Durante la seconda guerra mondiale, un uomo viene persuaso a spiare gli aerei che passano sopra la sua isola. Invece, un insegnante di scuola in fuga dai giapponesi arriva con i suoi allievi... Leggi tuttoDurante la seconda guerra mondiale, un uomo viene persuaso a spiare gli aerei che passano sopra la sua isola. Invece, un insegnante di scuola in fuga dai giapponesi arriva con i suoi allievi.Durante la seconda guerra mondiale, un uomo viene persuaso a spiare gli aerei che passano sopra la sua isola. Invece, un insegnante di scuola in fuga dai giapponesi arriva con i suoi allievi.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 2 vittorie e 5 candidature totali
- Anne
- (as Pip Sparke)
- Dr. Bigrave
- (non citato nei titoli originali)
- Chaplain
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- Radioman
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- Accordionist
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- Lt. Cartwright
- (non citato nei titoli originali)
- Captain of Submarine USS Sailfin
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- Navigator
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Recensioni in evidenza
I will always remember a certain Sunday in lil ole Luverne, Alabama, having a great time with my family watching trusty TBS (the way it used to be). It's not the greatest movie ever, but it is a fine choice for a lazy afternoon or light evening fun. I give it a 7/10 and it might deserve higher marks. Break out the Orville Reddenbocker, and follow with an "Operation Petticoat" chaser.
Everything works pretty well in this film although Grant is not quite up to an American accent so there are several awkward moments with the script. And the age difference makes the Grant-Caron romance unconvincing. Fortunately the producers skate over the romantic elements. In fact, the romance is treated so superficially that you wonder why they bothered to insert it into the story. A similar romance got much the same treatment that year in "My Fair Lady".
The film's real strength is the interaction between Grant and the seven schoolgirls as it manages a fair amount of believable characterization for each of them. The initially silent Jenny (Sharyl Locke), tomboy Harry (Jennifer Berrington), chronic complainer Anne (Pip Sparke), Elizabeth (Stephanie Berrington) and her imaginary friend Gretchen, coming of age Christine (Venina Greenlaw), and the French twins (Laurelle and Nichole Felsette). All have distinct personalities and it is obvious that Grant had a lot of fun working with each of them; so much so that he stayed in touch with them even after they grew up, married, and started their own families.
Grant's Walter Eckland is an American drifter hoping the war will just pass him by; illustrated during the opening credits by Digby Wolfe singing "Pass Me By" as Eckland (with an unwanted hitchhiking Pelican) steers his boat into the harbor. The war catches up with him there when the Harbor Master (Trevor Howard) tricks him into taking a coast-watching job until a replacement can be found.
His job is reporting by radio any movements by Japanese planes and ships near his island station. The reluctant recruit is rewarded with a bottle of whiskey (previously hidden somewhere on the island by the Royal Navy) each time one of his reports is confirmed.
Walter seems to thrive on this assignment until he has to share his island with a French teacher Catherine Frenau (Leslie Caron) and seven young charges. Miss Frenau hides the remaining whiskey bottles and the females take over Walter's hut.
Then again, what do I know? I'm only a child.
It was my decided pleasure to be in attendance at his "A Conversation With Cary Grant" at the Front Row Theater in Cleveland shortly before his death. During this unforgettable evening, Grant fielded questions from an audience of over five hundred for nearly two hours.
Grant seemed to possess a photographic memory, recalling incidents of his life and career down to the smallest detail. "Father Goose" was revealed to be one of his favorite projects.
Looking at the film today, one can see the senior star enjoying his character and well polished script. He was nicely paired with Leslie Caron, and the two struck an engaging chemistry for these capers.
Grant also had the good sense to say farewell to these leading man parts (being aware that he could never become a "character" actor) threw in the towel and moved on to better things, like Fabrege.
We're left with another delightful Grant performance in an illustrious and remarkably diversified career.
Sharply written by Peter Stone and Frank Tarloff, the story revolves around Eckland's futile attempts to remain reclusive aboard his boat tooling around the South Pacific. Unfortunately, WWII is raging on, and the British Navy need to use him as a hidden spotter of Japanese fighter planes. He is tricked into the role and remains shipwrecked manning his post on an isolated island. Enter Catherine Freneau, a priggish French schoolteacher, who has been stranded on another island with seven schoolgirls. Eckland fetches them, and they all cohabitate with inevitable shenanigans occurring.
Director Ralph Nelson, who generally made relatively lightweight fare, keeps the story fairly facile until they come under attack and a suspenseful element is carried through to the end. In what turned out to be his last leading role, romantic or otherwise, Grant was applauded at the time for dispensing with his suave manner to inhabit this character, but actually it's a throwback to the everyman characters he played in "Only Angels Have Wings" and "Gunga Din". The difference is that at age sixty, he displays his talents as both romantic comedy lead and action hero with such seasoned adroitness.
As Catherine, Leslie Caron demonstrates just how greatly underrated she is as a comedy actress. Even though her character threatens to be strenuously rigid, she conveys Catherine's vulnerability with subtle nuance and also has a very funny drunk scene where she gets to show off her ballet dancer gams. Grant and Caron have great chemistry. Trevor Howard dryly plays Eckland's friendly adversary, Commander Houghton, who transmits instructions by ham radio, and the girls are all gratefully portrayed with individual personalities. I have always been impressed how this film maintains its light heart and humor even though it's clear that the wartime setting is a critical element of the plot. It remains good, solid entertainment.
Lo sapevi?
- QuizThis was one of Cary Grant's favorite projects. He always maintained his role in this film was most like his real personality. He claimed he kept in touch with most of the girls as they grew up and had families of their own.
- BlooperFor the sake of pacing, numerous liberties are taken with the way two-way radio actually works (overlaps, interruptions, etc.).
- Citazioni
Lieutenant Stebbings RAN: Mother Goose is requesting a chaplain.
Commander Frank Houghton RAN: A chaplain? Good heavens, he's killed her.
Lieutenant Stebbings RAN: No, sir. They want to get married.
Commander Frank Houghton RAN: Married? Goody Two-Shoes and the Filthy Beast?
- ConnessioniEdited from Operazione sottoveste (1959)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 12.500.000 USD
- Tempo di esecuzione1 ora 58 minuti
- Proporzioni
- 1.85 : 1