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Linea rossa 7000

Titolo originale: Red Line 7000
  • 1965
  • Approved
  • 1h 50min
VALUTAZIONE IMDb
5,6/10
1244
LA TUA VALUTAZIONE
Linea rossa 7000 (1965)
AzioneAzione automobilisticaDrammaSportSport motoristici

Aggiungi una trama nella tua linguaThe story of three racing drivers and three women, who constantly have to worry for the lives of their boyfriends. Jim Loomis and Mike Marsh drive for Pat Cassarian. Jim expects his fiancée ... Leggi tuttoThe story of three racing drivers and three women, who constantly have to worry for the lives of their boyfriends. Jim Loomis and Mike Marsh drive for Pat Cassarian. Jim expects his fiancée Holly, but before she arrives, he dies in a race. Since she doesn't have the money to trav... Leggi tuttoThe story of three racing drivers and three women, who constantly have to worry for the lives of their boyfriends. Jim Loomis and Mike Marsh drive for Pat Cassarian. Jim expects his fiancée Holly, but before she arrives, he dies in a race. Since she doesn't have the money to travel back, she stays. The young and very ambitious talent Ned Arp joins the team, and immedi... Leggi tutto

  • Regia
    • Howard Hawks
  • Sceneggiatura
    • George Kirgo
    • Howard Hawks
    • Steve McNeil
  • Star
    • James Caan
    • Laura Devon
    • Gail Hire
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,6/10
    1244
    LA TUA VALUTAZIONE
    • Regia
      • Howard Hawks
    • Sceneggiatura
      • George Kirgo
      • Howard Hawks
      • Steve McNeil
    • Star
      • James Caan
      • Laura Devon
      • Gail Hire
    • 23Recensioni degli utenti
    • 22Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Foto94

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    Interpreti principali31

    Modifica
    James Caan
    James Caan
    • Mike
    Laura Devon
    Laura Devon
    • Julie
    Gail Hire
    Gail Hire
    • Holly
    Charlene Holt
    Charlene Holt
    • Lindy
    John Robert Crawford
    John Robert Crawford
    • Ned
    Marianna Hill
    Marianna Hill
    • Gabrielle
    Skip Ward
    Skip Ward
    • Dan
    • (as James Ward)
    Norman Alden
    Norman Alden
    • Pat
    George Takei
    George Takei
    • Kato
    Diane Strom
    • Receptionist
    Anthony Rogers
    Anthony Rogers
    • Jim Loomis
    Carol Connors
    Carol Connors
    • Waitress
    Cissy Wellman
    Cissy Wellman
    • Waitress
    Joel Allen
    • Rector
    • (non citato nei titoli originali)
    Benjie Bancroft
    • Funeral Guest
    • (non citato nei titoli originali)
    Nick Borgani
    Nick Borgani
    • Race Spectator
    • (non citato nei titoli originali)
    Robert Donner
    Robert Donner
    • Leroy Agers
    • (non citato nei titoli originali)
    Duke Fishman
    Duke Fishman
    • Mechanic
    • (non citato nei titoli originali)
    • Regia
      • Howard Hawks
    • Sceneggiatura
      • George Kirgo
      • Howard Hawks
      • Steve McNeil
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti23

    5,61.2K
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    Recensioni in evidenza

    5shino

    A Hawks Challenge

    In Todd McCarthy's Howard Hawks: The Grey Fox of Hollywood, the impetus behind RL7000 was a) Hawk's 10-year old son Gregg was into cars, or b) Hawks wanted to prove he could make a commercial film quickly for a million dollars. Too, Hawks loved cars, studied Mechanical Engineering at Cornell, raced cars after college, and made the racing film The Crowd Roars (1932) giving him the opportunity to work with Cagney (and wrangle a Deusenberg for himself from the Deusenberg company in exchange for product placement). In a sense, both films are indulgences which never translate into a coherent picture.

    RL7000 comes off a bit more like a Roger Corman film than a Hawks film, probably due to budgetary constraints. We see lots of young unknowns, dancing, loud music, interludes of unevenly-acted drama interspersed with bouts of frenetic action. Caan is a good, brooding Bradoesque study, though he squints and smirks to distraction, Marianna Hill looks great, and seeing cars like Cobra Daytonas is pretty enjoyable for mid-60's sports car fans. Ultimately, the film has problems because Hawks doesn't get what he wants out of the actors. All of his other films have very strong acting; Hawks could always get great performances from Wayne, Grant, Bogart as well as the veteran character actors he used. He didn't have such luck with most of the primary cast of three men and three women. Their bonding as lovers and as male and female groups is integral to the credibility of the film, and it just doesn't happen.

    Another possibility explaining the film's weakness is that this is the only one of Hawk's final six pictures (Rio Bravo to Rio Lobo) without writer Leigh Brackett on the team.

    One also senses that Hawks tried too hard to be "hip," perhaps in reaction to the fact that some critics had complained that his previous picture "Man's Favorite Sport?" seemed old-fashioned. Thus the plot is periodically suspended for some truly bizarre song and dance numbers, even by mid-60's standards. It seems inconceivable that "Wildcat Jones" was given us by the same Hawks who gave us the immortal "Diamonds are a Girl's Best Friend" number.

