Aggiungi una trama nella tua linguaWith her gangster boyfriend under investigation by the police, a nightclub singer hides out in a musical research institution staffed by bachelor professors - one of whom begins to fall for ... Leggi tuttoWith her gangster boyfriend under investigation by the police, a nightclub singer hides out in a musical research institution staffed by bachelor professors - one of whom begins to fall for her.With her gangster boyfriend under investigation by the police, a nightclub singer hides out in a musical research institution staffed by bachelor professors - one of whom begins to fall for her.
- Regia
- Sceneggiatura
- Star
- Bubbles
- (as John William Sublett)
- The Page Cavanaugh Trio
- (as The Page Cavanaugh Trio)
- The Golden Gate Quartette
- (as The Golden Gate Quartet)
- The Samba Kings
- (as Russo and The Samba Kings)
- Professor Traumer
- (as Ludwig Stossel)
Recensioni in evidenza
But the film and especially the performances are vastly inferior to the original. Virginia Mayo is the same as she always was in musical comedies, a sort of generic leading lady/straight man. Danny Kaye is limited by his role, he's playing an uptight nerd and can't use his fabulous manic energy at all for most of the film (Gary Cooper was absolutely hilarious as the uptight nerd in the original, he was one good actor). The supporting performances are all pretty cartoonish, none stand out, but there are appearances by Benny Goodman, Louis Armstrong, Tommy Dorsey, and Lionel Hampton which you might want to catch.
By changing the original premise from learning about slang to learning about the new popular rhythms that had come out during the thirties and forties, the creators thought they were updating the basic idea, and they succeed, at times. The best thing in this film is the array of talent we see. Some of the giants in popular music of that time, are seen at their best in musical numbers that are clever and that reminds the viewer how classic compositions could relate to the new expressions.
The central story is just a pretext to present Danny Kaye, who is the nerdy professor Frisbee, and his co-star, Virginia Mayo, a night club singer, Honey Swanson. Professor Frisbee gets in hot water because unknown to him, Honey is involved with a gangster, Tony Crow, who doesn't want to let go of his beautiful girlfriend. Besides the two stars, Steve Cochran puts in an appearance as Tony.
Some of the best known popular musicians of that era are seen doing wonderful music together. Tommy Dorsey, Mel Powell, Buck and Bubbles, Charlie Barnett, Louis Armstrong, Lionel Hampton, and Benny Goodman, who plays one of the professors.
The film, while not as original as its model, is worth watching for the music alone. Music fans are in for a treat thanks to Mr. Hawks.
The true big band aficionado will recognize some of the other musicians, but I will not list them here as I might spoil someone's fun.
There are surprises in the plot, especially if you don't recognize some of the actors until they perform.
Danny Kaye's form of humor is not fully appreciated now, but in his time he drew a large following. This movie is a good example of his artistry. His best movie was probably "Hans Christian Anderson." I watched it as a kid and I can still remember the song "Beautiful, Beautiful Copenhagen."
Lo sapevi?
- QuizProducer Samuel Goldwyn forced Virginia Mayo to watch Colpo di fulmine (1941) over and over again so she could mimic Barbara Stanwyck's performance.
- BlooperAfter slipping her engagement ring on, it disappears only to reappear at the beginning of Miss Honey's long-hair jam session recording.
- Citazioni
Honey Swanson: [about Frisbee] Yes, I love him. I love those hick shirts he wears with the boiled collars and the way he always has his coat buttoned wrong. It looks like a giraffe, and I love him. I love him because he's the sort of a guy that gets drunk on a glass of buttermilk. And I love the way he blushes right up over his ears. I love him because he... he doesn't know how to kiss, the jerk.
- Versioni alternativeThere is an Italian edition of this film on DVD, distributed by DNA Srl, re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnessioniFeatured in Louis Armstrong: Black & Blues (2022)
- Colonne sonoreA Song Is Born
(1948)
Words and Music by Don Raye and Gene de Paul
Orchestrations by Sonny Burke
Sung by Virginia Mayo (uncredited) (dubbed by Jeri Sullavan (uncredited))
Sung and played by Louis Armstrong (uncredited)
Played by Tommy Dorsey (uncredited)
Sung by The Golden Gate Quartette (uncredited)
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Dettagli
Botteghino
- Budget
- 2.400.000 USD (previsto)
- Tempo di esecuzione1 ora 53 minuti
- Proporzioni
- 1.37 : 1