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Ballad of a Soldier (1959)

An old fashioned but utterly gorgeous film about a soldier discovering something bigger about himself than even the war could teach him on the battlefield. It's a drama about life, photographed with what strikes me as a European poetic visual sensibility. In its lyrical flow, it is amazing. No other word for it.

In 1959, the Soviet Union was only 14 years away from the end of the war that cost them 23 million deaths (10 million of these were soldiers). And a ravaged countryside. This is monumental in a way that we Americans have trouble appreciating, even though our own losses were around 1 million, including civilians directly and indirectly. But with this kind of staggering history, the very touching tale of a very innocent boy wanting to get back to his mother for a single hug is heart wrenching. Director Grigori Chukhrai, himself Ukrainian, seems to know that his role, in the Khrushchev era of Cold War USSR, is to show the best of the Soviet heart and soul.

The journey, for the viewer, is often filled with silence, and with carefully composed shots of the boy, alone or with other travelers (often soldiers). The light and the framing is moving even on its own terms. Many times the key face in foreground is sharp and softly stark while many other faces fall out of focus around this, camera tilted, or looking up, with flickers of light from trees outside the train window or a diffused glow of a grey sky drenching it all with melancholy.

Alyosha, the young man who by some fast wits and luck knocked out two tanks in the first scene and earned this special trip, meets a variety of people on his way who each represent a part of the Soviet (mostly Russian, but with a nod to Ukrainians) experience: a wounded man going home without his leg, a young conscript heading to the front to probably never return, this same young man's father in a hospital apparently dying, and a girl his own age, equally pure and nearly untouched by life's horrors. In every case, there is a kind of Soviet optimism that is almost refreshing even if it is just slightly reminiscent of their earlier propaganda movies. Because, the wounded man meets his wife at the station and is renewed, the young conscript is cheerful and hale, the father is proud and glad his son is a good soldier, the mean officer has an understanding heart, the sergeant gives his only soap to the traveller, and so on.

But this kind of goodness is part of what makes the film special. There is no room for noir cynicism, or even existential loneliness. After all, Alyosha has found the truest of true love, and even though he may be returning to the war to never return, the boy and girl have elevated each other, and the movie, and the viewer, with a real sense of what being good is all about. If you can find this movie, see it by all means.

Alyosha, a 19-year old private in the Soviet army, more or less by accident neutralizes three German tanks and is allowed to return home to see his mother and fix her roof on a six-day leave. On a train he meets another stow-away, the timid Shura, and falls in love. The movie depicts the people he meets on his way home through war-torn Russia.

This is an amazing film, a kind of shaggy-dog story and one you are not liable to forget. It is so extremely well-paced in a natural, flowing rhythm with a smooth, unassuming camera and lovely lighting. Be that all is it may, whatever the film's affinities with Pudovkin masterpieces such as 'Earth' and 'Deserter', 'Ballad of a Soldier' is all heart, empathy and sincerity, and it will clutch at your heart-strings.

The boy is not yet jaded in the grown-up fashion, and the people he meets stir him into immediate sympathy, Alyosha is simply one of the most likable characters you will encounter in a film, without being trite or cutesy. And the people he meets are hardly ever as sympathetic as he is, witness private Pavlov's girlfriend, whom Alyosha promised to bring the soap as a gift. When he gets there, she has a lover visiting her, and although Alyosha judges her, the film itself does not. Its description of budding young love is enchanting, but it has, finally, its own bitter irony.

Watch this whenever you get the chance. Do not let prejudice about what you think Soviet cinema is like detain you.

Many Americans suffered enormously on account of WWII. My own grandmother, who not only survived the Great Depression but also World War I while it was being fought right in her own Polish town, once said that the most difficult event in her life was sending two of her sons off to battle in the faraway Pacific theater. One of them ended up in heavy combat on Okinawa, and the other one served as a bombardier.

