La 'cosa' da un altro mondo

Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.

All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.

Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!

Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.

Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.

Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.

Imagine what you'd if a flying saucer crash landed close to an artic outpost where you were stationed. I guess you'd instinctively get out and about and go looking for it, albeit with some army types in tow (or towing) and, upon discovering it, inadvertently destroy said vessel but manage, through luck or misfortune to capture the alien pilot in a block of ice where it had frozen during its escape. That's what I'd do, then I'd do all I could to ensure (inadvertently again) that the entrapped thing was released as expediently as possible so it could cause rampage and carnage while instilling fear within the occupants of the isolated outpost. Just as well I wasn't around!

You've got to love the old B Movies of the 1950s! Especially those that gave us two belters of cinema in years to come.

One of a very few movies I would rate a 10. It's perfection was mostly due a Charles Ledera script based on the story "Who Goes There?" and the director talents of Christian Nyby and Howard Hawks. The cast was marvelous.

The opening scene of the reporter Scotty walking his way through blizzard like snow and below zero temperature to enter a warm and cozy officers club is special. The beautiful soft music of the late 40's plays as Mr. Scott warms up by the fireplace. We get introductions underway to the main characters, pilot Captain Henry and his flying mates. A page by the general for the Captain and we are off to join a group of scientists at the north pole to explore a mysterious plane crash.

Some of the scenes at the North poll station scared the pants off me when I first saw the movie. In between the scary stuff Captain Henry and a secretary Nikki added a few romantic moments, one scene with a band playing "A lovely way to spend an evening". It's a shame that the movie sound track had none of the soft music numbers that also played in the mess hall scenes.

A great ending had me "looking at the skies" for years after.

A scientific expedition, located near the North Pole, sends an urgent message to an Air Force Base in Anchorage, Alaska reporting the near-by crash of a very large, unknown, object and requesting immediate assistance. Air Force Captain Pat Hendry, and his crew, then depart to this expeditionary site. Upon arrival, Captain Hendry meets Dr. Carrington, who's in charge. Preliminary scientific evidence rules out the possibility of a meteor. Also, since this crash, a lot of atmospheric and magnetic disturbance has been generated, making radio communications and aircraft navigation difficult, if not impossible. AT this point, Captain Hendry and his crew, along with Dr Carrington with some members of his staff, depart to the crash scene about 50 miles away. Upon arrival, part of an aircraft structure is protruding above the ice and appears to be "alien" in origin. Attempts to remove this aircraft, using thermal "thermite" heat bombs proves unsuccessful. This "Flying Saucer" is destroyed, but its occupant is thrown clear and becomes frozen under the ice. This body is then removed and taken back to this expeditionary site and put in cold storage. Everything appears to be under control until an unforseen accident occurs endangering not only the lives ov everyone at this expeditionary site, but all human and animal life on the entire face of planet Earth. There are some lighter sides to this Sci Fi drama. I enjoy the good natured kidding that Captain Hendry receives from his men after his girl friend pins an embarrassing not on his chest while he's asleep giving everybody ample opportunity to read it. I also get a kick out of the newspaper reporter Ned "Scotty" Scott's on going battle with Captain Hendry in trying to obtain permission to broadcastcast his "Flying Saucer" story to the media and Captain Hendry's refusal to let him until offical Air Force clearance can be given. Also, keep an eye out for George Fennamen, from Groucho Marx's old TV quiz show "You Bet Your Life."

The Thing, released in 1951, is the original hostile alien movie, a must-see for fans of sci-fi and horror.

Major director Howard Hawks (Sergeant York, The Big Sleep, Red River, Rio Bravo) produced it but some sources (Leonard Maltin) credit him as co-director. Christian Nyby, a film editor for Hawks, is officially credited as the director. Whoever directed it, The Thing is an impeccably crafted movie. It's considered as a Grade B movie, probably because of its subject matter, but it's one of the best Grade B's along with Them and Invasion of the Body Snatchers.

A group of scientists at the North Pole discover something buried in the ice. Unknowingly they bring back part of it to the camp for study.

The acting is solid and the characters are given great dialog. Kenneth Tobey is the take charge Captain Patrick Hendry. Robert Cornthwaite is great as the slightly nutty Dr. Carrington. Douglas Spencer as Scotty is fun as the wisecracking reporter always looking for a photo. Margaret Sheridan is Nikki the shapely love interest. James Arness plays The Thing monster. With an ensemble cast of supporting actors. Be sure to rent the DVD version because it has a few scenes between Tobey and Sheridan that were always cut for TV and VHS probably because they were considered a little too racy for the time although now they are just cute.

The film has held up well for over fifty years. The film's contributors were seasoned professionals who had worked on major films. The screenplay by Charles Lederer (Mutiny on the Bounty, Ocean's Eleven, Gentlemen Prefer Blondes, His Girl Friday) is full of crisp dialog. The black and white cinematography by Russell Harlan (Red River, Witness for the Prosecution, To Kill A Mockingbird, Run Silent Run Deep) makes everything look right. The prolific film composer Dmitri Tiompkin provides a very eerie, theremin-based score.

After 50 years this movie rightly earns the label of classic.