Le ombre degli avi dimenticati

Ingmar Bergman once claimed that the childhood gift of a film projector inspired him to make movies. The feeling of magic in creating images in light upon the wall never left him; perhaps it revealed to him the perfect medium for living out dreams.

Watching "Shadows of Our Forgotten Ancestors" is like that moment of discovery: it makes us feel the same joy some have felt in discovering Bresson or Godard, the joy of finding out what film can do. It is understanding the director's joy in putting pictures together to tell a story (like a painter finding just the right colors to paint a myth). The movie, a sort of folk- Ukrainian "Romeo and Juliet," bursts with passion and physicality, chasing its protagonists through some of the most wild and beautiful landscapes ever caught on film. Yet the real romance here is between director Parajanov and the camera, which swoons and runs and bounds as ardently as any young lover, whether falling like a tree to the ground or spinning through a field or moping grief-stricken in a corner. Parajanov, like a honeymooning bridegroom, tries everything; he veers from silent-film subtitles to new-wave editing gimmicks to Russian iconography within seconds, and yet the tricks never feel anachronistic. From a torchlit search along a river to witchcraft in a lightning storm to the simple, painful clarity of the hero's eyes, the movie exudes a pagan wildness. (How he smuggled it past Soviet aesthetics is anybody's guess.)

This is a movie that makes you laugh not from comedy but from sheer pleasure; it is as warm, bold, tragic, profoundly silly, and above all human, as a Shakespeare romance. See it by any means necessary.

Shadows of Our Forgotten Ancestors is set in Western Ukraine (Carpathian mountains) circa the 1860's. It was banned in the USSR because it emphasized the unique Ukrainian culture and in fact the language throughout the film was Ukrainian and not Russian. Plus the references to the Church and religion could not have helped. The story is deceptively simple. As a child, Ivan falls in love with his neighbor and fathers killers daughter Marichka. The first half of the film deals with that love and the second with Ivan's downfall after she dies in an accident.

Shadows would probably not appeal to someone looking for great acting, strong characterizations and emotional pull. But, it more than makes up for these deficiencies in its visual brilliance and authenticity of periodic detail. This is one of the most beautiful looking films ever made. The elaborate costumes, the folk songs and simple village life all create a world that you know just had to have existed. Not exactly commercial fare, Shadows is a stunningly beautiful looking film and in fact a lesson in old Ukrainain culture. I highly recommend this for art-house film fans.

I was brought up in a backward Polish village where the Ukrainian background was also present (I could in most part understand the language of the movie). This movie reminded me of my long forgotten childchood in a place where people didn't lock their houses and lived very simple lives. Magnificent visual effects, melodious folk music and probably the music of Sergei Prokofiev or someone close to his style complete the picture. I believe it is a universal story about love, life, death and that all things that are nice are turning into oblivion. I myself emigrated to America, then came back after some years, though changed and working mostly for Western companies. Though being generally a child of Western European and American culture I acknowledge that it pays to keep at least part of our original heritage. Miroslaw

This is one of the best movies ever made!!! I don't think even that describes how strongly I feel for this movie and its director. In a world of cinematic rubbish Paradjanov stands as a warrior fighting for long lost cause; making a movie that actually transcends the viewer to the world the director is trying to create. It has the most unique camera angles and shots that were made in most amazing proximity. The richness of its photography will take you to the Carpathian Mountains and leave you astonished. This movie is full or drama, folklore and above all, it surpasses all the cinematic standards ever set for a motion picture. Made in the sixties, during Soviet regime, this movie was banned from the screen for it's symbolic context and references to religion. Starting from the opening scene to the very last one, it will keep you on the edge and it will exceed every expectation you have for it. You won't only watch it but you'll live it. If you're a true cinema lover watch this film...it'll change your life.

´Shadows´ is one of the best movies i´ve ever seen. The filming is so beautiful that it constantly makes you wonder how they did it, remind you, it was made in 1964. The way the lead characters feel is constantly expressed in color and camera movement, in a way i´ve never seen before. Notice how the colors are full in the first, happy part of the film, and how they get faded more and more to an almost black and white teint along with grief of Ivan, the male lead. At the end it turns to a blood red fury and then there is nothing but the dead. The folk music, with very poetic lyrics also contributes a lot to the sphere in this film. Again, i never saw something like that before, normally i hate folk music, now it fitted perfectly. And then the ending,it´s so sad, i almost cried my eyes out. What an archievement, it´s the most beautifullest thing i´ve ever seen.