As hard as World War II was for so many Americans, including my grandmother and my uncles, I believe that it was even more difficult for the Russians as a people. The terror of war came to their very doorsteps, civilians and warriors alike, and it was inescapable for them. Regardless of any specific political situation or attempt at propaganda by either side, I think that this historical fact must be objectively recognized and respected.

A "ballad" is a form of poetry, and, for me, "Ballad of a Soldier" is where poetry meets the camera. At the very beginning, the mother of the young, hero soldier who is the central character of the film looks out at the one unpaved road that leads in and out of her village. Somewhere at the end of the road, where ever that may be, is her beloved son. Overhead is an unforgiving sky, representing a sense of the power that controls all.

On the battlefield, we are terrified by a tank that is determined to chase our hero soldier through the countryside until he somehow manages to secure a position in order to destroy it and one other. Recognized by his superiors for his heroism, instead of a medal he requests a furlough pass to say farewell properly to his mother and to fix her leaking roof. It is granted for only a few days. Under the time pressure, the viewer witnesses his long, harrowing journey home from the front, experiencing the chaos, displacement, and hardship of the war on civilians and soldiers alike. In the mayhem and the confusion, he also manages to find true love at a most unexpected time and place.

I am sorry that this film was unavailable to me as a ten year old child in 1959 when it was produced. Aside from the political climate that prevailed at the time, which was mostly filled with fear, perhaps I would have been old enough to judge that Russian people were of the same flesh and blood that I was and that their lives, not only as Russians but as human beings, were affected very seriously by the horrors of war. While it would have been a very important lesson for me at the time, it did not come too late for me 57 long years later. This is a beautiful movie. See it!

In World War Two, almost thirty million Russian soldiers and civilians were killed in the fight against fascism, a fact mainly ignored during the paranoia of the Cold War. In our attempt to demonize everything Russian, we also overlooked stories of individual heroism. In 1959, Russian director Grigory Chukhraj made a film attempting to describe "what happens when the world loses a single person" and it is a masterpiece. The beautiful and moving Ballad of a Soldier tells a personal story that illuminates how war can ravish both an individual and a country. The film is set in Russia in the midst of the war. Pvt. Alyosha Skvortsov (Vladimir Ivashov), a signaller, has earned a commendation by destroying two German tanks. Instead of accepting a medal, he requests to be granted a four-day leave to go home and visit his mother.

We learn early through the narration that this soldier did not survive the war so his journey home to visit his mother for one last time becomes all the more poignant. The film, however, is not about a destination but about a journey. The four-day trip encompasses a lifetime of experience. Before hiding out in a freight car, Alyosha encourages a soldier (Yevgeny Urbansky) who has lost his leg to go home to his wife. Along the way, he hitches a ride on a rain-soaked road with a woman deprived of sleep for 48 hours. He brings a present of soap to an unfaithful wife of another soldier but changes his mind and gives it to her father who longs for his son's return. He also meets Shura (Zhanna Prokhorenko), a radiant young woman who, like him, hides out in a freight car. Reluctant at first and fearful of Alyosha, the young couple experiences their first love in several sensitive scenes but it is to be short-lived.

Ballad of a Soldier, of course, aims to present Russian soldiers in the best possible light yet Chukhraj does not hesitate to show his characters as real human beings with flaws. A venal security guard is willing to grant the young soldier free passage in a freight car in exchange for cans of beef, and the wife of a soldier is unfaithful to her soldier husband, a sequence that landed the director in trouble with the Russian censors. In Alyosha, Chukhraj has created a good person: kind, loving, and noble but not larger than life, a soldier perhaps typical of millions of young men who gave their lives to protect their homeland. Their struggle and personal sacrifice has been immortalized in a great film.

"Ballada o soldate" has one of the most poignant sequences of all war movies:when the mother holds only for a few minutes, her dear boy in her arms,it's impossible to hold back your tears .I saw the movie for the first time thirty years ago and I have never forgotten it.Far from politics ,"ballada o soldate" is an universal poem,enhanced by a magnificent grandiose score,which enhances the simple beauty of the pictures,climaxing on a symphony for the finale.

