Una ragazza a Saint Tropez

This first part of the incredible gendarme-series sets the tone for the follow up. Funes and Galabru are the stars, but the lovely Geneviève Grad as Cruchot's daughter Nicole has a fine performance including singing a catchy tune. She's is trying to make a good impression at her new friends by claiming she's the daughter of a famous businessman instead of a gendarme. This is the start of a fine mess, which includes a kidnapping,some hilarious impersonations and a Rembrandt painting. Cruchot puts himself in some awkward positions to save him and his daughters ass. Surely 4 out of 5.

The Gendarm is one of these movies which get aired in Germany at least twice a year on television on public holidays. Shame on me I never took the opportunity to give it my full attendance. So now when it got re-released on DVD in a box containing the first 3 flix with Louis De Funes as Gendarm Cruchot I gripped my chance – and was in no way disappointed.

In the first 10 minutes of his movie (which I never saw before) we are introduced to the choleric character of a county policeman arresting fish and chicken thieves and singing in the church choir. This piece of film is in black and white contrasting the colorful scenes at St Tropez later on. Already these first 10 minutes are the work of a genius in humor. De Funes never fails to amuse with his extraordinary combination of being the law abiding correct police officer and same time unable to control his overwhelming emotions as depicted in his facial expression and excessive gestures. With this he is throughout the movie never overacting like in some of his later works.

About the main part of the movie we see him elevated to lead a fearless four of flics in the mundane town of St Tropez on Mediterranean Cote D'Azur. Some story lines are welded together about nudist bathers (are they in existence still?), young folks doing some vandalism and finally a big robbery of a classical painting which he can (by chance for sure) resolve. These are used to include some extraordinary political and social satire sub-tones like Louis leading his flics into assault on nude people on the beach like famous French Foreign Legion soldiers in desert wars.

I was brilliantly entertained by this comedy and could laugh out loud on some of the punchlines and almost dadaist slapstick. Oh, and you won't forget the catchy St Tropez tune performed by his film daughter and featured 3 times in the film. I give it 8 out of 10.

Additional trivia for German version: In the restored version on DVD we see some short scenes which were cut from the theatrical version, recognizable by not being overdubbed with German synchro. They do not add much to the story but fit into the picture of a great comedy.

Very much a 1960s style European beach comedy. The plot won't win any literary prizes, the gags are little better than average, but the comic timing of Funes, Lefebvre, Galabru, etc. is brilliant, study material for acting school. This is very much a feel-good slapstick comedy with the usual towering central performance of Louis de Funes in the title role, a prime example of a central character carrying a movie.

The best bit of the film is the black-and-white pre-credit opening sequence, set before Cruchot's move to St.Tropez. The scene with the chicken-thief and the choir is priceless.

an easy comedy at the first sight. one of the most French comedy at the second view. because it propose a character and gives to a great actor the chance to build his glory. because it is the foundation of the universe of de Funes, the frame for his different masques, irony, stereotypes, humor, vulnerability, generosity, tenderness and frustration of the tyrant. short, the introduction to a seductive series and the first step to a world who remains touching, seductive and source of nostalgia. a story so simple, gags well known, hysterical little character and storms of different small situations. nothing more. so, must see it. maybe, as useful lesson of French cinema.

Of all the genres, comedy is the one which gets more easily dated. That's because the conventions for each moment in time (and for each culture) are very volatile, they change quickly. And, for some reason, we don't "pile" new notions over old ones, which is to say, with humor, once we have new conventions, we reject old ones (unlike, for instance, the detective film). This means that what makes people laugh now, won't work in a very short time. I'm still young, and i've seen that happen, with films i saw as a teen. But than we have another aspect to be reckoned: the fact that, though audiences adapt to new conventions regardless of their age (as long as they keep seeing new films and live active social lives), they still gain a cinematic memory. So, many times, people "know" that they will re-watch a film which "is" funny, they remember they laughed out loud when they saw it the first time.

I saw this film with my mother, and i registered this effect on her. To me, this was something i had seen 10 years ago, to her, it was a memory from childhood, when these gendarme films were fresh.

Now they aren't fresh. Social criticisms here are totally out of date for European societies, even for the Portuguese!, so that's a card out of the deck.

The kind of gimmick Funés uses are also no longer so watchable. Physical acting has evolved to play with the body as an object (Jim Carey type) more than with the placing of the characters in a funny situation, like here (Chaplin made both things).

I do sympathize with his unlikable character. The witty policeman, despicable, over-protective about his girl (that's social commentary as well), caring for appearances. It's a matter of attitude, and Louis de Funés was a valuable performer.

One thing is remarkable about this film and its context: St.Tropez. What is remarkable, besides beautiful beaches, and pleasant lifestyle, is how cinema was an important, even fundamental, piece of the publicity machinery the french created to promote the place. It starts with 'Et dieu crea la femme', and it goes through a number of other films, including this one. Here we even have a song about the village, obviously made to promote both the film and the place. So here (as with 'and god...') we have the key elements that were important to highlight: beach, sand, summer-mood, boats, high life, open-minded relaxed living youth, attractive girls. The story exists to show off these elements. Well, you go today to St Tropez and compare it to what we have here in this film (and specially in 'and god..') and you have to admit they were successful in their campaign.

My opinion: 3/5 http://www.7eyes.wordpress.com