La 'cosa' da un altro mondo

Exactly that´s the stuff classics are made from: good acting (James Arness from TV-show "Smoking Guns" plays the monster!), a creepy atmosphere and an intelligent plot! The suspense will make you bite down your fingernails for 90 minutes, there is neither violence nor gore, because the true horror comes from the unknown and the unexpected! In 1982 John Carpenter filmed a remake with more action, better F/X and Kurt Russell, but it has not much to do with Howard Hawks original! And also the spirit of the post WW2-era is totally missing, because this film shows very urgently the fear of nuclear armament or the things from outer space! In some moments Christian Nyby´s film even reminded me on Ridley Scott´s "Alien", the parallels to both stories are more than immense! But as Scott´s movie is nothing but good Sci-Fi/horror, "The Thing from another World" is social criticsm and suspense-packed entertainment in one! It influenced many other classics of the genre like "Tarantula", "Them!" or "It came from outer Space", so it´s a very enjoyable and important film, which is a must for lovers of 1950s terror cinema!

Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.

All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.

Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!

Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.

Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.

Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.

Classic, wonderful sci-fi / horror feature, a none too faithful adaptation of the John W. Campbell, Jr. short story "Who Goes There?". In this instance, the idea of the alien entity being a monstrosity that can imitate other life forms is jettisoned, in favour of making the creature basically like the Frankenstein monster. It's a super vegetable that requires blood for sustenance, and it makes life very tense for the scientists and military personnel at an isolated Arctic outpost when it's thawed from an icy imprisonment.

With an intrepid hero in the form of 1950s icon Kenneth Tobey on hand, it's a guarantee that "The Thing from Another World" is going to be a good time. It was a fairly odd choice of material for the producer Howard Hawks, who fills the story with overlapping dialogue and a sense of camaraderie among the various protagonists. Unlike the 1982 version, where the characters had the means to destroy the creature but first had to *identify* who the creature was, our cast here have to improvise their survival.

While any genre fan such as this viewer, who'd been brought up on the 1982 John Carpenter film, may be more inclined to favour that brand of horror, this is still very stylish fun. Hawks's editor Christian Nyby gets the directing credit, but it's generally believed that Hawks was pretty much in control of things. The score by Dimitri Tiomkin, utilizing the theremin, is suitably eerie. There are solid shocks, moments of suspense, and atmosphere along the way, as well as a lively finish.

This is a film very much of its time, with our military characters very much a dependable bunch of heroes, and the scientists (most of them) treated as highly suspect, especially the misguided Dr. Carrington, played delightfully by Robert Cornthwaite.

A little too much time is devoted to the romantic subplot with Captain Hendry and his love interest (Margaret Sheridan), but the actors couldn't be more engaging. Tobey, Sheridan, and Cornthwaite are extremely well supported by a strong ensemble: Douglas Spencer as annoying newspaperman Scotty (who has the honour of uttering the memorable closing monologue), James Young, Dewey Martin, Robert Nichols, William Self, Eduard Franz, Nicholas Byron, John Dierkes, George Fenneman, Paul Frees, David McMahon, and Norbert Schiller. A young James Arness, in his pre-'Gunsmoke' days, has great presence as The Thing.

There are images here so striking that Carpenter was wise to pay homage to them in his film: the line of men encircling the buried UFO, and the sight of the burning creature crashing through the building into the snow.

It's definitely a different beast, in more ways than one, than what we would see 31 years later, but it's solid entertainment for its own very good reasons.

Eight out of 10.

One of a very few movies I would rate a 10. It's perfection was mostly due a Charles Ledera script based on the story "Who Goes There?" and the director talents of Christian Nyby and Howard Hawks. The cast was marvelous.

The opening scene of the reporter Scotty walking his way through blizzard like snow and below zero temperature to enter a warm and cozy officers club is special. The beautiful soft music of the late 40's plays as Mr. Scott warms up by the fireplace. We get introductions underway to the main characters, pilot Captain Henry and his flying mates. A page by the general for the Captain and we are off to join a group of scientists at the north pole to explore a mysterious plane crash.

Some of the scenes at the North poll station scared the pants off me when I first saw the movie. In between the scary stuff Captain Henry and a secretary Nikki added a few romantic moments, one scene with a band playing "A lovely way to spend an evening". It's a shame that the movie sound track had none of the soft music numbers that also played in the mess hall scenes.

A great ending had me "looking at the skies" for years after.

Imagine what you'd if a flying saucer crash landed close to an artic outpost where you were stationed. I guess you'd instinctively get out and about and go looking for it, albeit with some army types in tow (or towing) and, upon discovering it, inadvertently destroy said vessel but manage, through luck or misfortune to capture the alien pilot in a block of ice where it had frozen during its escape. That's what I'd do, then I'd do all I could to ensure (inadvertently again) that the entrapped thing was released as expediently as possible so it could cause rampage and carnage while instilling fear within the occupants of the isolated outpost. Just as well I wasn't around!

You've got to love the old B Movies of the 1950s! Especially those that gave us two belters of cinema in years to come.