Fluido mortale

The Blob is a classic 1950s B-movie sci-fi flick. You probably know the story: two teens (Steve McQueen & Aneta Corsaut) see a meteorite hit the ground, and when they go to look for it, they run into an old man with some weird...blob attached to his arm. They take him to the doctor's office, and then go to find out what happened. From there, the blob spreads, eating everyone in its path. The special effects are cheesy fun, as is the story. There are a lot of great touches, like the cop who plays chess over the radio with a cop in another district. It's no masterpiece, but it has a special place in its genre. Steve McQueen is very good. 8/10.

I look at this page, and it seems disapproving to me to have to listen to someone ramble and rant at a real classic. Sure, I agree to let everyone have their opinion, but here's mine:

This movie should not be missed by any classic horror watcher, and should be seen many casual viewers around the world. Sure, it has lost some of it's flair and greatness with age, especially in todays world of CGI effects, but that's not why you should like it.

You should like it because it actually is a scary movie, even for today's standards. It's overall ickyness will creep you out just as much as the original audiences, so don't slam a classic if you haven't given it a chance. Watch it, but not with a critical attitude. Watch it to have fun, how it was originally intended.

What a fun time can be had watching The Blob! A meteorite with a blob inside it lands, attatches itself to an old man's hand, engulfs the old man, a nurse, a doctor, and so on...until it is a huge mass of jelly-like substance squeezing through small openings and killing anything and everything in its path. A very young Steve McQueen plays the small-town teenager who just can't get any of the establishment(adults) to listen to him. The film was shot with a shoestring budget and the actors, with the exception of McQueen who shows talent and personality even at this youthful age, range from mediocre to downright bad(Doc Hallen for example), but none of that is overly important to the monster itself. Nothing like it had ever been on film before and some scenes stand out as decidedly very original and memorable. The Spook Movie festival in the movie theater and the finale at the diner are such classic scenes.

Who would think Andy Griffith's "Helen Crump" (Aneta Corsaut) had a Steve McQueen movie in her past? But that is only one of several weird and wonderful things about the ultimate 1950s teenagers-battle-creatures movie, which might best be described as Rebel Without A Cause meets God Knows What From Outer Space. The Rebel is Steven McQueen (who would shortly decide that "Steve" sounded less prissy), a good boy with just enough wild to be interesting; the very wholesome yet understanding girlfriend is the aforementioned Aneta Corsaut. It was bad enough when their date was disrupted by teenage hot-rodders, but they are considerably more nonplussed when they encounter a gelatinous, man-eating What Is It that rides down to earth on its own hotrod meteor--and begins gobbling up townfolk right and left. But will the grown ups believe them? Of course not, what do they know, they're just kids!

The movie is teeny bopper at its teeny bopping best. The actors take the rather pretentious script very seriously, with many a soulful look into each other eyes, and the "adult" supporting cast probably says "Kids!" very third sentence or so. But the real pleasure of the film its creature, which is well imagined, well-executed, and often manages to generate a surprising degree of suspense. And although clearly on the cheap side (check out those miniature sets, guys!), THE BLOB is actually a fairly well-made film--and there's that catchy little theme song thrown in for good measure. The 40-plus crowd (myself included) will enjoy the movie as nostalgia, but that won't prevent them from hooting right along with the younger set at its whole-milk-and-white-bread 1950s sensibility, and the film would be a great choice for either family-movie night or a more sophisticated "grown ups only" get together. Make plenty of Jello cubes for movie snacking! Gary F. Taylor, aka GFT, Amazon Reviewer

This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.

It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all

It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.

I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.