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8,2/10
1780
LA TUA VALUTAZIONE
Prova la versione completa acclamata come la più spaventosa mai creata per la televisione, ora disponibile per la prima volta.Prova la versione completa acclamata come la più spaventosa mai creata per la televisione, ora disponibile per la prima volta.Prova la versione completa acclamata come la più spaventosa mai creata per la televisione, ora disponibile per la prima volta.
- Candidato a 1 Primetime Emmy
- 2 vittorie e 5 candidature totali
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There are many "Thriller" episodes that raise the goosebumps, but the one I will never forget, "La Strega" (Italian for "The Witch") remains to haunt me to this day. Starring the great Jeanette Nolan, Ursula Andress and Alejandro Rey ("The Flying Nun"), it told the story of an artist (Rey) who falls in love with the granddaughter (Andress) of a witch (Nolan). When I saw this, back in the late sixties, it was on late night TV. Just the truly evil appearance of Nolan gave me nightmares for a week. Every few years it would be broadcast again (always late at night) and I would always watch. And the nightmares would return (no other film, TV show or book ever scared me as much} stronger than ever. A few years ago, thirty years since the last time I saw it, it was shown on the Sci-Fi channel. No nightmares this time, but I made a point of making sure every door and window was locked before I went to bed because this time, like all the previous ones, I happened to be alone.
Karloff's classic 60's 'Thriller' was a rare, haunting gem of some of the scariest horror stories, written by the best authors of the genre. It's 'trademark' was its logo lines that would come in and out before and after the commercial breaks.
Veteran directors such as John Brahm ("Hangover Square") employed dark, baroque german expressionism to evoke a creepy, ominous mood of paranoia. Newcomer, Jerry "Alien" Goldsmith's eerie soundtracks were unsettling and morbidly effective. (Wish it was available on CD).
Karloff's intros were congenial and sinister, and helped to set the stage for the truly suspenseful and frightening tales. He also appeared in a few episodes such as 'Premature Burial', 'Last of the Sommerviles' (with Martita Hunt from "Brides of Dracula") and 'Incredible Dr. Markeson' with Dick "Bewitched" York. The zombies and dank atmosphere of 'Markesan' seemed like a pre-cursor to "Night of the Living Dead." Ending was truly terrifying.
A pre-Kirk William Shatner appeared in two outstanding episodes; 'The Hungry Glass' with Russell "professor" Johnson and 'The Grim Reaper with Natalie "Lovey" Shaffer. Both were written by Robert "Psycho" Bloch and were genuine supernatural classics.
Robert Arthur wrote 'Prisoner in the Mirror' where researcher Lloyd Bochner ends up trapped in a mirror by evil magician Henry "The Body Snatcher" Daniell. The conclusion was unexpected and quite disturbing - something Hollywood would never have the balls to do today with all its "play it safe" and PC crap.
Feminists may find it interesting to know that THRILLER was one of the first shows that had a woman director. It was Ida Lupino, who did a marvelous job on superb episodes like 'La Strega'; that featured a pre-Bond Ursula Andress and Jeanette "The Big Heat" Nolan, who convincingly played the most horrifying witch imaginable. Had a very hard-hitting surprise ending that was not easily forgotton.
Mz. Lupino also created Hitchcockian suspense in Cornell "Rear Window" Woolrich's 'Guilotine', which has a true kicker ending. Fine performance from Robert Middleton as the sensitive romantically jilted executioner.
'Trio for Terror' was another great Lupino-entry which was a trilogy of three short horror tales; among them, "The Extra Passenger" which had the chilling atmosphere of J. Tourneau's "Curse of the Demon." Clever use of subtlety, which we no longer have today.
John "One Step Beyond" Newland directed Robert E. Howard's 'Pigeons from Hell' with Brandon De Wilde, who, with his young brother, spend a memorable night in a old run-down southern mansion. A true terrifying classic and a masterpiece of atmosphere.
There were many more exceptional episodes that need to be re-discovered due to their great, timeless classic merits.
