Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.
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Watching this as a child during the late 1960's I didn't like this show. I didn't find it funny because it frustrated me! With all of the locals frustrating Mr. Douglas endlessly, they frustrated me too. Stumbling upon the show years later, the frustration was gone and I could finally enjoy the humor of it all. This was light years ahead of the tame (and boring) "Pettycoat Junction." This was life with "The Three Stooges." I always loved the on-going home improvement projects with the closet doors opening to the outside, the telephone poll phone, the over-blown big chic New York City furniture stuffed into a little farmhouse, Lisa's pink appliances, her cooking, Arnold the pig and many more. When they say they don't make 'em like they used to, they don't, and that's a darn shame.
When I watch "Green Acres" I can't help but think that this is what Vaudeville must have been like. There's Oliver Wendell Douglas in his three-piece suit and Phi Beta Kappa key standing in front of an obviously painted backdrop with the most pathetic looking stalk of corn "growing" nearby. Then comes onstage a series of the finest comedians doing their standup routine with Mr. Douglas as the straight man: Mr. Haney (Pat Buttram) with an endless supply of wacky things to sell; Hank Kimball (Alvy Moore) as the oh-so-forgetful farm agent ("Ah, Mr. Douglas! I have a message for you." "What is it?" "What is WHAT?" "The message!" "What message?" "MY MESSAGE!" "You have a message?"); Eb the farmhand (Tom Lester); on and on and on.
Love it.
Love it.
Many in my generation (too young to be a boomer and too old to be an "X"er) think this is one of the funniest shows ever. It doesn't have any deeper meanings or ramifications or redeeming social importance. It's funny, and for the sake of being funny. This show proves that humor rises from character. Too often a show gets by on a series of insults, or double entendres, or one-liners. "Green Acres" had characters who were rich and diverse, who might be funny by what they say, or by the fact that they're saying it, or just because they show up at a certain moment. "Hooterville" could, I suppose, be construed as a Kafkaesque construct where even the woman who doesn't want to live there understands what's going on there, and only the man who wants to live there can't comprehend what's going on, or understand what the pig is saying. But why bother with such interpretation? This show is funny, well-written, and performed by fine actors. Shot on a sound-stage, "Green Acres" nevertheless opens out where most shows seem claustrophobic -- there are fields, roads, houses, barns, cows, jeeps, tractors, and all the great outdoors. I'm a country boy myself, and I appreciate that, unlike most shows written by high-handed cityfolk that show country folk as either ignorant bumpkins whose foolishness is the basis of laughs, or makes them more sagely inscrutable than smugly-superior urbanites, "Green Acres" gives the people of Hooterville thier own mindset that is neither better nor worse, just different. And the show itself is different from anything else on television until the arrival of "Newhart" which, for all its humor, nevertheless remained stagey and claustrophobic. "Green Acres" is funny. Enjoy it.
"Green Acres" is a surrealist, subversive sitcom classic... one of TV's greatest comedies. Eddie Albert is Oliver Wendell Douglas, the big-city lawyer who escapes the rat-race with his wife Lisa to live the "simple-life" of a country farmer. The trouble is everyone in the small town of Hooterville is insane.
Tom Lester is Ebb, the twenty-something farmhand who seems almost intentionally obtuse. He insists on calling Oliver & Lisa "Mom & Dad" in spite of the fact that they are not his parents. This infuriates Oliver who frequently reminds the boy that they are not related. Ebb is a gangly innocent, so lanky that he can get a laugh just by standing up straight. His Adam's apple is constantly in the act of escaping his neck, and will one day surely succeed.
Alvy Moore is Hank Kimball. Well, he's not REALLY Hank Kimball- he just plays him on TV. Well, not ON the TV... more like IN the TV box. Well, not really IN the box...
Pat Buttram is Mr. Haney, the king of charlatan salesmen, always ready to sell Oliver a completely unnecessary item at a reasonably outrageous price. He takes a pride in gouging Mr. Douglas that borders on perverse.