Aliocha's furlough is so short (48 hours) and it's such a long way to his dear home.His journey becomes an odyssey ,but ,unlike Ulysses,his happiness will be short-lived.He and the girl form one of the most touching,lovable and innocent couple you will see on a screen.Their simple joys ,particularly when they share the soldier's food,or when they meet again in the desert station,are the ones which make a life worthwhile,even in the hell which surrounds them.

Sometimes recalling Sirk's " a time to love and a time to die"(1958)from Erich Maria Remarque ,the great German pacifist writer,with which it shares the same disgust of war ("I wanted to film a subject which could condemn war",the director said),"ballada o soldato" is one of these rare movies that will reward you each time you watch it.

In the 1950s, 2 very critically acclaimed Russian films were made. The first film was "The cranes are flying" by Mikhail Kolotozov. It is true that it was a good film but it was more of a love story. If there is a film which all human beings must watch, it is "Ballad of a soldier" made by the great Russian cinéaste Grigori Chukrai. I still have vivid memories of this film, although I saw it in 1986 on India's only public television network called "Doordarshan". What I like the most about this film is that it has tremendous emotional power to move anyone regardless of that person's ideologies or beliefs. It talks of war without begging for kindness, mercy or pity. Such is the greatness of this masterpiece. In my opinion," Ballad of a soldier" is not only the greatest Russian film ever made, it is one of the greatest world cinema gems too. For those who have not yet seen it, one word of advice. Throw away all your Hollywood flicks and watch this humanist masterpiece. PS :10 out of 10 is a understatement. "Ballad of a soldier" would easily fetch 100 out of 10.

Gregori Chukhrai makes a very powerful, and poignant protest against the horror and futility of war. There is no whining, no accusing, only a very real, and believable, look at the effect that it has on some very ordinary people. People that each of us can relate to. I have to classify this as my all time favorite war movie. If you have a choice, watch it with the Russian language, and subtitles. The warmth is missing in the overdubbed voices, in the dubbed version. Although my Russian is as limited as possible, the emotion that is portrayed by the vocalizations of the actors, is powerful. One is certain to fall in love with either Vladimir Ivashov, or Zhanna Prokhorenko. This is one of those rare films, that each time one watches it, one gleans more from it, and feels that much closer to the film, the director/writer, and to the actors.

This is one of the greatest anti-war movies ever made and a touching little human drama that has not lost any of its power after half a century. After fifteen years since I first saw it, it remains among my ten favourite movies of all time from any country. It is full of poetry and visual beauty; a humble masterpiece from a young director at that time, who encountered all sorts of problems and restrictions during the shooting. Nevertheless, his perseverance to bring this work to life and the touchingly realistic performances of the cast make of this movie not only one of the best films that ever came out of the Soviet Union but also a classic gem of world cinema.

Young Russian soldier Alyosha (Vladimir Ivashov) earns a medal, but asks to visit his mother instead. His journey recounts various kinds of love during wartime.

The film received considerable praise for both its technical craft and its strong, yet subtle story. Viewed from the earnestness and unabashed youthfulness of the protagonist, the film was hailed as an instant classic by Soviet and American critics.

We are quite lucky there was a "thaw" in the Cold War at the time this film came out, as it allowed Americans to see what their "enemies" were doing: making really good anti-war films. Despite all the political rhetoric of the leaders, the average person just wanted to live a happy life. The characters in this film could be Russian, American, French or anything else...

"Ballad of a Soldier" along with "Andrei Rublev" is one of my favorite Russian films ever and one of the great movies made in USSR during Khruschev´s so-called "thaw" period in the late 1950s and early 1960s when soviet filmmakers got a certain amount of an artistic freedom and were less controlled by the Soviet state.