THRILLER was a genuine one-of-a-kind show, and a soaring tribute to the horror genre. There were also many memorable crime episodes that are worth your attention as well; written by top people such as John D. MacDonald ("Cape Fear"), Lionel White ("The Killing"), Fredric Brown, Philip McDonald; etc. Some of the darkest film noir with the most downbeat of endings. Also, there were occasions where episodes would do a criss-cross of the crime and horror genres to great suspenseful effect.
Make it a top priority to check out this remarkable classic series which Stephen King also had the highest praise for.
THRILLER was (and still is) the best of its kind. Needs a revival and full DVD release. Check the thread on the 'Classic TV' message board.
Veteran directors such as John Brahm ("Hangover Square") employed dark, baroque german expressionism to evoke a creepy, ominous mood of paranoia. Newcomer, Jerry "Alien" Goldsmith's eerie soundtracks were unsettling and morbidly effective. (Wish it was available on CD).
Karloff's intros were congenial and sinister, and helped to set the stage for the truly suspenseful and frightening tales. He also appeared in a few episodes such as 'Premature Burial', 'Last of the Sommerviles' (with Martita Hunt from "Brides of Dracula") and 'Incredible Dr. Markeson' with Dick "Bewitched" York. The zombies and dank atmosphere of 'Markesan' seemed like a pre-cursor to "Night of the Living Dead." Ending was truly terrifying.
A pre-Kirk William Shatner appeared in two outstanding episodes; 'The Hungry Glass' with Russell "professor" Johnson and 'The Grim Reaper with Natalie "Lovey" Shaffer. Both were written by Robert "Psycho" Bloch and were genuine supernatural classics.
Robert Arthur wrote 'Prisoner in the Mirror' where researcher Lloyd Bochner ends up trapped in a mirror by evil magician Henry "The Body Snatcher" Daniell. The conclusion was unexpected and quite disturbing - something Hollywood would never have the balls to do today with all its "play it safe" and PC crap.
Feminists may find it interesting to know that THRILLER was one of the first shows that had a woman director. It was Ida Lupino, who did a marvelous job on superb episodes like 'La Strega'; that featured a pre-Bond Ursula Andress and Jeanette "The Big Heat" Nolan, who convincingly played the most horrifying witch imaginable. Had a very hard-hitting surprise ending that was not easily forgotton.
Mz. Lupino also created Hitchcockian suspense in Cornell "Rear Window" Woolrich's 'Guilotine', which has a true kicker ending. Fine performance from Robert Middleton as the sensitive romantically jilted executioner.
'Trio for Terror' was another great Lupino-entry which was a trilogy of three short horror tales; among them, "The Extra Passenger" which had the chilling atmosphere of J. Tourneau's "Curse of the Demon." Clever use of subtlety, which we no longer have today.
John "One Step Beyond" Newland directed Robert E. Howard's 'Pigeons from Hell' with Brandon De Wilde, who, with his young brother, spend a memorable night in a old run-down southern mansion. A true terrifying classic and a masterpiece of atmosphere.
There were many more exceptional episodes that need to be re-discovered due to their great, timeless classic merits.
THRILLER was a genuine one-of-a-kind show, and a soaring tribute to the horror genre. There were also many memorable crime episodes that are worth your attention as well; written by top people such as John D. MacDonald ("Cape Fear"), Lionel White ("The Killing"), Fredric Brown, Philip McDonald; etc. Some of the darkest film noir with the most downbeat of endings. Also, there were occasions where episodes would do a criss-cross of the crime and horror genres to great suspenseful effect.
Make it a top priority to check out this remarkable classic series which Stephen King also had the highest praise for.
THRILLER was (and still is) the best of its kind. Needs a revival and full DVD release. Check the thread on the 'Classic TV' message board.
There's no doubt about it, that this show had some of the eeriest and most unsettling stories to ever be aired on network TV. However, it would (I feel), be naive to think this show was the best of its kind. Like other anthology shows of its genre (NIGHT GALLERY, THE TWILIGHT ZONE, etc.) it suffers from a hodgepodge of dull scripts, mixed in with some genuinely effective ones. While the good on this series could be really good, the weaker shows could be insufferably boring. As a horror/fantasy enthusiast, it's those shows which I enjoy the most from this series, but the non-horror, the crime "thriller"s, those are generally a disappointment.
