camera. At the very beginning, the mother of the young, hero soldier who is the central character of the film looks out at the one unpaved road that leads in and out of her village. Somewhere at the end of the road, where ever that may be, is her beloved son. Overhead is an unforgiving sky, representing a sense of the power that controls all.

On the battlefield, we are terrified by a tank that is determined to chase our hero soldier through the countryside until he somehow manages to secure a position in order to destroy it and one other. Recognized by his superiors for his heroism, instead of a medal he requests a furlough pass to say farewell properly to his mother and to fix her leaking roof. It is granted for only a few days. Under the time pressure, the viewer witnesses his long, harrowing journey home from the front, experiencing the chaos, displacement, and hardship of the war on civilians and soldiers alike. In the mayhem and the confusion, he also manages to find true love at a most unexpected time and place.

I am sorry that this film was unavailable to me as a ten year old child in 1959 when it was produced. Aside from the political climate that prevailed at the time, which was mostly filled with fear, perhaps I would have been old enough to judge that Russian people were of the same flesh and blood that I was and that their lives, not only as Russians but as human beings, were affected very seriously by the horrors of war. While it would have been a very important lesson for me at the time, it did not come too late for me 57 long years later. This is a beautiful movie. See it!

This is one of the greatest anti-war movies ever made and a touching little human drama that has not lost any of its power after half a century. After fifteen years since I first saw it, it remains among my ten favourite movies of all time from any country. It is full of poetry and visual beauty; a humble masterpiece from a young director at that time, who encountered all sorts of problems and restrictions during the shooting. Nevertheless, his perseverance to bring this work to life and the touchingly realistic performances of the cast make of this movie not only one of the best films that ever came out of the Soviet Union but also a classic gem of world cinema.

Alyosha, a 19-year old private in the Soviet army, more or less by accident neutralizes three German tanks and is allowed to return home to see his mother and fix her roof on a six-day leave. On a train he meets another stow-away, the timid Shura, and falls in love. The movie depicts the people he meets on his way home through war-torn Russia.

This is an amazing film, a kind of shaggy-dog story and one you are not liable to forget. It is so extremely well-paced in a natural, flowing rhythm with a smooth, unassuming camera and lovely lighting. Be that all is it may, whatever the film's affinities with Pudovkin masterpieces such as 'Earth' and 'Deserter', 'Ballad of a Soldier' is all heart, empathy and sincerity, and it will clutch at your heart-strings.

The boy is not yet jaded in the grown-up fashion, and the people he meets stir him into immediate sympathy, Alyosha is simply one of the most likable characters you will encounter in a film, without being trite or cutesy. And the people he meets are hardly ever as sympathetic as he is, witness private Pavlov's girlfriend, whom Alyosha promised to bring the soap as a gift. When he gets there, she has a lover visiting her, and although Alyosha judges her, the film itself does not. Its description of budding young love is enchanting, but it has, finally, its own bitter irony.

Watch this whenever you get the chance. Do not let prejudice about what you think Soviet cinema is like detain you.

In the 1950s, 2 very critically acclaimed Russian films were made. The first film was "The cranes are flying" by Mikhail Kolotozov. It is true that it was a good film but it was more of a love story. If there is a film which all human beings must watch, it is "Ballad of a soldier" made by the great Russian cinéaste Grigori Chukrai. I still have vivid memories of this film, although I saw it in 1986 on India's only public television network called "Doordarshan". What I like the most about this film is that it has tremendous emotional power to move anyone regardless of that person's ideologies or beliefs. It talks of war without begging for kindness, mercy or pity. Such is the greatness of this masterpiece. In my opinion," Ballad of a soldier" is not only the greatest Russian film ever made, it is one of the greatest world cinema gems too. For those who have not yet seen it, one word of advice. Throw away all your Hollywood flicks and watch this humanist masterpiece. PS :10 out of 10 is a understatement. "Ballad of a soldier" would easily fetch 100 out of 10.

Gregori Chukhrai makes a very powerful, and poignant protest against the horror and futility of war. There is no whining, no accusing, only a very real, and believable, look at the effect that it has on some very ordinary people. People that each of us can relate to. I have to classify this as my all time favorite war movie. If you have a choice, watch it with the Russian language, and subtitles. The warmth is missing in the overdubbed voices, in the dubbed version. Although my Russian is as limited as possible, the emotion that is portrayed by the vocalizations of the actors, is powerful. One is certain to fall in love with either Vladimir Ivashov, or Zhanna Prokhorenko. This is one of those rare films, that each time one watches it, one gleans more from it, and feels that much closer to the film, the director/writer, and to the actors.