Directed and co-written by master Russian filmmaker of a soviet era, and also a WW-2 veteran, Grigory Chukhrai, who was even nominated for this picture for Academy Award for Best Screenplay, the film is set during WW-2. It´s a story of 19 year old Russian soldier who as a reward for a heroic act in fighting with Germans given a 3 day leave home by his commanding officer. We follow the soldier´s journey home through ravished by war land where he meets different people and witnesses how they lives are affected by war and falls in love with a girl whom he occasionally meets on a train. The atmosphere created by this movie is quite unique, rarely before or after achieved on the film. A genuine masterpiece of a world cinema. A must see. 10/10

This simple, sensitively handled love story with a WWII background is often bundled together with Mikhail Kalatozov's THE CRANES ARE FLYING (1957) - they were both issued simultaneously on R1 DVD by Criterion and will likewise be issued on R2 by Nouveaux Pictures next January - but actually they are poles apart in terms of stylistic approach. Director Chukhrai shows little of the overpoweringly visual virtuosity of Kalatozov's film (except for the superb sequence near the beginning which earns the main character his heroic status) preferring to capture the reality of the scene rather than its emotional core.

Even so, BALLAD OF A SOLDIER is a beautifully made film with winning performances from its youthful leads: a 19-year old boy who wins a much-coveted 6-day leave from the front after blowing up two enemy tanks single-handedly and the suspicious waif he befriends (and subsequently falls in love with) on his clandestine train journey. Events beyond his control contrive to make his visit to his farm-laborer mother a pitifully short one after which, the unidentified narrator tells us, he is once again drafted off to the front to his eventual death (which we never actually see); his misadventures during that train journey and visit to his village take up the bulk of the film as he meets a one-legged soldier coming reluctantly back home to his wife, a greedy train guard who is constantly demanding food from the soldier as a bribe against his telling his superiors that they are stowaways, the duplicitous wife of a comrade of his and his bed-ridden, ever optimistic father, etc.

Our young hero has only a couple days to travel to, see, visit, and get back to camp on time. Yet, he proceeds almost lackidasically, making detours and pit stops- despite his supposed determination to see his much loved mother. This exposes the soldier's leave to be but a MacGuffin; a vessel with with the film uses to fill with propaganda, sad but true vignettes, and plenty of courageous war fighters overcoming the odds scenes- and very little depiction of the dark, gritty, harrowing bloodshed and mental and physical effects of war. Notable cinematography, but again it is used more for artsy, pretty shots than insightful, realistic war depiction.

The romantic plot is sufficient at best. Since when does "I do not have anyone else" supposed to be code for "I love you"? This film makes it seem like the eponymous soldier was foolish not to realize this. The audience meets several different minor characters on his road trip home, but they are gone as soon as they are fleetingly introduced. We never get the chance to become invested in any of their side stories. Even with the two main protagonists, we only get a vague overview of who they are. The soldier died indeed have a name: Alyosha- but like the film implies, that matters little. For he is a representation; a paradigmatic of the experiences of the young Russian soldier in World War II. Unfortunately, however, a representation that is biased and leans heavily towards only the most patriotic, sacrificing ones.

Last but not least, where is the ballad? No melodious songs, no rhyming poems, but plenty of cheesy, saccharine, heart tugging moments. Which would have been fine, if only they were balanced with more realism. Fine enough for a feel good war film- a sub genre not everyone would agree with.

"A single death is a tragedy; a million deaths is a statistic" is the famous quote by Stalin. In this movie we see a marvellous illustration of the sentiment.

Don't worry; I didn't spoil anything. We learn from the opening narration that this is the story of a fallen hero. With that in mind, the atmosphere of impending tragedy colours the entire film despite the film's rather charming presentation. It's a wonderful irony, because the director opens with such a powerful & nihilistic statement, but then he follows with a sweet and inspiring presentation which you might even call "innocent".

I'm not exactly a fan of war movies, but I don't consider this to be one at all. There are very few details about the war, no politics, no propaganda. Essentially you can replace the Russian uniforms with British, German or Japanese, and the story would remain the same--"The Ballad of a Soldier". Oddly enough, it's the compelling portrayal of rustic life (which he encounters along his journey) that provides the backbone and theme of this film, a very human story.