That aside, the horror segments on this show are some of the best ever done for television. Very moody, atmospheric pieces, suitably filmed in black and white. I suppose one could say that this series is what THE TWILIGHT ZONE would have been like, had it been a horror show, or what NIGHT GALLERY would have been like, had it been in black and white. Boris Karloff introduces each segment, in his usual drawl, but although he does fairly well at that, he doesn't have quite the same eerie restraint that Serling had on his series'.
Among some of the better segments on this show, that I enjoy:
"The Weird Tailor": Extremely clever story, with perhaps the most chilling final moments of any of the THRILLER episodes.
"A Wig for Miss Devore": One of Patricia Barry's best roles, and one of THRILLER's best shows.
"The Remarkable Mrs. Hawk": Jo Van Fleet is great in this one, as is John Carradine. This plays like a dark comedy...twisted and fun.
"The Cheaters": Most remember the final moments from this episode, but the whole show is very well done.
Definitely a series worth checking out for horror fans, and those who appreciate quality television. It's a shame this series doesn't get enough of the credence it deserves. It's not perfect, but it's certainly not without its laurels.
That aside, the horror segments on this show are some of the best ever done for television. Very moody, atmospheric pieces, suitably filmed in black and white. I suppose one could say that this series is what THE TWILIGHT ZONE would have been like, had it been a horror show, or what NIGHT GALLERY would have been like, had it been in black and white. Boris Karloff introduces each segment, in his usual drawl, but although he does fairly well at that, he doesn't have quite the same eerie restraint that Serling had on his series'.
Among some of the better segments on this show, that I enjoy:
"The Weird Tailor": Extremely clever story, with perhaps the most chilling final moments of any of the THRILLER episodes.
"A Wig for Miss Devore": One of Patricia Barry's best roles, and one of THRILLER's best shows.
"The Remarkable Mrs. Hawk": Jo Van Fleet is great in this one, as is John Carradine. This plays like a dark comedy...twisted and fun.
"The Cheaters": Most remember the final moments from this episode, but the whole show is very well done.
Definitely a series worth checking out for horror fans, and those who appreciate quality television. It's a shame this series doesn't get enough of the credence it deserves. It's not perfect, but it's certainly not without its laurels.
Amazing how many of you remember the "Hungry Glass" episode. I was only about 9 years old at the time, and still vividly remember it as the scariest TV show I ever saw. What astounds me is that, with all the cable channels and all the JUNK programmed on them, they don't seem to find a slot to rerun these Thriller classics. It's a shame.
Never saw this series before I watched the DVD set, I was mostly impressed by it, though it took a awhile to find its way. It started out with crime "thrillers", which ranged from moderately interesting to instantly forgettable, though when it showcased horror, it really hummed, with presentations like 'The Hungry Glass', 'The Grim Reaper', & 'Pigeons From Hell' being the standouts.
Boris Karloff presented all 67 episodes, and was as effective a host for this, as Rod Serling was for "The Twilight Zone". Karloff was in my view the greatest horror film actor who ever lived, and appeared in several episodes, the best of which was 'The Incredible Doktor Markensen'.
Not as moralizing as "The Twilight Zone", this series was noticeably grimmer in tone, though wonderfully filmed in Black & White.
If you can get past the crime episodes, this is well worth viewing.
Boris Karloff presented all 67 episodes, and was as effective a host for this, as Rod Serling was for "The Twilight Zone". Karloff was in my view the greatest horror film actor who ever lived, and appeared in several episodes, the best of which was 'The Incredible Doktor Markensen'.
Not as moralizing as "The Twilight Zone", this series was noticeably grimmer in tone, though wonderfully filmed in Black & White.
If you can get past the crime episodes, this is well worth viewing.
Lo sapevi?
- QuizBesides serving as host in every episode, Boris Karloff had roles in five different episodes.
- Citazioni
Boris Karloff: And as sure as my name is Boris Karloff, this is going to be a thriller.
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: Thriller: The Prediction (1972)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Boris Karloff Presents
- Luoghi delle riprese
- Revue Studios, Universal City, California, Stati Uniti(filmed in Hollywood at)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 50min
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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