Tre sconosciuti, una spogliarellista, una moglie alcolizzata e un venditore ambulante intraprendono un viaggio che cambia la vita. La strada presenta delle sfide, dove ognuno affronta i prop... Leggi tuttoTre sconosciuti, una spogliarellista, una moglie alcolizzata e un venditore ambulante intraprendono un viaggio che cambia la vita. La strada presenta delle sfide, dove ognuno affronta i propri difetti non sapendo dove porterà la vita dopo.Tre sconosciuti, una spogliarellista, una moglie alcolizzata e un venditore ambulante intraprendono un viaggio che cambia la vita. La strada presenta delle sfide, dove ognuno affronta i propri difetti non sapendo dove porterà la vita dopo.
- Premi
- 1 candidatura in totale
- Ed 'Pimples' Carson
- (as Dee Pollack)
- Commuter at Terminal
- (non citato nei titoli originali)
- Andrews
- (non citato nei titoli originali)
- Mrs. Breed
- (non citato nei titoli originali)
- Bus Driver
- (non citato nei titoli originali)
- Bus Dispatcher
- (non citato nei titoli originali)
- Commuter at Terminal
- (non citato nei titoli originali)
- Stanton
- (non citato nei titoli originali)
Recensioni in evidenza
At one time this had been planned as a prestige production, with names like Marlon Brando, Anthony Quinn, Susan Hayward, and Gene Tierney mentioned for the role. By the time it came to the screen, the cast consisted of lesser-regarded players like Dan Dailey, Joan Collins, Jayne Mansfield, and Larry Keating in the roles. Although on paper it looks like a low-rent version of GRAND HOTEL, the characters are well drawn from a Steinbeck story, and the performers offer much stronger performances than the usual work they are noted for.
Credit producer Charles Brackett. He started as a writer, and in the mid-1930s, he hooked up with Billy Wilder. When they grew tired of directorial interference with their scripts, Wilder began to direct regularly, with Brackett as the producer. After 1950, they went on their own ways. Brackett continued to produce, occasionally taking writing credit, through 1962. Along the way, he picked up three Oscars, including one honorary one, amidst a baker's dozen nominations. He died in 1969, aged 76.
So we have the buffoonish travelling salesman, the alcoholic diner owner, the teen dreaming of Hollywood stardom, the rugged bus driver, the embarrassed stripper, the repressed teen...the list goes on. Basically, a cross section of society travel on a bus whose journey is as unpredictable and dangerous as that of the lives of most of the passengers aboard.
While it's not the most riveting of movies, and the vastness of Cinemascope certainly spoils the intimacy of some of the scenes, it is a solid little drama in the kitchen sink/new wave style that is an entertaining watch from start to finish. While the copy I own on DVD has clearly been copied from a television broadcast resulting in fluffy picture and muffled sound, I still enjoyed (and repeatedly enjoy) watching this film.
The standout? But Jayne Mansfield of course. If Marilyn silenced the critics that she could act with a movie about a bus, then so did our Jayne. Of course the platinum blonde tresses and eye-popping figure are present and correct but gone are the silly wiggle, the high pitched squeals and the plunging necklines. Here, in a rare straight dramatic performance, Jayne present Camille not as a cartoon character a la Jessica Rabbit, but rather a sex symbol with feelings, someone who is employed for her looks but has fears and emotions beneath the surface. Jayne moves and talks naturally in this film and is a revelation.
How sad that after this solid performance and her wonderful turn as Rita Marlow in Rock Hunter, ego would dictate that she would agree to appear with Cary Grant in what many consider the final nail in her A-list film career, Kiss Them For Me...a truly abysmal waste of time.
But forget about her career mistakes; Jayne is solid gold here and this is well worth a watch.
Lo sapevi?
- QuizThis movie was made as a Jayne Mansfield vehicle in hopes of replicating the box office success of the previous year's similar film Fermata d'autobus (1956), which had starred Mansfield's main rival as a platinum blonde bombshell, Marilyn Monroe.
- BlooperWhen the bus looks to be out of control coming down the dirt road, it can be seen that there are no passengers on board.
- Citazioni
Ed 'Pimples' Carson: Piece of chocolate cake, please
Norma , the counter girl: Cake for breakfast? I bet Mr Robert Wagner doesn't start his day wolfing down chocolate cake.
- Curiosità sui creditiThe film's title card reads: "John Steinbeck's The Wayward Bus."
- Versioni alternativeUnited Press International wrote in a review of the film that Dolores Michaels' "torrid" scene, a seduction scene in a barn where she makes a pass at the bus driver (Rick Jason), "manages to steal the sexiest scene in the picture," over better known actresses Jayne Mansfield and Joan Collins, and wrote that Hollywood had not had a scene like it since Jane Russell in The Outlaw. Director Victor Vicas shot two versions, an "A" scene and a "B" scene (only implied sex in barn) because of the censors.
- ConnessioniFeatured in Jayne Mansfield: La tragédie d'une blonde (2013)
- Colonne sonoreSomethin's Gotta Give
I più visti
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Dettagli
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Proporzioni
- 2.35 : 1