Arnold Ziffel is the TV-loving pig with human parents who had a brief career as an actor in Hollywood. Long-story...
And don't forget Eva Gabor as Lisa Douglas, a Hungarian princess who never met a word she couldn't shlaughter...
This show is painfully funny... listen for the fife and drums every time Oliver gives his "American Farmer" speech. Enjoy the brilliant sight gags and the sweet pride that Fred & Doris have for their pig-son. Watch Eddie Albert go six seasons without ever finishing a sentence... the delirious insanity of "Green Acres" paved the way for future TV towns like The Simpsons' Springfield.
If you haven't seen "Green Acres" it is worth seeking out. I suggest watching at least 2-3 episodes at a time... it's funnier that way. But when it starts making sense it's time to take a break.
GRADE: A
Tom Lester is Ebb, the twenty-something farmhand who seems almost intentionally obtuse. He insists on calling Oliver & Lisa "Mom & Dad" in spite of the fact that they are not his parents. This infuriates Oliver who frequently reminds the boy that they are not related. Ebb is a gangly innocent, so lanky that he can get a laugh just by standing up straight. His Adam's apple is constantly in the act of escaping his neck, and will one day surely succeed.
Alvy Moore is Hank Kimball. Well, he's not REALLY Hank Kimball- he just plays him on TV. Well, not ON the TV... more like IN the TV box. Well, not really IN the box...
Pat Buttram is Mr. Haney, the king of charlatan salesmen, always ready to sell Oliver a completely unnecessary item at a reasonably outrageous price. He takes a pride in gouging Mr. Douglas that borders on perverse.
Arnold Ziffel is the TV-loving pig with human parents who had a brief career as an actor in Hollywood. Long-story...
And don't forget Eva Gabor as Lisa Douglas, a Hungarian princess who never met a word she couldn't shlaughter...
This show is painfully funny... listen for the fife and drums every time Oliver gives his "American Farmer" speech. Enjoy the brilliant sight gags and the sweet pride that Fred & Doris have for their pig-son. Watch Eddie Albert go six seasons without ever finishing a sentence... the delirious insanity of "Green Acres" paved the way for future TV towns like The Simpsons' Springfield.
If you haven't seen "Green Acres" it is worth seeking out. I suggest watching at least 2-3 episodes at a time... it's funnier that way. But when it starts making sense it's time to take a break.
GRADE: A
This programme was traditionally thought of as just another of the cornpone country comedies that CBS used to be noted for, like "Petticoat Junction" or "The Beverly Hillbillies". But with its button-down straight man, Eddie Albert, surrounded by a wild assortment of extraordinary oddballs, "Green Acres" looks both backwards to the screwball comedies of the '30s and ahead to the Bob Newhart series of shows which followed a similar premise.
I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
Lo sapevi?
- QuizArnold the Piggy was the only cast member to win an award for a performance in a sitcom. He won the coveted "Patsy" Award in 1967, given to the best performance by an animal.
- BlooperIn the opening song when Oliver sings "You are my wife," he reaches for Lisa with his left hand. As Lisa sings "Goodbye city life," Oliver reaches in and grabs her with his right hand.
- Citazioni
Lisa Douglas: When you married me you knew that I couldn't cook, I couldn't sew, and I couldn't keep house. All I could do was talk Hungarian and do imitations of Zsa Zsa Gabor.
Oliver Douglas: Who?
- Curiosità sui creditiIn some episodes, the opening credits appear in unusual locations (e.g.: chicken eggs, towels, writing on walls, breakfast items, newspaper headlines). In other episodes, the characters - particularly Lisa - react to the appearance of the credits superimposed over them or next to them.
- ConnessioniFeatured in Oltre il giardino (1979)
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By what name was La fattoria dei giorni felici (1965) officially released in India in English?
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