Rio Conchos

This really was the last good conventional western action film, just before Sergio Leone and Sam Peckinpah opened the gate to a new genre. It is a very violent film, if you watch it closely, though not as graphic as what came a couple of years later. It is worth watching for the scenery, action, and most of all, a tremendous cast.

The great Jimmy Brown, Richard Boone, Tony Fransiosa, and ....Stuart Whitman. Wait...Stuart Whitman?!...no...he stinks. hes got no charisma, no screen presence. hes dull, flat...He stunk in everything. But I heard hes one of the richest men in California, so he wouldnt mind my saying so.

Actually, Stuart Whitman, the dullest of the major characters, is not needed at all. The screenwriters should have had the guts to transform the character into Jim Browns role...even make him a black officer. That could have been historically accurate, and even have set up a whole dynamic of tense racial relationships, especially when confronting Boones ex-Confederate racist character. Alas, nobody had the guts in 1964, but it would have been interesting, and the film would be even more highly regarded today.

The film ends abruptly and strangely, but it fits. Pay attention to Wendy Wagner as the Apache chick, shes hot, hot hot! I would have liked to have seen more of her.

Remember, if anybody wants to win trivia contests, "The Dirty Dozen" was not Jim Browns first film. "Rio Conchos" is!

"Rio Conchos" is a tough, fast-paced, action-packed western, with good performances by all concerned. If the story--Union soldiers go undercover to find the men who are supplying guns to renegade Indians and outlaws and come across a Confederate plot to carve out territory in the West--seems familiar, that's because it's a variation of John Wayne's "The Commancheros" of a few years earlier, and it's almost as good, and in some ways better. Richard Boone gives a very flavorful performance as the tough major in charge of the operation, in conflict with subordinate Stuart Whitman. Jim Brown, in his film debut, is a bit stiff, but otherwise acquits himself quite well. Anthony Franciosa, playing a Mexican outlaw paroled to accompany them on the mission, doesn't quite pull the characterization off, but handles the action scenes very well. Director Gordon Douglas, an old pro at this kind of picture, keeps things going at breakneck speed, with exciting action scenes and good byplay between the characters. This is one of the best-made action westerns of the '60s, with good plot twists, and is consistently interesting all the way through. Highly recommended for western fans.

Rio Conchos is a story about two men who won't let go and keep seeking vengeance. Richard Boone is a former Confederate soldier who came home to find his family massacred and is wreaking a terrible vengeance on the Indians. Kind of like Ethan Edwards would in The Searchers if left to his own devices.

The other man is Edmond O'Brien, Boone's former commanding officer, who is seeking vengeance for the lost Confederate cause and the way it went down in Generals Grant and Sherman's war of attrition. He's hijacked a group of repeating Spencer rifles and is about to trade them to Chief Rudolfo Acosta of the Apaches.

When Boone is found with one of the repeaters by the army, he's tossed in the guardhouse and then given a choice of staying there or leading Captain Stuart Whitman to the weapons. After thinking it over somewhat Boone agrees.

So an unlikely quartet of Whitman, Boone, Jim Brown, and Anthony Franciosa set out. This group has little regard for each other and that does impede the teamwork involved to successfully pull off the mission of either get the weapons back or destroy them.

This was the feature film debut of Cleveland Browns halfback Jim Brown who went on to a pretty successful acting career after his days on the gridiron were through. OF course Tony Franciosa as their Mexican guide/interpreter is as usual the best one in the film. Talk about someone no better than he ought to be.

Rio Conchos has enough action to satisfy the biggest western fans around. The ending, shall we say the conclusion of the film and the mission leave an uncertain future for the survivors of the last battle.

Gritty and well written Western tale with jarring burst of violence . Good western with nifty non-stop action in the old 20th Century Fox tradition set in Texas with towering actors , unstopped action and spectacular scenarios ; dealing with three Army buddies search for 2000 stolen rifles . 1867 , after the Civil War , a weapon shipping has been stolen to army and as responsible appears captain Haven (Stuart Whitman) , he is assigned to go to Mexico as incognito to avoid arms to be sold Apaches , being accompanied by a misfit outfit . He along with a furious racist agree to lead a hazardous expedition through Apace territory . As the group is formed by an ex-Confederate officer called Lassiter (Richard Boone) , a bitter ex-Rebel army major whose wife and children have been killed by the Apaches , the African-American sergeant Franklyn (Jim Brown) and a Mexican prisoner named Rodríguez (Anthony Franciosa) condemned to death row . As two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico , the object is to find another ex-Confederate who is about to sell hundreds of robbed guns to the Indians . They are ¨Comancheros¨ is a word that refers to those who favored or advantaged of Comanche Indians by selling weapons and alcohol . The Indians are out on a rampage of killing , vengeance against the white intruders and with the aim for getting weapons . As four men stalking the Apache nation on a mission that could drench the whole Southwest in blood and flames . From Texas they go to Chihuahua where a megalomaniac Southern ex-general named Pardee (Edmond O'Brien) living at a mansion in Louisiana style and commanding an army of bushwhackers attempts to re-initiate a war by Indian upheaval led by Bloodshirt (Rodolfo Acosta) . At the end there takes places a peculiar apocalypse plenty of explosion , dynamite , powder , fire and rifles .

