Aggiungi una trama nella tua linguaA top salesman with a U.K. toy firm foolishly brings an expensive watch back from a German trip for his wife's birthday. This is illegal in 1950's Britain and after Customs discover the watc... Leggi tuttoA top salesman with a U.K. toy firm foolishly brings an expensive watch back from a German trip for his wife's birthday. This is illegal in 1950's Britain and after Customs discover the watch, he is charged and, unusually, given a prison sentence. Not having the money to appeal, ... Leggi tuttoA top salesman with a U.K. toy firm foolishly brings an expensive watch back from a German trip for his wife's birthday. This is illegal in 1950's Britain and after Customs discover the watch, he is charged and, unusually, given a prison sentence. Not having the money to appeal, he has to serve his time hoping the details don't get out and that he won't lose his job.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 1 candidatura in totale
- Bates
- (as Howard Marion Crawford)
Recensioni in evidenza
Bannen's customs officer enthused a bit too much about the toys that Simon had brought back (no long queues in those days!), though it did build up the tension. Likewise the scene at the elderly solicitor's home, with the apparently unnecessary inclusion of the son on leave from National Service. (We only ever got to see the top of his head.) As another reviewer has noted, the court proceedings did seem a bit unusual, and surely in his subsequent job search he would have been required to produce references from his last employer? The depiction of Simon's time in prison had a documentary feel to it - this is not a criticism.
Acting honours must go to Geoffrey Keen as the compassionate managing director.
A very worthwhile film.
However, his attempt to cheat is discovered by the customs officials. His initial laissez-faire attitude is an indicator that he regards neither the action he has committed or its consequences as anything really serious, but it has in fact triggered a chain of events that sees his entire life falling down around him. Britton and Syms deliver excellent performances as the situation grows more desperate at each turn, as the main character's career, home, social standing and maybe also his very marriage are threatened by an unexpected spell in prison, a humbling experience for a man who sees himself as being above the status of the warders, let alone the other inmates.
Is it fair for a good man to lose everything he has because of one momentary lapse of judgement which didn't harm anyone? That is the predominant question asked by this film, which will challenge the viewer to think through the possible consequences of any decision more fully in future.
It's a movie meant to preach forgiveness and that once a man has served his time, he should be forgiven. Usually these stories are about lower-class people, whom the middle-class audience will mistrust anyway, but here Britton is punished to the full extent of the law, and beyond, and so middle-class audiences are supposed to sympathize with him. I found it a bit pat and preachy. With Jack Watling.
History has taught us that one is judged more by the outcome of one's action than the action itself. (Would they be proposing erecting statues to Emily Davidson in Trafalgar Square had it been the horse rather than Davidson that had been killed?) Similarly, just as conservatives enjoy declaring that a conservative is a liberal who's been mugged, so the counter-argument could be that a liberal is a conservative who's been arrested.
Unlike Hitchcock's film we also see the way "Mr.Scott" is transformed into "Scott! 1692!!" and curtly instructed to "say 'Sir' when you speak to a prison officer!!" And the fact that only rich crooks can afford to go to court (in 1957, we learn, his appeal would have cost a prohibitively expensive 300 guineas).
Lo sapevi?
- QuizThe role of Bill Thompson, played by Jack Watling, would have originally been portrayed by Leslie Phillips, who was an old friend of Watling's since the late 1930s, when they attended the same acting school in London.
- BlooperSimon (Tony Britton) appears at Lydd Magitrates Court on a smuggling charge at 10 am. On being sentenced, he's taken to the cells for a few moments, then to a police car and driven to a central London prison. By the time they get there it's dark.
- Curiosità sui creditiThe opening credits run over an Alpine model railway scene.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Das Geburtstagsgeschenk
- Luoghi delle riprese
- Shepperton Studios, Shepperton, Surrey, Inghilterra, Regno Unito(studio: made at Shepperton Studios, England)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 40 minuti
- Colore