La battaglia di Maratona

This is the ultimate tribute to Steve Reeve's phenomenal male beauty, captured in all its glory at the peak of his powers in l959. "Giant of Marathon" is given an exhilarating beginning with the powerful music score of Roberto Nicolosi, whose symphonic theme, underscores a nearly naked Reeves in brief scenes that showcase his power in the beginning of this vastly entertaining swords and sandals saga. When he swims towards the camera and comes up for air, the music swells and we see a rare glimpse of Reeves laughing. In another snippet, he's shown wrestling with another athlete and both are clad in very brief white loin clothes. It's sexual connotations is definitely there but Reeves looks so god-like you can't imagine him doing anything so earthy as coupling with another handsome jock. Throughout the running time, Reeves magnificent torso and charisma are given the star treatment, especially in the final portion where he and his warriors swim underwater to sabotage the enemy. In their flimsy briefs, this proves to be a beefcake bonanza, featuring not only Reeves but numerous handsome Italian extras. Mario Bava and Jacques Tourneur directed this classic adventure tale with Bava also responsible for the outstanding photography. From this film, he was launched into his legendary series of horror classics, creating such classics as "Kill, Baby, Kill," "Black Sabbath" and others. Reeves is beardless in this adventure and it adds to his boyish charm. At the beginning, he is crowned with a wreath of olive leaves and wearing only his loin cloth, his incredible torso is displayed in all its glory. If you're a Steve Reeves fan--which I definitely am--you might also explore the series of muscle man moveis made by Reeves American cohort, Lou Degni, re-named Mark Forest from the Bronx and a Mr. America winner. His physique is also stunning with a handsome face and acting ability to go with it. "Giant of Marathon" should be restored to its full technicolor glory. Even more than "Hercules Unchained," this is the Steve Reeves movie that fully exploits his extraordinary beauty.

Giant Of Marathon is a cut above the peplum films of the Italian cinema, being directed by Jacques Tourneur. The film concerns the activities of one Phillipides, played by Steve Reeves who goes running around all of Greece as an ancient Paul Revere arousing the populace with the sum and substance cry of 'The Persians Are Coming'. Indeed they were.

The ancient histories beginning with Herodotus tell of the athlete/runner who brought news of the Greek victory and then promptly died as his body gave out. Here Tourneur opted for a happy ending, but the film is still good with some very nicely staged battle scenes.

Phillipides was probably the first celebrity athlete in the history of the world. As the winner of one of those original Olympic games he was a sports celebrity figure back in those ancient times. And because of that he's the guy sent on a diplomatic mission to Sparta to get those rival city states working together to beat back the Persians.

Of course Phillipides does just that, but Athens is facing some problems from what would later be called fifth columnists in the city. Phillipides has to deal with them as well.

Steve Reeves as athlete is not shown as a runner, he's shown heaving a discus which would be more in line with the kind of a support his upper body would be an asset for. In fact as a runner all that weight on top would be quite the liability. But he sure looked good.

Giant Of Marathon would not be considered a great film in most quarters. But it is Citizen Kane next to some of the peplum films I've been viewing lately.

Giant of Marathon was made during a very busy 1959 for Steve Reeves, as he completed "Hercules Unchained", "The Great White Warrior", and "Goliath and the Barbarians" while also making Giant of Marathon. Steve Reeves was by far the king of these so called "sword and sandal" epics churning out of Italy during the late 50s and early 60s...and why not? Reeves had a muscle bulging physique second to none and was by far the best looking of the muscle guys who made these Hercules type films in Italy. The story concerns the city of Athens and all of Greece being invaded by sea and land by the traitor Darius and his Persian army. Reeves is the hero of the olimpic games and a hero to all of Greece. As such a duo of traitors tries to convince him to team up with the Persians and attempt to lure him with wicked women and seduction. Along the way a very lovely Mylene Demengeot, a 1960s Angelina Jolie look alike with the big lips becomes his love interest. Plenty of action on land and sea and a good wresting match with Reeves and a blubber gut wrestler who feels insulted by Reeves. Check out the underwater scenes with Reeve's greeks planting long speared boulders in the water to sink Persian ships. This is a typical Reeves muscleman epic. Just watching the lovely Demengeot throughout is fun for the male audience. Reeves basically single handedly wipes out the persians and the traitors and wins his love interest in the end. Good fun for the Saturday afternoon crowd and Reeves fans in general.

A momentous collaboration between two (past and future) masters of the horror genre which should perhaps have been made in that particular field, especially since the overall effect (as with most Italian low-grade epics) is somewhat juvenile - unlike either's best work - but also because there are no monsters involved (unlike, say, THE GIANTS OF THESSALY [1960])!

Steve Reeves and Sergio Fantoni make for an above-average hero and villain; Daniela Rocca fares a lot better here than she would do in COLOSSUS AND THE AMAZON QUEEN (1960); and Mylene Demongeot is one of the loveliest heroines in all peplums, evoking memories of the early Brigitte Bardot - who had herself appeared in a supporting role in HELEN OF TROY (1955), one of many film versions centering around another legendary Greek battle (among them THE Trojan HORSE [1961], starring Reeves himself and which I watched later on in my peplum marathon!).

The slow-starting film (which, thankfully, features no intrusive comic relief) eventually picks up with the impressive battle sequence, which occupies about half its length! Bava's camera-work is exemplary and his special effects are apparent in the over-the-top violence, particularly towards the end.

Most of the other reviews are on target, I will limit myself to a couple of points needing consideration.

This was not intended as a muscleman-'sword & sandal' show, but a straight-ahead epic and a war movie. The reason this is easy to miss is because of the choice of Reeves for the lead. He actually tries hard to act in this film - but he has no capacity for it whatsoever.

In order to give him a chance to demonstrate this, the film gives Reeves an annoying romance that takes up half the film.

As an epic, the film is only half here, the second half, the battle itself. The battle sequences aren't bad at all, they are all technically correct, well mounted and nicely shot.

In fact, the visuals of the film are very striking, especially in the meetings with city elders trying to decide strategy. The print used for the DVD is an old TV copy, washed out and grainy; but remembering its original colors, and that it was made in wide-screen, a lot of this must have looked pretty awesome in theaters on first release.

However, visuals work best when the acting isn't important; besides the Reeves' problem, in fact only the central villain is performed with any gusto or skill. Everyone else walks around like cardboard on string. For the better actors involved, that may be partly because, with the exception of the romance, there's very little character-based drama involved here.

I suggest watching it for the battle sequences, and to forgive the damage done to it by the fortunes of poor preservation.