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IMDbPro

La fattoria dei giorni felici

Titolo originale: Green Acres
  • Serie TV
  • 1965–1971
  • TV-G
  • 30min
VALUTAZIONE IMDb
7,3/10
8111
LA TUA VALUTAZIONE
POPOLARITÀ
3112
132
Eddie Albert, Eva Gabor, and Arnold the Piggy in La fattoria dei giorni felici (1965)
Trailer 1
Riproduci trailer1: 13
6 video
99+ foto
SitcomComedyFamily

Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.Un avvocato di New York e la moglie tentano di vivere come agricoltori raffinati nella bizzarra comunità di Hooterville.

  • Creazione
    • Jay Sommers
  • Star
    • Eddie Albert
    • Eva Gabor
    • Tom Lester
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    8111
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3112
    132
    • Creazione
      • Jay Sommers
    • Star
      • Eddie Albert
      • Eva Gabor
      • Tom Lester
    • 71Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 candidature totali

    Episodi170

    Sfoglia gli episodi
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    Video6

    Green Acres: Lisa Uses The Stapling Machine
    Clip 1:17
    Green Acres: Lisa Uses The Stapling Machine
    Green Acres: The Matchmaking Machine
    Clip 1:43
    Green Acres: The Matchmaking Machine
    Green Acres: The Matchmaking Machine
    Clip 1:43
    Green Acres: The Matchmaking Machine
    Green Acres: Lisa Goes To College
    Clip 1:40
    Green Acres: Lisa Goes To College
    Green Acres
    Trailer 1:13
    Green Acres
    Green Acres
    Trailer 1:05
    Green Acres
    Green Acres: Arnold The Pig
    Featurette 2:15
    Green Acres: Arnold The Pig

    Foto596

    Visualizza poster
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    Interpreti principali99+

    Modifica
    Eddie Albert
    Eddie Albert
    • Oliver Wendell Douglas…
    • 1965–1971
    Eva Gabor
    Eva Gabor
    • Lisa Douglas…
    • 1965–1971
    Tom Lester
    Tom Lester
    • Eb Dawson…
    • 1965–1971
    Pat Buttram
    Pat Buttram
    • Mr. Haney…
    • 1965–1971
    Alvy Moore
    Alvy Moore
    • Hank Kimball…
    • 1965–1971
    Frank Cady
    Frank Cady
    • Sam Drucker…
    • 1965–1971
    Hank Patterson
    Hank Patterson
    • Fred Ziffel
    • 1965–1971
    Mary Grace Canfield
    Mary Grace Canfield
    • Ralph Monroe…
    • 1965–1971
    Sid Melton
    Sid Melton
    • Alf Monroe…
    • 1965–1969
    Barbara Pepper
    Barbara Pepper
    • Doris Ziffel
    • 1965–1968
    Kay E. Kuter
    Kay E. Kuter
    • Newt Kiley
    • 1965–1970
    Robert Foulk
    Robert Foulk
    • Roy Trendell…
    • 1966–1971
    Edgar Buchanan
    Edgar Buchanan
    • Uncle Joe Carson
    • 1965–1969
    Eleanor Audley
    Eleanor Audley
    • Mother Eunice Douglas…
    • 1965–1969
    Rufe Davis
    Rufe Davis
    • Floyd Smoot
    • 1965–1967
    Dave Willock
    Dave Willock
    • Ticket Agent…
    • 1965–1970
    Phil Gordon
    Phil Gordon
    • 2nd Salesman…
    • 1965–1969
    Smiley Burnette
    Smiley Burnette
    • Charley Pratt…
    • 1965–1967
    • Creazione
      • Jay Sommers
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti71

    7,38.1K
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    Recensioni in evidenza

    8BumpyRide

    "Oli-va!"

    Watching this as a child during the late 1960's I didn't like this show. I didn't find it funny because it frustrated me! With all of the locals frustrating Mr. Douglas endlessly, they frustrated me too. Stumbling upon the show years later, the frustration was gone and I could finally enjoy the humor of it all. This was light years ahead of the tame (and boring) "Pettycoat Junction." This was life with "The Three Stooges." I always loved the on-going home improvement projects with the closet doors opening to the outside, the telephone poll phone, the over-blown big chic New York City furniture stuffed into a little farmhouse, Lisa's pink appliances, her cooking, Arnold the pig and many more. When they say they don't make 'em like they used to, they don't, and that's a darn shame.
    8DKosty123

    Lets See What I have on the back of the truck

    This series while as corny as it can be had something which endeared it to all of us who watched it. This series had a heart which beat strongly & carried us through each week to the conclusion with Oliver & Lisa in their Monroe remodeled open air bedroom.

    While there were times the series got too hung up on Arnold, & Ebb Dawson's love life, the characters of Hooterville always made for great comedy. There were times that Paul Henning was winking & smiling as he made fun of Lawyers, American Farmers, Mobsters, Hollywood, & many other targets during the shows run.

    The characters he created were amazing. The physical comedy in this along with the great verbal comedy blended together into as fine a 1960's sitcom as could be produced.

