VALUTAZIONE IMDb
6,3/10
31.296
LA TUA VALUTAZIONE
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- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Steve McQueen
- Steve Andrews
- (as Steven McQueen)
Aneta Corsaut
- Jane Martin
- (as Aneta Corseaut)
Olin Howland
- Old Man
- (as Olin Howlin)
Stephen Chase
- Dr. T. Hallen
- (as Steven Chase)
Vincent Barbi
- George
- (as Vince Barbi)
Recensioni in evidenza
I have read many of the user comments and I think that the film is generally not getting credit for being a smart thriller. Why does the monster have to be on-screen to make it good? Hitchcock said that suspense plays better than action and although this film missed many opportunities to be more suspenseful, it's is at least not stupid.
In how many horror films today does the hero know the monster and its nature when he should? Steve knows what he's dealing with almost from the beginning and his frustration is not being able to convince the authorities.
Yet the authorities act in a totally credible way as well, even the annoying sergeant. Who would believe such a story from a bunch of "kids" (we know Steve wasn't a kid, but his character is).
One key example of the movie's intelligence: Steve is yelling to Dave to get CO2 fire extinguishers long after Dave has already gotten the message and dispatched people to get them. How many movies made in the 90s would be smart about this subtle detail?
I'm really tired of watching movies and having people behave in ways different than they really would in real life (the most irritating recent example is Tom Hanks falling asleep with the flashlight on in Cast Away). Horror films in particular do this in spades (which is why the Scream films have been so popular), but The Blob, to me, stayed pretty true to its characters, and in so doing made a smarter and better film.
Yes there are many flaws, perhaps biggest is Steve McQueen's very uneven performance, but I think they missed key opportunities for suspense that could have turned this above average, kinda scary, kinda funny movie that's a cult favourite into a true classic.
In how many horror films today does the hero know the monster and its nature when he should? Steve knows what he's dealing with almost from the beginning and his frustration is not being able to convince the authorities.
Yet the authorities act in a totally credible way as well, even the annoying sergeant. Who would believe such a story from a bunch of "kids" (we know Steve wasn't a kid, but his character is).
One key example of the movie's intelligence: Steve is yelling to Dave to get CO2 fire extinguishers long after Dave has already gotten the message and dispatched people to get them. How many movies made in the 90s would be smart about this subtle detail?
I'm really tired of watching movies and having people behave in ways different than they really would in real life (the most irritating recent example is Tom Hanks falling asleep with the flashlight on in Cast Away). Horror films in particular do this in spades (which is why the Scream films have been so popular), but The Blob, to me, stayed pretty true to its characters, and in so doing made a smarter and better film.
Yes there are many flaws, perhaps biggest is Steve McQueen's very uneven performance, but I think they missed key opportunities for suspense that could have turned this above average, kinda scary, kinda funny movie that's a cult favourite into a true classic.
This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all
It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.
I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.
I grew up in Royersford, Pa. The town where Jerry's market was. I remember my whole family going out to watch the filming. I remember a guy showing the "Blob" to me and my brothers in a bucket. I also would like to share that my mother was in the movie. Her hair style was the same as Aneta Corsaut's and she was ill one evening and they saw my mom and asked her to sit in the car with Steve Mcqueen for some shots from behind. They payed her $25.00 and gave her a story to tell until she passed away this past August. My mom was not a teenager and she was a few months from giving birth to my little sister.
The Blob is a classic 1950s B-movie sci-fi flick. You probably know the story: two teens (Steve McQueen & Aneta Corsaut) see a meteorite hit the ground, and when they go to look for it, they run into an old man with some weird...blob attached to his arm. They take him to the doctor's office, and then go to find out what happened. From there, the blob spreads, eating everyone in its path. The special effects are cheesy fun, as is the story. There are a lot of great touches, like the cop who plays chess over the radio with a cop in another district. It's no masterpiece, but it has a special place in its genre. Steve McQueen is very good. 8/10.
What a fun time can be had watching The Blob! A meteorite with a blob inside it lands, attatches itself to an old man's hand, engulfs the old man, a nurse, a doctor, and so on...until it is a huge mass of jelly-like substance squeezing through small openings and killing anything and everything in its path. A very young Steve McQueen plays the small-town teenager who just can't get any of the establishment(adults) to listen to him. The film was shot with a shoestring budget and the actors, with the exception of McQueen who shows talent and personality even at this youthful age, range from mediocre to downright bad(Doc Hallen for example), but none of that is overly important to the monster itself. Nothing like it had ever been on film before and some scenes stand out as decidedly very original and memorable. The Spook Movie festival in the movie theater and the finale at the diner are such classic scenes.
Lo sapevi?
- QuizSteve McQueen had the poster of this film on his bedroom wall at the time of his death.
- BlooperAt 1:05:01, as the actor awakens and dons clothes, the siren (added in post-production) changes from air raid to fire. The Director can plainly be heard off screen cuing the actor with "Fire" just before the actor says it.
- Citazioni
[last lines]
Lieutenant Dave: At least we've got it stopped.
Steve Andrews: Yeah, as long as the Arctic stays cold.
- Curiosità sui creditiWhen the movie ends it shows the Blob being dropped into the Arctic. "THE END" appears and changes into a question mark.
- Versioni alternativeSpanish-dubbed version substitutes the opening credits theme song for a more conventional, in-tone with the movie, instrumental tune.
- ConnessioniEdited into Último deseo (1976)
- Colonne sonoreThe Blob
Written by Burt Bacharach & Mack David
Performed by The Five Blobs, arranged by and all vocals by Bernie Knee
[Played over the opening credits]
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La mancha voraz
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 240.000 USD (previsto)
- Tempo di esecuzione
- 1h 26min(86 min)
- Mix di suoni
- Proporzioni
- 1.66 : 1
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