    I want to like this movie, since I do subscribe to the school that a great director can never make a truly bad film. I also happen to love "Man's Favorite Sport?" which often critically lumped in with RL7000 as the two off-the-track films between a pair of Wayne/Hawks collaborations before and after. Furthermore, there are some vocal critics who love the film, such as Robin Wood. So I guess I need to watch it a few more times and hopefully can write a better review next go around.
    floydsmoot

    Only James Caan and Marianna Hill are worth watching...

    Red Line 7000, one of Howard Hawks's later films, is generally considered one of his worst, thanks to fake-looking racing scenes, hilariously inappropriate dialogue and musical sequences, and ghastly performances from never-weres such as James Ward, Laura Devon, Gail Hire and particularly John Robert Crawford. But the film is redeemed by the dynamic chemistry between James Caan and the exciting Marianna Hill in their individual scenes together. Caan shows in this film the intensity and talent that would make him one of the best actors of the early-1970s, and Hill's performance, on-par with other memorable Howard Hawks discoveries as Lauren Bacall and Angie Dickinson, makes you wonder why she didn't become a bigger star before fading into obscurity. Particularly memorable are Hill's two lusty dancing sequences, at the nightclub and later in front of the Holiday Inn Pepsi machine, as James Caan observes her from afar. Caan and Hill redeem Red Line 7000 from being a total disaster--the movie should have focused only on their characters and gotten rid of everybody else--but, even with its many weaknesses, the film is still more intriguing than the overrated Grand Prix (1966) anyday.
    3wvbonds

    For NASCAR Fans Not AFI Top 100 Fans

    I have to agree with the comment about Ms Hire being a junior grade Paula Prentiss. I logged on to my account to write that Gail Hire (Holly) came across like Paula Prentiss, but it had already been noted. But, I also noticed that Marianna Hill (Gabby) seem like she was a substitute for Brigitte Bardot and Laura Devon (Julie) as Nancy Sinatra.

    I like the movie, even though it was full of clichés and all too typical of most racing movies. I like looking at the race footage. I remember many of the races and knew the full background of the races and accidents shown in the movie. I like the movie because it showed real production based race cars racing. The same makes and models my neighbors owned. If you like NASCAR this is a movie worth seeing. If you are looking for AFI top 100 films, this is not the movie for you.
    7braybrian21

    The real stars...

    Just like any "gear head" film, the humans are always supporting cast. The real stars are the cars. Within the first 21 minutes, you will see plenty of classic race tracks, cars, motorcycles, trucks, socket wrenches, loud pipes, race posters, cool sunglasses, beautiful girls, and everything else that excites the average auto buff. Yes, the acting isn't great, but do you really care about Caan's love life more than that beautiful split-window '63? Of course not. This movie was made in the heart of the 1960s, the genesis of true sports cars. There are other gear films out there that are better, but 7000 is worthwhile.
    gilli

    A Soap

    This film is a collection of racing scenes interweaved with small love dramas involving drivers and their mates. Although the racing scenes are well done, the dramatic portions are extremely silly. Outside James Caan, acting is poor. The choice of a final scene is unconventional and intelligent.

    Altri elementi simili

    Lo sport preferito dall'uomo
    7,1
    Lo sport preferito dall'uomo
    La regina delle piramidi
    6,6
    La regina delle piramidi
    Hatari!
    7,1
    Hatari!
    I quattro cavalieri dell'Apocalisse
    6,5
    I quattro cavalieri dell'Apocalisse
    El Dorado
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    El Dorado
    Missione in Manciuria
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    Missione in Manciuria
    Ero uno sposo di guerra
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    Ero uno sposo di guerra
    Ma che razza di amici!
    6,0
    Ma che razza di amici!
    Il grande sentiero
    6,7
    Il grande sentiero
    Venere e il professore
    6,9
    Venere e il professore
    I tre della croce del Sud
    6,7
    I tre della croce del Sud
    Più tardi al buio
    6,5
    Più tardi al buio

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Teri Garr has an uncredited role as a waitress. When she met François Truffaut on the set of Incontri ravvicinati del terzo tipo (1977), she was stunned to discover that he had seen this film, recognized her from it, and remembered every detail of the movie (he was a great admirer of Howard Hawks).
    • Blooper
      It's good to see that Hollywood hasn't forgotten how to squeal tires on dirt tracks.
    • Connessioni
      Featured in La vie est à moi (2002)
    • Colonne sonore
      Wildcat Jones
      by Carol Connors and Buzz Cason

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    Dettagli

    Modifica
    • Data di uscita
      • 9 novembre 1965 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Red Line 7000
    • Luoghi delle riprese
      • Riverside International Raceway, 22255 Eucalyptus Avenue, Moreno Valley, California, Stati Uniti
    • Aziende produttrici
      • Laurel Productions
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 2.425.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 50 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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