It reminds me of the Italian classic "Bicycle Thieves" as well as the Japanese masterpiece "Ikuru" by Kurosawa. Each scene packs a lot of heart, and the grand finale brings it all together poetically and artistically. I won't mention any names, but I sure wish certain other artsy Russian directors could be as lucid and authentic in their presentations.

One more thing... I can't end this review without mentioning the SUPERB MUSIC. The composer is listed as Mihkail Ziv, but IMDb offers no biographical info on him. The melody is powerful and epic while being traditional and intimate at the same time. It really mirrors the theme of the film perfectly: things of great importance come in simple packages.

This movie gets 9 stars from me, which is about the highest rating I ever give. See it if you ever get the chance.

When I saw Ballade of a Soldier for the first time I was fifteen, and I felt in love for the girl. A love as innocent and as total as in the movie. I was tending to identify myself with the soldier, and I was seeing myself in the freight car, finding the girl there, behaving kindly, as he was doing, and finding in her eyes the same response.

Many years passed and I had the chance to see the movie again. I was now in my early sixties: no more identifying with the young heroes, still loving their love, following their innocence with a joy balanced by sadness. My empathy was naturally going now to the old mother, as I knew this time so well that there are losses that time never heals.

At an age when one falls in love, he went to die in war. He wasn't a larger than life hero, he was just an adolescent, and that's why it was so easy for me to enter his skin in my imagination; I was also an adolescent, I also was not larger than life, and I was also supposed to fall in love, as he did.

Grigori Chukhrai made this movie in 1959, three years after Сорок первый (another gem), and two years before Чистое Небо (a movie trying maybe to say too much, this time, but definitely with some unforgettable moments).

And let's mention here the names of the actors who played the two young innocent lovers: Vladimir Ivashov and Zhanna Prokhorenko.

I know it is a very grand statement to say that this is the greatest anti-war movie made so far. I have a good reason for that though. Every anti-war movie has showed the fighting and showed the killing of people. However, this mostly focuses on the physical faults of war rather than emotional faults. The excessive violence in other movies also numbs the audience to gore and violence.

Ballad of a Soldier keeps the violence and bloodshed to a minimum. Instead, the movie focuses on the emotional impact of the war on the innocent civilians and soldiers outside of the battlefield. The chemistry between Alyosha and Shura is amazing. The simplicity of the plot is brilliant and allows exposure of real human interaction. The movie focused on one soldier rather than having a grand scale of characters and action. This way, we can take this one person as an example of the millions of lives similar to Aloysha's that were lost in the war.

The subtlety and simplicity of this film is what makes it so great. I love it and it's a masterpiece. I rewatch it over and over again. Everyone should see it.

This is the best movie I ever seen all my life - I have seen no other film that compares to this one.The movie is about the romantic love of a young couple, and a mother's love of her child.

No movie ever can get better than this one. A young Russian soldier (Alyosha) almost accidentally becomes a hero. As a reward he gets a 4 day leave back home.

The movie is about his momentous trip back home. This is also one of the most beautiful love stories you will ever see. On his trip home he meets a beautiful young girl named Shura. You will yearn, and want this couple to hug and kiss

I can't recommend this movie high enough. If anyone ever told you that they didn't cry at the end, they are either bloody liars or no human on earth.

Comedians used to poke fun at Soviet movies during the Cold War era. The claim was that every Soviet film could be characterized by a single standard plot line—"Boy meets tractor, Boy falls in love with tractor, Boy marries tractor". Now, I'm not sure how accurate the wags were since Soviet films were never shown here, nor ours there. But, given Soviet emphasis on collective farming, and their theory that art should follow politics, that sort of result wouldn't be surprising.

