La strada della rapina

Being primarily a visual medium, one of the things film does best is illustrate the mechanics of complex items. I refer not only to the machinations of the caper plot so well achieved here, but also to big machines themselves -- trains, trucks, assembly lines. Many a great director has used the relentless workings of machines as a metaphor for inescapable fate -- think especially of Fritz Lang and the openings of Human Desire and Clash by Night.

The stars of Plunder Road are the machines themselves -- the overburdened trucks inching their way to freedom, the massive crane and huffing sabotaged train in the rain-pelted robbery scene, the bubbling cauldron at the foundry contributing to the ingenious escape plan, etc. The human characters are sketched briefly, with impressionistic strokes, but it's the mute mechanical accomplices that drive the plot and stick in the mind. This is best illustrated by the cleverly-inserted visit of a smog inspector, and again in the cruelly ironic downfall of the protagonists, who are at the mercy of their guileless vehicles.

This is another of those "Poverty Row" film noirs, a crime movie made on a low budget but yet decently acted and certainly entertaining.

Gene Raymond and Elisha Cook Jr. are known actors to classic film buffs but the rest of the cast may not be too familiar. There is no one star in this film anyway but all give good performances, particularly Raymond, the most interesting member of the gang.

The weak link of the film, at least to me, was the ending...but I give it points for originality. Overall, the story was a simple one, but oddly told. I say that because the important things that happened in the film (the arrests of the criminals, for one thing) would be glossed over quickly while minor things would be detailed longer than necessary. Despite that, the film was interesting thanks to good dialog, realism on the part of the characters and the short running time (73 minutes). Hope to see it on DVD some day.

A well planned and executed train robbery is carried out in silence in twelve minutes. The take is over ten million dollars in gold. Now the six thieves -- Gene Raymond, Wayne Morris, Elisha Cook, Jr, Stafford Repp and Steven Rich -- have to get it past the roadblocks from border to border.

It's a decently done B movie, with some nice talent in front of the camera and behind it, too; Ernest Haller runs a nice camera, with an increasingly filled and claustrophobic screen. A little too much time is spent in chat, but what are you going to do when you're driving a truck several thousand miles, and the voice on the radio is always the same?

Once again, I am impressed by Gene Raymond, whom I had once written off as a pretty-boy actor from the 1930s. This was Wayne Morris' last movie shoot; one he had shot earlier sat on the shelves for a few years.

$10 million in gold is being shipped by rail to San Francisco from Salt Lake City. Five men are determined to see that the gold doesn't make it. The men successfully pull-off a daring nighttime robbery and snatch the $10 million. Their plan includes loading the gold into three different trucks. At regular intervals, they set off for the coast where they intend to rendezvous and split their loot. Will they make it? (This is a film noir - you know things are bound to go horribly wrong.)

Plunder Road is a nice little low-budget noir/crime/drama film. While I enjoyed every second of the movie, the highlight for me has to be the robbery that takes up at least the first 15 minutes of the film's 72 minute runtime. Similar to Rififi, the robbery is carried out almost entirely in silence. The plan is well thought out and executed. The coordination between the five guys makes for a great watch. Director Hubert Cornfield expertly filmed this section of the movie. He wisely included almost every detail - from the masks to the gassing of the guards to the handling of the explosives. Some of the camera angles Cornfield chose helped to increase the excitement of the whole thing. I also think that filming the heist in pouring rain was a wise decision. The rain added even more suspense and atmosphere. While I'm not overly familiar with most of the cast (Elisha Cook, Jr, being the exception), they all give nice performances. I think I was most impressed with Stafford Repp as Roly Adams, but that may only be because he's familiar to me having played Chief O'Hara on Batman in the 60s. Plunder Road's ending is appropriately bleak. As with most good film noir, none of the characters comes out unscathed.

"Plunder Road" is a low budget crime film with a few familiar faces...and many unfamiliar ones. The leading men you might not be too familiar to you, as the once pretty Gene Raymond and Wayne MOrris are a bit older and more rugged in this film--and I actually think this makes them more believable and I liked their work late in their career. Another one of the crooks is Elisha Cook--a very familiar character actor.

The story is pretty familiar because caper movies were VERY popular during that era. A group of masked robbers bump off a shipment of gold on a train and their planning is meticulous. However, true to most caper films, things start to fall apart during the getaway. The gang is split into teams and one by one, things start to happen to the teams.

Overall, a well directed and interesting cheap film noir flick-- worth seeing if you like the genre and quite engaging. Not among the best of its type (such as "Asphalt Jungle", "The Killing", "Rififi" or "Grand Slam")....but still quite nice.