This actioner Western contains thrills , adventures , rider pursuits , wonderful outdoors , impressive attacks and loads of crossfire . It is a very fine picture that could become another western worthy of any anthology . This is an unusually brutal tale of a hard-bitten sergeant assembling a detail of misfit cavalrymen to hold-off rampaging Indians and rebels . Well developed film with gloomy energy , crafty characters , sober lighting , abundant night scenes , elegant camera movements and especial dramatic pace , including a dialectic about racism . The picture relies heavily on the relationship among the misfit group , though gets enjoyable nuances and charm enough and along the way confront Indians rebels and themselves . In this film "Rio Conchos" also titled ¨Guns of Rio Conchos¨ the spectator enjoys because it has a lot of issues that make it agreeable . Even the female character played by attractive Wende Wagner as India Sally, reveals a woman who knows that she wishes and makes it irresistible . Stuart Whitman and an expert all-star-cast shine in this gripping story about a dangerous mission carried out by a motley bunch and director takes a fine penned screenplay by Clair Huffaker creating a cavalry-Indians tale that is far from ordinary , exploring the anguish and desperation of a varied group . Features convincing playing from the always reliable Richard Boone as a violent and hard-hitting racist and memorable Anthony Franciosa as womanizer Mexican . Jim Brown is good in his film debut and he gave up his football career, at its peak, to try acting . Colorful cinematography in truly De Luxe Colour by Joseph MacDonald . Offbeat musical score in suspenseful and thrilling style by the great Jerry Goldsmith .

The motion picture was professionally directed by Gordon Douglas , at his best . He's an expert on adventures cinema as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ in similar plot to ¨Chuka¨ , Richard Boone as ¨Rio Conchos¨ considered the best , and on bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others

Rio Conchos is directed by Gordon Douglas and adapted to screenplay by Joseph Landon from the Clair Huffaker novel. It stars Richard Boone, Stuart Whitman, Jim Brown, Tony Franciosa, Wende Wagner and Edmond O'Brien. Music is scored by Jerry Goldsmith and Joseph MacDonald is the cinematographer. Out of 20th Century Fox it's a CinemaScope production filmed in De Luxe Color, and primary location used for filming was Moab, Utah.

One ex-Confederate officer out for revenge against the Apache, one Army Captain driven by a sense of duty, one Buffalo Soldier continuing to prove himself and one Mexican convict getting a second shot at freedom. Four men, one journey, a mission to find who is arming the Apache with repeating rifles. Danger, mistrust and hostility are their only companions.

The plot may be routine, and certainly it owes a debt to The Comancheros (Huffaker involved there too), but this is a tough and dark Western propelled by fine acting, quality direction and photography to die for. Structured around a men on a mission basis, each one with their own particular issues, it's very much a character driven piece. It's the time spent in the company of these men that makes the film so riveting, it never gets dull, the character dynamics are such, that we never quite know what to expect from the next part of the journey. Director Douglas also doesn't shy from action, pitting our odd group against Mexican Bandits and Apache Indians along the way, and then delivering a high octane finale that has a few twists and turns to keep it away from being formulaic.

Whitman and Brown acquit themselves well enough, as does Wagner as the sole female of the piece. But acting wise this film belongs to Boone and Franciosa. The former portrays a bitter vengeful heart with ease, with a lived in alcoholic face, his destiny you feel is mapped out from the off. The latter shines as the ebullient character of the group, shifty, sly and as untrustworthy as it gets, Franciosa's play off of Boone gives the film its central pulse beat. But arguably all players are trumped by MacDonald's photography and Douglas' use of the scenery. From pretty much the first frame the landscape is the big character here. Douglas wisely using many long shots to reveal miles of vistas, then knowing when to pull in close to envelope the characters to give off the feeling of mental claustrophobia. Exterior work here belies the budget afforded the film, and all told it's a far better movie than the bigger produced Comancheros. Goldsmith's score is also a plus point, striking the mood from the get go, his arrangements flow at one with the hazardous destiny of the four men.

One of the better 60's Westerns, it's in desperate need of a remastering job being done on it. 8/10