Sfida nella valle dei Comanche

The events leading up to the Gunfight At Comanche Creek find Audie Murphy working as an undercover detective who has infiltrated an outlaw gang led by DeForest Kelley. The film has a plot not dissimilar to that of the great urban noir drama A Street With No Name.

Kelley has a unique recruiting method to supplement the hard core of his gang for jobs. He just breaks wanted criminals out of jail gets the use of their service and then kills them for the reward which has gone up in value like a stock in the bull market. One undercover detective has already been killed for the reward on his head so Audie has to watch himself from all angles.

Before he got his signature role as Dr. Leonard McCoy of the star ship Enterprise, DeForest Kelley did a lot of western roles where he was mostly a really nasty villain. If he hadn't signed for Star Trek, Kelley might well have kept in this career path.

Murphy himself was getting older and could no longer be cast as callow western youths as he was early in his career. After failing with a television series Whispering Smith, as so many of his fellow players did, Murphy kept doing westerns of varying quality until the end of the Sixties and the end of the B westerns which played the bottom half of double bills.

Not at all saying however that some of his westerns weren't good. Gunfight At Comanche Creek was done very well for low budget studio Allied Artists and goes at a real nice pace and maintains suspense throughout. Audie has to rely a lot on his wits to keep from being discovered. The gunfight at the end of the film is well worth waiting for.

The plot, irritating narration, and lack of originality have been covered at length. Not Murphy's worst, not his best. Biggest problem I saw was its absolutely miserable sound. Remember the standard jet-fighter sound used in every jet movie of the '50s? It is omnipresent here... even revolver shots are truncated clips of the same noise. Otherwise, it has a relatively solid cast, and you won't feel like you wasted two hours of your life.

In this Allied Artists quickie Audie Murphy once again has to infiltrate a gang of outlaws - helpfully explained by a Dragnet-style narration - and teach them the hard way that Crime Does Not Pay.

Made with the usual bloodless competence of TV westerns of the sixties; one feature of the film that dates it pretty precisely is the presence in the cast of DeForest Kelley during the period when he was treading water playing heavies.

The National Detective Agency sends investigators Bob Gifford (Audie Murphy) and fellow agent (Jan Merlin) to Comanche Creek to infiltrate a ruthless gang of outlaws who have devised a clever scheme to break criminals out of jail and force them to be easily recognizable participants in a string of robberies. As the wanted dead or alive bounty on their heads escalates with each robbery, the gang eventually murders them and turns them in for the reward. Gifford posing as criminal Judd Tanner places a target on his own back after intentionally passing stolen bills in a Comanche Creek saloon in order to get himself arrested. In short order he is busted out of jail and finds himself on the inside of the gang, a disagreeable lot of scoundrels headed by chief bad guy Amos Troop (DeForest Kelley) and his henchmen (Ben Cooper, Adam Williams, Mort Mills). Instead of taking down the crime ring then and there, Gifford reckons none of these gang members are smart enough to run an operation like this themselves and that there must the brains of the enterprise lurking in the shadows back in town. The rest of the movie consists of Gifford finding the unknown 'Mr. Big' behind the operation before he is the next wanted dead or alive casualty.

This Allied Artists Picture directed by longtime B-Western veteran Frank McDonald is largely a workaday affair. Audie Murphy is cast a bit off-type as a urbane, womanizing frontier detective. Maybe this was an attempt to appeal to changing audience tastes or to capitalize off of the "shaken not stirred" secret agent mania popular at the time. Possibly just a way to update this late in the cycle, traditional horse opera which was a remake of the another mediocre film, 'Last Of The Badmen' starring George Montgomery. There is also a romantic side story line introduced between Ben Cooper and Susan Seaforth of which little is made. Production values are pretty typical of Allied Artists releases of the era, which is at best, average quality. For some bewildering reason it was decided to include a grating and unnecessary voice-over narration explaining plot movements that most viewers would find obvious.

Despite it's modest roots and aspirations 'Gunfight at Comanche Creek' is watchable Western fare made so by Murphy's presence as well as Director Frank McDonald and the rest of the cast who do about as much as could be expected given the cards they were dealt.

GUNFIGHT AT COMANCHE CREEK (1964), done for Allied Artists, was part of Audie Murphy's last, frenzied wave of quickie westerns before his virtual retirement after 1966. It's a low-budget production shot on Hollywood backlots and nearby California locations, but within those parameters it actually boasts a well-written script by Edward Bernds, competent direction by B-movie vet Frank McDonald, and crisp photography by Joseph Biroc, a trio of professionals who were old hands at this kind of thing. It's also got a solid cast of familiar players who clearly know how to put on a good show for western fans.

Murphy stars as a Pinkerton-type detective who goes undercover to infiltrate a gang which specializes in a unique brand of caper. They bust known criminals out of jail, use them as front men in robberies until the price on their heads goes up, and then kill them and turn them in for the reward. When Murphy's partner is betrayed by someone who is secretly the brains behind the gang, Murphy is put in a particularly dicey situation--unarmed, unaided, and suspected of being the undercover agent that he is. While some of the plot turns will be predictable to western buffs, the script generates enough suspenseful situations to keep viewers glued, despite the fact that there really isn't a whole lot of action until the title shootout which comes at the very end.

Murphy is more relaxed than usual here, playing someone older, more experienced and more confident than the young, tormented loner he usually played. He's even something of a womanizer, a character touch not often applied to his roles. The star generally thrived when faced with formidable bad guys and he's got a colorful rogues' gallery to contend with here, including DeForest Kelley ("Star Trek") as the head of the gang and Adam Williams (NORTH BY NORTHWEST) and Mort Mills (TOUCH OF EVIL, PSYCHO) as convincingly snarling heavies. Also on hand are Ben Cooper (JOHNNY GUITAR) as a reluctant gang member, Colleen Miller as a lady saloon keeper, John Hubbard as the wily town marshal, Jan Merlin as Murphy's partner, old-timer Eddie Quillan as a hotel clerk, and the venerable Tom Browne Henry as the head of the detective agency. Future soap star Susan Seaforth has a brief turn in the requisite role of the rancher's love-starved daughter. Reed Hadley recites the abundant narration as if this were an episode of his old "Racket Squad" TV series. Such a strategy gives the unmistakable feel of a crime drama to the proceedings.