VALUTAZIONE IMDb
6,6/10
566
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen four rowdy cowhands ride into a small town and make trouble, no one seems willing or able to take them on, not even Sam Christy, the toughest man in town. But then there is a murder.When four rowdy cowhands ride into a small town and make trouble, no one seems willing or able to take them on, not even Sam Christy, the toughest man in town. But then there is a murder.When four rowdy cowhands ride into a small town and make trouble, no one seems willing or able to take them on, not even Sam Christy, the toughest man in town. But then there is a murder.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Kenneth Patterson
- 2nd Citizen
- (as Ken Patterson)
John Barton
- Townsman
- (non citato nei titoli originali)
Ella Ethridge
- Mrs. Phelps
- (non citato nei titoli originali)
Dick Johnstone
- Townsman
- (non citato nei titoli originali)
Recensioni in evidenza
This topic has been made at least one billion times in Hollywood history, western or crime genre. One man against several evil ones, so nothing new here. But the directing, castig, acting, every second of this pure awesome movie contributes to keep you glued, stuck to this story, a masterpiece of psychological character study, as NO NAME ON THE BULLET is for instance; though the story was not exactly the same. Jeff Chandler was purely outstanding and makes his death a couple of years later even more painful to accept, to digest. I will never get tired of this movie. Never.
Better-than-usual western has interesting premise: Four young cowboy-hoodlums take over a sleepy town population 50. The whole thing looks and feels like a Twilight Zone episode (black and white) without the fantasy. Two gorgeous women, Delores Hart and Marsha Hunt; a fair performance from Jeff Chandler; and vivid portrayals by the relatively unknown youngsters including a promising one by John Saxon. Sleazy early 60's B-Movie fun of the Juvenile Delinquent genre.
Typical Western of tough guys bullying a town, yet the acting and dialogue make it very entertaining. John Saxon steals the film even though he sometimes overplays his Mexican accent. Veteran character actor Flippen is also a standout. Pretty good overall.
Four young armed cowboys ride into town. Jeb, Rondo (John Saxon), Mule and Davy have been driven out of Dodge City. They don't pay for Whiskey and ask for the Sheriff. Sheriff McCauley decides not to wear his guns and all they want are warm beds in jail for the night. Once released, they start taking stuff and refusing to leave. Ellie Walters (Dolores Hart) is the beautiful store owner's daughter. One armed war veteran Sam Christy (Jeff Chandler) seem to avoid trouble.
This is obviously calling out the youth of its day. These four could be rock-n-rollers or greasers or bikers or general delinquents during its time. The town is full of old folks and helpless youngsters. Westerns are the films of older folks and younger kids. This is black-and-white moral delineation.
This is obviously calling out the youth of its day. These four could be rock-n-rollers or greasers or bikers or general delinquents during its time. The town is full of old folks and helpless youngsters. Westerns are the films of older folks and younger kids. This is black-and-white moral delineation.
Juvenile delinquency was a very hot topic in the late fifties and early sixties. The new scourge of civilization, rock and roll, had transformed the younger generation into rebels who wanted to cast off the repressive rules by which they were expected to conduct themselves. The burgeoning post-war economy was removing the fear that had formed so much of the older generation's embracement of responsibility and the ever-quickening pace of materialistic progress was making any prospect of boredom anathema to the young.
This certainly didn't go unnoticed by the establishment who were understandably alarmed by what appeared to be a rise in youthful disrespect and hedonism and the war of the generations was taken fairly seriously for a while. Hollywood quickly realized that this was a very sexy and saleable topic for entertaining the masses and began churning out dramas of rebellious youth by the boatload. By 1960 (the year this film was released) these rebellious youth movies were becoming pretty repetitive as far as contemporary settings went, so it was a darned good idea to take the issue and transfer it to a different time - the old west.
It worked rather well, I think. Westerns tend to be fairly simple story lines for the most part anyway, so bringing an aspect of modern juvenile delinquency into the western was novel enough to spice up both tired genres a little. I watched it on the late show when I was on a baby-sitting gig and it made my night. Held my interest all the way and I enjoyed repeated viewings of it over the next couple of years.
It's well acted by all. John Saxon has a great time playing the quietest but most dangerous gang member and Jeff Chandler gets to be a bad-tempered hero. As a small and relatively simple movie with a social message geared to the time of its release it's not really an 8 now, but I think it deserves a little better rating than it has here so I've given an extra point or two to help raise the average and I don't think that's the wrong thing to do at all. It's a decent piece of entertainment.
This certainly didn't go unnoticed by the establishment who were understandably alarmed by what appeared to be a rise in youthful disrespect and hedonism and the war of the generations was taken fairly seriously for a while. Hollywood quickly realized that this was a very sexy and saleable topic for entertaining the masses and began churning out dramas of rebellious youth by the boatload. By 1960 (the year this film was released) these rebellious youth movies were becoming pretty repetitive as far as contemporary settings went, so it was a darned good idea to take the issue and transfer it to a different time - the old west.
It worked rather well, I think. Westerns tend to be fairly simple story lines for the most part anyway, so bringing an aspect of modern juvenile delinquency into the western was novel enough to spice up both tired genres a little. I watched it on the late show when I was on a baby-sitting gig and it made my night. Held my interest all the way and I enjoyed repeated viewings of it over the next couple of years.
It's well acted by all. John Saxon has a great time playing the quietest but most dangerous gang member and Jeff Chandler gets to be a bad-tempered hero. As a small and relatively simple movie with a social message geared to the time of its release it's not really an 8 now, but I think it deserves a little better rating than it has here so I've given an extra point or two to help raise the average and I don't think that's the wrong thing to do at all. It's a decent piece of entertainment.
Lo sapevi?
- QuizI quattro disperati (1960) would be remade as New York: ore tre - L'ora dei vigliacchi (1967), aboard a NYC subway car. Same premise, but only two punks this time: Martin Sheen and Tony Musante. Beau Bridges plays the Jeff Chandler role, as a soldier on leave with a broken arm. Sheen and Ed McMahon made their feature-film acting debuts in New York: ore tre - L'ora dei vigliacchi (1967), along with Donna Mills.
- BlooperAt about the 1 hr mark when Sam gets into a fight with Mule, the stunt double for the prematurely gray Jeff Chandler has very noticeably dark hair.
- Citazioni
Sheriff McCauley: My advice to you boys is to stay clear of trouble. It might not go this easy for you in some other towns.
- ConnessioniReferenced in Voglia di ricominciare (1993)
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- Tempo di esecuzione1 ora 34 minuti
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- 1.78 : 1
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By what name was I quattro disperati (1960) officially released in India in English?
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