Ercole e la regina di Lidia

Only a fool would curse a fairy tale because it narrates the actions of a witch. A good man has a strong enough heart to allow differences to flourish as long as people are allowed to live their lives in a peaceable manner.

That's the great lesson that underlines this film, otherwise silly and occasionally mawkish. I suppose that's why intelligent children have loved the Hercules myth ever since it could be recorded. Hercules is pretty dumb, but he's a nice guy with good intentions, the most important of which is to keep those who have let power corrupt them from bringing ruin to farmers and villagers and other peaceful working people.

Here he is threatened by three evil generals and an over-self-indulgent witch. The plot is partly based on the Hercules myth itself, but borrows freely from the Odyssey and from the Oedipus plays, with just a dash of the Argonauts legend tossed in briefly at the beginning.

Alright, so it's a mess. And the middle third is just outright dull as the witch grows to love her buffoonish captive.

Never mind. It's well-made for its time and place, colorful, and even occasionally lyrical. And some of the fight scenes retain their excitement, after all these years.

Perhaps best viewed - and understood - by children; but can provide real entertainment for intelligent adults in the right frame of mind.

but not at the level of the original 1958 film also starring Steve Reeves in the lead role.

Still this does deliver some good thrills such as Hercules battling the giant Antaeus (Primo Carnera), trying to escape the influence of Queen Omphale (Sylvia Lopez who I feel was truly bewitching in the role), tangling with deadly tigers and finally trying to rescue his lovely bride Iole (Sylva Koscina) from the crazed Eteocles all while trying to stop his homeland of Thebes from descending into war.

The middle portion of the film which has Hercules under the spell of Queen Omphale once his memory has been wiped away by the waters of forgetfulness is a bit slow but is still fun...fun adventure not to be taken too seriously is how I'd describe this one.

The sequel to HERCULES (1958) is even less enthusing but remains, nonetheless, an adequate example of the peplum genre.

Sylva Koscina's role of Iole, Hercules' love interest, is diminished here since the most prominent female figure on display emerges to be the femme fatale-ish Queen of Lidia Omphale (the film's original title, incidentally, translates to HERCULES AND THE QUEEN OF LIDIA) – the latter is played by another red-headed beauty Sylvia Lopez, who died of leukemia not long after the film's release! Needless to say, the muscle-bound hero (Steve Reeves) falls under her spell after having conveniently drunk from a spring that renders him an amnesiac (though not before he's been engaged in an irrelevant wrestling bout with ex-heavyweight champion Primo Carnera as an irascible giant!); his friend Ulysses, however, is on hand to watch over him (ostensibly in the function of Hercules' deaf-mute slave). Meanwhile, back home in Thebes, two brothers fight it out over the throne – with Iole at the mercy of a cackling maniac (an over-the-top Sergio Fantoni)...

By the way, both of these Hercules films featured atmospheric cinematography by Mario Bava - who would himself direct one of the better adventures revolving around this mythical figure, HERCULES IN THE HAUNTED WORLD (1961) starring Reg Park. As for Francisci, he worked most often in this genre: from ATTILA (1954; co-starring Anthony Quinn and Sophia Loren) – which is overdue for a reappraisal and has, incidentally, just been announced as an upcoming DVD release from Lionsgate! – to the low-brow HERCULES, SAMSON AND ULYSSES (1963; with Kirk Morris now as Hercules) and SINBAD AND THE CALIPH OF BAGHDAD (1973; his last film and which I recall watching eons ago on Italian TV).

This is the second Hercules flick featuring Steve Reeves as the man of muscle. The legendary Reeves melds with the god/man Hercules and turns what could have been a cheesefest into an action/adventure spectacle as tightly woven as Hercules' toga. Competing with Reeves for biggest chest is his umptuous co-star Sylvia Lopez as the evil Queen Omphale who makes living statues out of her conquests. Hercules' pals include Gabriele Antonini as Ulysses who gives the man of muscle a mighty rubdown and competes for Herc's attentions with his sexy wife Iole, played with sweet sassiness by beautiful Sylvia Koscina. With Hercules shirtless (and occasionally oiled) for most of the flick and his mini-toga riding up his thick manly thighs there's something for everybody to enjoy. Of special note is the dance of Queen Omphale's slave girls and Herc's wrestling match with real life Italian pro-wrestler, Primo Carnera. Keep an eye out for plentiful low camera angles.

This film is a nice sequel to Francisci's gem "Hercules," the film that launched a seven-year festival of swords, sandals, cloaks, daggers, musclemen, and gorgeous women in the Italian cinema. In this sequel, Mario Bava returns as the FX man, and dazzles us with an array of visual effects which impart to this film an almost Hollywood-like sensationalism. The problem is, there is too much of it! After the first 30 minutes or so, the stuff tired me, sheerly through the fact that my mind ceased to remain in the elevated state necessary to appreciate and "roll with" what the director wanted to achieve visually. So there were alternate periods of depression and elevation, although the film, when viewed as a whole, must be one of the most stunning sword-and-sandals of all time. In this respect, Pietro Francisci did well. However, I still prefer the first entry to this one.