L'incredibile Murray

Jason Robards, Jr. plays the lead role of the unique, quirky, firmly unemployed Murray Burns and effortlessly masters the clever dialogue the way it was meant to be performed. Writer, Herb Gardner, created a delightful character like those you yourself rarely meet who have an uncommon outlook on life.

This movie caught my attention and prompted me to check out the screenplay from the library so I could experience the dialogue again and again.

There are so many one-liners and passages to admire, and you'll enjoy the charming performance on ukuleles of "Yes, Sir, That's My Baby" by Robards and Barry Gordon which is played against the background of Murray and Sandra exploring New York.

The sad thing about discovering a gem like this play for the first time is knowing that you won't experience that same pique of excitement and discovery again the second time through it again. But you do continue to marvel at the mind that can create such a fresh screenplay.

Unfortunately, I could not find much more information about the author, Herb Gardner, than what was on the cover jacket of the screenplay: He was born in Brooklyn and worked as a teen-ager selling orange-juice and checking coats at the Cort and National Theatres. "He saw some plays as many as 140 times and reports that that's an excellent way to learn the craft of the dramatist." He was also married to actress Rita Gardner.

Some favorite quotes:

"If most things aren't funny, Arn, then they're only exactly what they are; then it's one long dental appointment interrupted occasionally by something exciting, like waiting or falling asleep. What's the point if I leave everything exactly the way I find it? Then I'm just adding to the noise, then I'm just taking up some more room on the subway."

". . . it could have been any day, Arnie. . . sitting in the train going through any day. . . in the dark through any year. ... Arnie, it scared the hell out of me. You got to know what day it is. You got to know what's the name of the game and what the rules are with nobody else telling you. You have to own your days and name them, each one of them, every one of them, or else the years go right by and none of them belong to you. . . And that aint' just for weekends, kiddo. . . ."

It's truly a shame that this film has escaped the attention of the last few generations of movie watchers -- not only have most people not seen this film, it's likely that only a small percentage of folks have ever even heard of it. I dare say that both the character Jason Robards portrays and this film as a whole are more relevant today than half of the comedies produced 5 or 10 years ago. The bottom line is this, if you're looking for great acting and smart dialogue, and are getting tired of the 'I've-just-wasted-the-last-couple-of-hours-of-my-life' feeling that comes over today's average TV viewer or cineplex visitor, then you simply must do yourself a favor and seek out this hidden gem.

Most of us have "favorite" films that we think no one else in the world has seen. You just want to tell everyone to go out and rent it, hoping that they too will say, "Wow, what a movie! I can't believe I've never seen it before!" "A Thousand Clowns" is just such a film. Rarely seen on television, this Oscar nominated (best picture) Oscar winning (best supporting actor/Martin Balsam) film is special in many ways. Superbly cast (child actor Barry Gordon is a must see!) and smartly written. The satire and tragedy blend so well you will be caught laughing and crying at the same time throughout the movie.1000 Thumbs up!

This movie, one of the best ever made, has become part of my life!

The setting is New York City in the 60s and the movie excellently portrays the feeling of the city at that time. It features incredibly witty and clever dialogue that my family and I unceasingly quote from. This movie deals with the topics of conformity vs. individuality. A movie that can be watched over and over and enjoyed all the more with each viewing! It will enrich your life to see it.

I loved this movie passionately the first time I saw it, which was almost 30 years ago, and I love it every single time I watch it. Certainly aspects of it have gotten more meaningful as I've gotten older. The cast, full of people I had no idea of at the age of 10, turned out to be full of some of my all-time favorite actors (William Daniels, Barbara Harris, Jason Robards...how can you go wrong?)

I think some of the reviewers here (especially the ones giving it mixed reviews) are under the impression that the viewer is supposed to view Murray as a totally sympathetic character. He's not, and I don't think he's intended to be. Murray is really fun to be around for over half the movie; you're rooting for him all the way. As Sandy says, "No wonder Nick loves it here. I'd love to live here too if I were eleven years old!" When it's really time for Murray to settle down and do something to keep Nick, he can't bring himself to do it, and his free-spirited ways start looking, to the objective viewer, shallow and irresponsible. Murray needs to grow up, and do it fast, and growing up means compromising. That's the lesson; not that Murray was right all along, but that you can't be completely free if you do in fact have something left to lose, and Murray does. But life isn't a black and white choice between happiness and unhappiness, it's a continuum, and sometimes "doing the best you can" is enough.

I found it truly interesting that, throughout the movie, Nick was what Murray describes as "a middle-aged kid," seeming older than Murray himself. At the end, when Murray grows up, Nick seems to revert. He throws a full-scale tantrum, and that's the first time in the whole movie I remembered he was actually a child. I think that's a testament to Gordon's skill as an actor.

For anyone who read/saw the play: the director didn't seem to quite "get" the point of the play, and changed the end of the first and second (or is it second/third? I don't have it in front of me) to make the end of the movie more of a downer than the play. I never quite forgave him for that. The end of the play suggested that compromises have to be made, life goes on and it can even be good. The end of the movie seems to suggest that the last scene was unsubtly a "sell-out." I disagree. But I still loved the movie.

"Getting back to reality..." "I'll only go as a tourist!"