La fattoria dei giorni felici

I always thought that if Salvador Dali wanted to do a TV sitcom, he'd come up with something like "Green Acres".

This show was a lot of fun, and thank God it never took itself seriously. It was also one of the first to really break the "fourth wall", making self-referential remarks, such as the characters pointing to the credits as they rolled, or having the characters refer to background music being played--I don't think any sitcom had ever done that before! Anyway, Eddie Albert did a great job as perennial straight man to the lunacy around him, with everyone else in on the strangeness. I watched this show as a kid and never really appreciated Oliver's predicament, but now, as a middle-aged man, I know exactly how he feels.

Forty years after its heyday, the show holds up very well. Give it a look.

When I watch "Green Acres" I can't help but think that this is what Vaudeville must have been like. There's Oliver Wendell Douglas in his three-piece suit and Phi Beta Kappa key standing in front of an obviously painted backdrop with the most pathetic looking stalk of corn "growing" nearby. Then comes onstage a series of the finest comedians doing their standup routine with Mr. Douglas as the straight man: Mr. Haney (Pat Buttram) with an endless supply of wacky things to sell; Hank Kimball (Alvy Moore) as the oh-so-forgetful farm agent ("Ah, Mr. Douglas! I have a message for you." "What is it?" "What is WHAT?" "The message!" "What message?" "MY MESSAGE!" "You have a message?"); Eb the farmhand (Tom Lester); on and on and on.

Love it.

I once heard "Green Acres" described as being "Twin Peaks:the sitcom," which isn't too far off base if you take away the darker elements of "Peaks."

I'm not sure it's the best television series either, but it certainly my favorite, and the best thing about it is that it was funny when I was four years old, still funny when I was a teenager, and even funnier now that I'm in my late 30's and can sit and watch the show with my young sons.

Eddie Albert and Eva Gabor should have won multiple emmy's. The writers stand alone as some of the funniest sitcom writers of all time. Jay Somers and Paul Henning are geniuses. The amazing thing about this show is at a time when most shows were star driven, this show gives all of the actors great lines and showcases for their talent.

Of course, Oliver and Lisa are my favorite denizens of Hooterville, but I have a lot of fondness for Eb (who is endlessly funny), Mr. Haney (who my kids think is the funniest person ever!) and Mr. Kimble (who ALWAYS cracks me up!).

"Green Acres" really is the place to be. It's funny, it's family friendly and it is one of the best shows of all time!

The DVD is great too, but I would have loved some extra commentaries from some of the surviving cast members!



David Cox Independence Missouri

Many in my generation (too young to be a boomer and too old to be an "X"er) think this is one of the funniest shows ever. It doesn't have any deeper meanings or ramifications or redeeming social importance. It's funny, and for the sake of being funny. This show proves that humor rises from character. Too often a show gets by on a series of insults, or double entendres, or one-liners. "Green Acres" had characters who were rich and diverse, who might be funny by what they say, or by the fact that they're saying it, or just because they show up at a certain moment. "Hooterville" could, I suppose, be construed as a Kafkaesque construct where even the woman who doesn't want to live there understands what's going on there, and only the man who wants to live there can't comprehend what's going on, or understand what the pig is saying. But why bother with such interpretation? This show is funny, well-written, and performed by fine actors. Shot on a sound-stage, "Green Acres" nevertheless opens out where most shows seem claustrophobic -- there are fields, roads, houses, barns, cows, jeeps, tractors, and all the great outdoors. I'm a country boy myself, and I appreciate that, unlike most shows written by high-handed cityfolk that show country folk as either ignorant bumpkins whose foolishness is the basis of laughs, or makes them more sagely inscrutable than smugly-superior urbanites, "Green Acres" gives the people of Hooterville thier own mindset that is neither better nor worse, just different. And the show itself is different from anything else on television until the arrival of "Newhart" which, for all its humor, nevertheless remained stagey and claustrophobic. "Green Acres" is funny. Enjoy it.

This show was to be the obverse of "The Beverly Hillbillies" and instead turned out to be perhaps the most surreal TV show ever done in on American TV.

Oliver Wendell Douglas is the button-downed, successful New York lawyer who longs to be a farmer (he even grows corn on the balcony of his Park Avenue apartment). So off he goes to Hooterville with his glamorous Hungarian wife where they begin to farm Green Acres and live a house so ramshakle that even the Joad family in "The Grapes of Wrath" probably wouldn't live in.

Oliver tends the farm every day in suit and tie and Lisa wears elegant gowns while cooking the only meal that she knows how to make---"hots cakes" which possess extraordinary qualities---some are like granite, others bubble like sulfur mud baths, and others are stickier than any adhesive known to science. The house itself is hilarious---the bedroom closet sliding door which flys off its runners each and every time Oliver touches it, the phone which is at the top of the telephone pole, the "pore-key" hole for the house which makes it impossible to paint the place. And occasionally Arnold the Pig, perhaps the smartest inhabitant of Hooterville, regularly comes in to watch television which is always showing the same show--a wild Western gunfight between cowboys and Indians.

That's just the house. The townspeople are an assortment of extreme oddballs. Hank Kimball, the memory-gapped county agent, Ed and Doris Ziffel who are the parents of Arnold, and Mr. Haney who is the biggest flim-flam man since P.T. Barnum (he sold Oliver the house in the first place) and who has a seemingly unlimited assortment of things to peddle to Oliver. Meanwhile, the Monroe Brothers, Alf and Ralph, are perpetually trying to repair Oliver's house. Ralph is a woman and probably the first female tradesman in the history of American television, decades before women were welcomed into the construction industry. Oliver's hired hand, Eb, lives in the barn. Even Eb gets surreal---one great episode has him trying to win a radio "name that tune" call-in show. Every song snippet that is played is exactly the same as the previous one but Eb always comes up with some bizarre new title which turns out to be right.

The entire world around Oliver is insane but he gamely struggles along, erupting on occasion but absolutely determined not to give up farming and regularly trying to inspire his neighbors with stirring speeches about the nobility of the American farmer---the backbone of the economy, while his neighbors keep wondering where the patriotic music-- which always accompanies Oliver's speeches--comes from.