Nonetheless, Soviet-made or not, this 1959 humanist gem shines like a proverbial pearl in the night. Sure, the boy and girl are idealized, but were there ever two more charming performers; they even look alike. Moreover, it's that natural glow amidst the seediest surroundings that suggests what some might call a triumph of the human spirit. After years of slickly contrived Hollywood pairings, I was captivated by a warmth and chemistry seemingly so unforced and unrehearsed that I marvel at how it was done. In my book, it's one of the great compelling love stories of the big screen.

Just as importantly, the movie is anti-war, but subtly so. We do see some devastation and combat, but the real indictment lies elsewhere. It rests with all the potentials cut short by unrelenting demands of the war machine. The boy must return to his unit or risk being shot as a deserter. Thus he must abandon the injured soldier with whom he could have been friends; he must risk losing the love of his life because trains must run on wartime; he must leave his mother, without even time to fix the leaky roof. But most of all, war demands that he, like so many fine young men, must leave life with a personal potential that will go tragically unrealized. As one of Chukrai's effects brilliantly illustrates, war is indeed a world turned upside down.

Also, there are the stunning visuals. Those vast Russian steppes may be flat and boring. Nonetheless, the corresponding big sky makes a magnificent backdrop for heroic low-angle shots of those dwelling amidst the vastness. Then there's that long dusty road at film's end, leading off into a great unknown that Alyosha must now travel. In contrast are the teeming crowds at the railway station, looking nothing like Hollywood in their simple cloth dresses and shirts. And what concern with fancy hair-do's can the women have when their hair is bound down with knotted kerchiefs. All in all, it's a revealing look at what could be called the Russian peasantry of the time.

No, the movie clearly doesn't come from the ministry of propaganda. Still, there are concessions. Note how cooperative strangers become no matter how initially cranky they are. The army officers especially are portrayed as understanding and non-threatening. Nobody is depicted negatively, except maybe the disloyal wife. Not even the Nazi enemy responsible for 20 million Russian dead is mentioned, let alone, vilified. No, the real antagonist here is war itself; the point is not stated, but it is shown to an uncommonly moving degree. The dedication at film's end may be to the Russian soldier, but the subtext throughout aims at the universal, regardless of time, place, or nationality.

Thus 50 years later, the movie remains a timeless humanist classic. And with it, I think Chukrai deserves a place alongside the early masters of Soviet film, that is, before the Stalinist tyranny descended. Now, I have nothing against tractors. In fact, I wish Hollywood would feature more such life-affirming inventions than the exploding cars they so love and worship. Nonetheless, I guess I'm glad that here, there's not a single tractor in sight.

Chukrai has made a film that combines the great Russian visual style with the most human of filmmaking. Ivashov is superb as the soldier who knows his duty as well as his family. A movie that reaches and touches its audience for many reasons and on many levels. Of all the Russian films I've seen this is the one that touched my heart.

Ballad of a Soldier is a story too good for Hollywood. With love and tragedy in equal measure, this film is an exploration of love between a man and a woman - platonic, romantic and maternal. Each possibility tugs hard at the heartstrings. The protagonist, a soldier called Alyosha, is very young and naive, which makes him a more relatable character than someone whose charm precedes them. From his first meeting with Shura to their last encounter, there's a charm between them that makes the audience beg for them to stay together as she accompanies him on his journey despite delaying him. Their last train rain with their loving bittersweet stare tugs at the heartstrings in a way that shows that genuine love in film is rare.

While there are a few contrivances, such as the opening scene where Alyosha is chased by a tank until he gets a chance to blow it up, but the film does flow very gracefully. The drama is always excellent with believable characters and dialogue the whole way through and very subtle moral dilemmas. Our protagonist is racing against time from the very moment the film ends and it never stops which makes for always compelling viewing. It has great cinematography despite some choppy editing in places, reminiscent of an earlier Russian war film The Cranes Are Flying though perhaps not as impressive. The huge operatic score accompanies the film throughout and highlights the power of the film, though Alyosha's final embrace with his mother is music-less and arguably even more powerful than his embrace with Shura. Incredible film.

9/10