    Eddie Albert was kind of old for his role, but brought it off with an amazing energy. Ava Gabor was given a character where she could put herself into it, & this series turned out to the best role of her life. Pat Buttrum & the rest of the cast were great in support with special credos to Alvy Moore as Mr. Kimble who created one of the more amazing county agents ever portrayed.

    All of this, higher pay, full benefits, & a years supply of cracked crab. It just don't get any better than that.
    vox-sane

    One of the Funniest

    Many in my generation (too young to be a boomer and too old to be an "X"er) think this is one of the funniest shows ever. It doesn't have any deeper meanings or ramifications or redeeming social importance. It's funny, and for the sake of being funny. This show proves that humor rises from character. Too often a show gets by on a series of insults, or double entendres, or one-liners. "Green Acres" had characters who were rich and diverse, who might be funny by what they say, or by the fact that they're saying it, or just because they show up at a certain moment. "Hooterville" could, I suppose, be construed as a Kafkaesque construct where even the woman who doesn't want to live there understands what's going on there, and only the man who wants to live there can't comprehend what's going on, or understand what the pig is saying. But why bother with such interpretation? This show is funny, well-written, and performed by fine actors. Shot on a sound-stage, "Green Acres" nevertheless opens out where most shows seem claustrophobic -- there are fields, roads, houses, barns, cows, jeeps, tractors, and all the great outdoors. I'm a country boy myself, and I appreciate that, unlike most shows written by high-handed cityfolk that show country folk as either ignorant bumpkins whose foolishness is the basis of laughs, or makes them more sagely inscrutable than smugly-superior urbanites, "Green Acres" gives the people of Hooterville thier own mindset that is neither better nor worse, just different. And the show itself is different from anything else on television until the arrival of "Newhart" which, for all its humor, nevertheless remained stagey and claustrophobic. "Green Acres" is funny. Enjoy it.
    Varlaam

    Worthy of a reappraisal

    This programme was traditionally thought of as just another of the cornpone country comedies that CBS used to be noted for, like "Petticoat Junction" or "The Beverly Hillbillies". But with its button-down straight man, Eddie Albert, surrounded by a wild assortment of extraordinary oddballs, "Green Acres" looks both backwards to the screwball comedies of the '30s and ahead to the Bob Newhart series of shows which followed a similar premise.

    I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
    7srlucado

    Surrealism hits the TV sitcom

    I always thought that if Salvador Dali wanted to do a TV sitcom, he'd come up with something like "Green Acres".

    This show was a lot of fun, and thank God it never took itself seriously. It was also one of the first to really break the "fourth wall", making self-referential remarks, such as the characters pointing to the credits as they rolled, or having the characters refer to background music being played--I don't think any sitcom had ever done that before! Anyway, Eddie Albert did a great job as perennial straight man to the lunacy around him, with everyone else in on the strangeness. I watched this show as a kid and never really appreciated Oliver's predicament, but now, as a middle-aged man, I know exactly how he feels.

    Forty years after its heyday, the show holds up very well. Give it a look.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Arnold the Piggy was the only cast member to win an award for a performance in a sitcom. He won the coveted "Patsy" Award in 1967, given to the best performance by an animal.
    • Blooper
      In the opening song when Oliver sings "You are my wife," he reaches for Lisa with his left hand. As Lisa sings "Goodbye city life," Oliver reaches in and grabs her with his right hand.
    • Citazioni

      Lisa Douglas: When you married me you knew that I couldn't cook, I couldn't sew, and I couldn't keep house. All I could do was talk Hungarian and do imitations of Zsa Zsa Gabor.

      Oliver Douglas: Who?

    • Curiosità sui crediti
      In some episodes, the opening credits appear in unusual locations (e.g.: chicken eggs, towels, writing on walls, breakfast items, newspaper headlines). In other episodes, the characters - particularly Lisa - react to the appearance of the credits superimposed over them or next to them.
    • Connessioni
      Featured in Oltre il giardino (1979)
    • Colonne sonore
      Green Acres
      Written by Vic Mizzy

      Sung by Eddie Albert & Eva Gabor

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
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    Domande frequenti22

    • How many seasons does Green Acres have?Powered by Alexa
    • I've noticed that Mr Heiny has had words censored on some METV reruns. One episode he tries to sell Oliver a "mechanical ---------"
    • Was there ever an episode where someone was in an actual field on a farm? My memory of the series is the the entire show happens on an obvious set, fake everything. Even when someone is on a tractor or digging or plowing, it's a stage.
    • Has anybody else ever noticed that there is a very brief product placement, of sorts, in the opening credits? There is a sign for Camel cigarettes on Times Square. I have to wonder if this was merely a coincidence, or was done on purpose to insert a mini-commercial into the beginning of every episode. And would this run afoul of the ban on cigarette advertising that has existed since the 1970s?

    Dettagli

    Modifica
    • Data di uscita
      • 15 settembre 1965 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Ungherese
    • Celebre anche come
      • Green Acres
    • Luoghi delle riprese
      • Thousand Oaks, California, Stati Uniti(opening credits)
    • Azienda produttrice
      • Filmways Television
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      30 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 4:3

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