Night of the Blood Beast

America's first orbiting spaceship collides with a mysterious object and crashes to Earth, bringing with it an alien mother and her parasitical brood who are using the undead astronaut as an incubation chamber. After a number of inexplicable deaths, the humans decide to destroy the intruder but pause when the alien claims to be on a goodwill mission to save our species from ourselves. The film is a bargain-basement, Bronson Canyon blend of the vastly superior "The Day the Earth Stood Still" (1951) and "Alien" (1979), but typical of a Corman opus (auteur brothers Roger and Gene were producers, Bernard L. Kowalski was director), is watchable in an eye-rolling way. The special effects aren't really special: the monster (recycled from a previous Corman film (typical)) is a hairy, beaked, lump that you never get a really good look at and the alien embryos look like fat seahorses. The acting is on par for a '50s B-monster outing, with the usual characters delivering the usual material (the 'science' in the script varies from reasonable to ludicrous (somehow eating a brain confers the power of human speech through photosynthesis)). 'Night of the Blood Beast' is a silly but short and watchable, although it never lives up to the lurid imagery on some of the posters and DVD covers.

Considering that the crew appear to have constructed the prop space capsule out of a septic tank, this is a decent little el cheapo scifi flick.

A film buff with the slightest knowledge of the major auteurs goes into a B/W 1958 Roger Corman scifi film with a certain set of expectations. Within such parameters, this is a surprisingly well-made film, tense, moody, interesting, and moving along a pace that corresponds well with the plausibility factor. While none of the acting is spectacular, it is all competent and sometimes impressive. The script is surprisingly intelligent, especially considering the title. The title, however corny it may be, works well in this film due the portions of the plot dealing with the death and resurrection of an astronaut.

There is a small bit of FX and monster make up in this film; you will be thankful to find out that it does not clash with the septic tank space capsule.

Overall, this is an honest, well-constructed little drive-in type scifi/horror film that does the job it was designed for and more. It makes more sense, and is more satisfying than watching all the episodes of the new version of 'V.'

This interesting little abomination is easily the evil twin of BEAST FROM HAUNTED CAVE, another Corman low-budgeter from this memorable late 5O's drive-in golden era. There were many major and minor film gems, but not all were so bad, they're great. Some were interesting failures (like this Putrid Preciousness) and some simply sucked (like everyones' personal favorite, "The Cape Canaveral Monsters", whose prints need to be honorably enshrined - in embalming fluid).

NIGHT OF THE BLOOD BEAST (As a kid, I just loooooved titles like that, fearfully imagining what that monster from the dark really looked like), due to its early scenes of eerie paranoia mood and subtle moments of terror, managed to humbly and very economically achieve this kid-scare trick, thus being reprieved from the embalming fluid fate. That impressivly irritating cheesey-weird organ (also used in SISTER BEAST'S HAUNTED CAVE) evoked the proper creepy atmosphere, which Corman was an efficient wiz at.

Those scary shots in the isolated woods in the Bronson Cave hilled area (interesting location with strange, silent mood as if there is some other lurking ominous presense nearby, watching) were nightmarish. That moment when something moved up right before the camera, blocking everything out was a surprising frightful moment - and those dark chilling shots of the woods, as something moves through the bushes - and that shadow of something very unworldly moving across the ground (actually the first monster 'Shadow Shot' filmed from that particular angle) - that shot of a giant shape moving outside along the window and that quick glimpse of IT! creeping down that dark claustrophobic hallway - BRRRRRRRRRRRRRR!!!!!!!!

At 2:OO AM, in pitch black, that can cause those under-the -cover shivers (all I need is the proper female companion to hold dearly to). Then when poor old kindly Dr. Wymann loses his head - LITERALLY - when the two male leads find his body slumped over the bunk, with a fresh supply of high volume blood spilling down with major drip-drips. UGH! That was an early decapitation scene that really freaked me out. Maybe a life of crime would be safer than being an adventuresome scientist.

Then the "ALIEN" scene, with the mysteriously revived "deceased" astronaut standing behind one of those 5O's Whateverscopes, revealing utterly revolting animated parasites being bred in his body. (Are there any other kinds?) The alien blood beast is sure having its night: It impregnated the trespassing, intrepid astronaut - and made him bear its delightfully disgusting offsprings. Planned Parenthood miserably backfired with the worst grim forms of total dysfunction. What do you think of that? Any "hmmmmmmmm's" out there - or just prowling alien blood beast rapists. (AHHHH!!! NOOOOOW I GET THE TITLE! - DUH!!!). This is true science-fiction horror on its own gruesome little B-minus terms.

Well, I won't go on. You'll just have to see for yourself as to the mysterious fate of our scientific ground crew - and that enormously rude and overbearing blood beast. It's an old cheap B&W minus-B, but interesting if you happen to be in that certain 2:OO AM monster mood. LONG SHOCK THE BEAST BROTHERS!

P.S. That college age lady scientist was quite personally appealing to me at that formative late show age. The blood beast attacks her in the woods - maybe IT got infected by all that human contact - OR maybe it really does possess superior intelligence! Perhaps that's why this was her one and only film appearance. That's BEAST BIZ BABY! It's back to that bloody haunted night cave. GIVE BEAST A CHANCE!

Oddly compelling tale of astronaut (Emmett) who crashes back to earth following a failed mission into space, apparently deceased but showing no signs of rigor mortis or decomposition. His unusual state co-incides with the appearance of a large, alien creature that wants us to believe he's here to co-habitate with the human race, and that we should fear no evil. Scientists John Baer, Ed Nelson and Angela Greene disagree.

There's some sense in this nonsense, the dialogue, cinematography and suspense is generally pretty coherent and effective, but the second half of the movie descends into an abyss of absurdity from which there's no return. Baer, Nelson and McVey all deliver watchable performances and director Kowalski displays some skills, but the plot becomes puerile with the appearance of the creature and its suspicious motivations to rear its young on earth as a means of improving inter-galactic relations. So to does Emmett's laboured insistence that everyone should stop picking on it and just give it a fair go to prove its intentions are honourable. No mention of the poor victim sans head.

It really does deteriorate badly, which is a shame because the first thirty minutes promise a rousing climax, reminiscent of "The Thing", but ends up looking more like "Attack of the Crab Monsters", only minus the humour. Not the best AIP-Corman collaboration conceived.

I did however see this on TV in the late 60`s. Gemini/Apollo had already made the rocket and base seem ridiculous. Informal staff or what? I did stick with it and enjoyed the fleeting glimpses of the creature and plot weirdness. Possible shock landmarks: First movie with alien pregnancy? Near beheading? A previous review mentions a hairy chest.I recall that I too was smitten with Georgiana Carter somewhat and thought she had a contemporary beauty as compared to other 50`s sci-fi ladies. Unfortunately The Wild Ride with Jack Nicholson was all else she was in. Also thought Michael Emmet was OK in this and Attack Of The Giant Leeches. And of course Ed Nelson smokes cigarettes and adds energy to the proceedings. All in all one of my favorite 50`s schlock/sci-fi movies. Available at a nice price from Collectables. On the strength of being THE Georgianna Carter movie ** out of *****