Il grande ammiraglio

This movie was Winston Churchill's favorite and for me, has always held a charm. Laurence Olivier is fine as Horatio Nelson but he doesn't hold a candle to his co-star and wife, Vivien Leigh. Vivien Leigh is simply superb as Emma Hamilton and dominates the entire film with her beauty and impressive acting skills. There is no doubt that she is one of the greatest beauties of the twenty-first century.

Vivien stars as another version of Scarlett O'Hara, a woman who wants to be considered a lady even though she doesn't really act like it. A former dancer, and currently penniless, she wants to make a good impression on the wealthy Lord Hamilton, Alan Mowbray. Her mother, the common but delightful Sara Albright, lives with her and acts as her maid after Vivien is successful in her quest. Married to Alan, she's very happy to act in her new role of Lady Hamilton (which was the original title of the film). She looks beautiful in her gowns and hairstyles, and she soon learns what will make a good hostess and how to best support her husband.

Where does Laurence Olivier come in? We all rented this movie to see the married couple up on the screen together, right? He plays a highly respected soldier, introduced to Vivien through her husband. He's also married, but he's drawn to the beautiful lady nonetheless. This classic celebrates forbidden love, all with the comfort of knowing that the pair who can't have each other onscreen can go home together off screen. They're both very beautiful people, and although Larry has a slight impediment in this movie, it's still a treat to see pretty people falling in love. All tied together with a very pretty, sad, and romantic theme by Miklos Rozsa, this is a classic not to be missed - especially if you like Scarlett O'Hara and wish she'd made more movies.

If nothing else, 'That Hamilton Woman' proved two things: Vivien Leigh is just as beautiful in black and white as she is in the glorious technicolor of 'GWTW'; and when it comes to the cinema, her acting technique on screen is every bit as expert as Laurence Olivier's. (In fact, Olivier himself admitted this when he saw a screening of her Scarlett O'Hara performance.)

At any rate, my main interest in seeing this film was that I learned it was Winston Churchill's favorite movie during World War II, dealing as it does with the British admiralty and the threat of war and domination. As Lady Hamilton, Vivien Leigh narrates the story and since it is told from her viewpoint, she manages to dominate with her beauty and acting prowess. How she rises from abject poverty to become Lord Nelson's mistress makes up the bulk of the story--which sometimes seems a bit unbelievable. However, since both stars were at the time married to others, one can easily see that these roles suited both of them to perfection. Surely, if anyone could identify with these characters, they could!

Slow moving in spots, handsomely photographed in black and white, it is interesting to note how very British Leigh actually was when not assuming a more American way of talking (as in 'GWTW') -- proof indeed that she was a good actress. Of all of her films after "Gone with the Wind", I prefer her in 'Waterloo Bridge' (with Robert Taylor). Following that, I would choose this one.

Some of the ships are obvious models--but other than that, the production is a handsome one. Worth seeing for the two stars alone.

Laurence Olivier and Vivien Leigh when they were both young and desperately beautiful are a joy to watch in this film. He plays the great English naval hero, Nelson, and she, Lady Hamilton, the wife of the English ambassador. Another favorite movie moment of mine is after the opera given in his honor when they are in a bar, before they have actually declared their love for one another. They're talking about what they're not missing by having left the ball after the opera. She says, "This is where the real and exclusive party is." Then she tells him about himself: "Nelson in a good mood," and she makes a bored face. "Nelson in a bad mood," and makes the same face. "Nelson in an exuberant mood," with the same face a third time. He says, "Am I really such a dull fellow?" Her reply: "Only when you ask questions like that." His response is the beautiful part. He says something to the effect of, "Now I'll give my performance. What mood is this? One guess." And he leans his chin on his hand and gazes into her eyes. She guesses something like, "Nelson allowing himself to be just a little bit happy?" He shakes his head slowly and says, "Nelson in love." She leans forward and her chin touches his hand, and just then a group of soldiers, including his son, enter the bar. The moment is all the better because you're left wanting more!

Screen biography of Emma, Lady Hamilton, whose love for Lord Nelson (the British naval hero of the Napoleonic wars) scandalized the Regency world.

Vivien Leigh is in almost every frame, and completely dominates the film. The story is all about Lady Hamilton and her unhappy marriage, her love for Nelson, and the consequences of leaving her stodgy husband to live adulterously and with the man she loved. (He was already famous before Trafalger, this was the "Monicagate" of its day) It's a fine soap opera, centered around a performance that can only be called luminous.

The camera doesn't just love Leigh, it gets down on its knees and worships her. Even in GWTW she never looked so unbelievably beautiful, and she's also completely charming and sensitive. The great Sir Laurence Olivier doesn't have a chance, he barely registers. He's handicapped by a serious lack of screen time and a dreadful red pony-tail wig, but the director seems to have decided to give him short shrift so he can squeeze in a few more exquisite close-ups of Leigh being enchanting. And she is, oh is she ever...