Emil e i detectives

Back when I was in school taking high school Spanish, this book in a Spanish translation was a text used in my course. We read it for about a third of the semester. Of course it was called Emilio Y Los Detectivos.

So of course I had to go see Emil and the Detectives when it was out in the theater and I found it to be a very good Disney production of the story. To make it cinematically viable parts of the story were emphasized and others were not.

Walter Slezak looked like he was having a great old time playing the master criminal who just can't get good help. Young Bryan Russell is on a train to Berlin to visit his grandmother and he had a sum of money which unfortunately attracts the attention of Heinz Schubert one of two lugnuts who are Slezak's henchmen. Slezak, Schubert, and Peter Ehrlich are planning a bank robbery, a tunnel job. Slezak is understandably upset that Schubert would risk arrest for a petty theft and thereby put the bank job in jeopardy.

But it's no petty theft to Russell who falls in with a gang of Berlin street urchins headed by Roger Mobley. Since this is a Disney film, I think you can guess the rest of it. The kids deal with the crooks in their own unique way.

I remember it was a fun movie and I did so enjoy Walter Slezak in the role of the master criminal done in by kids. I do so hope TCM runs this at some point.

One of the most dreadful adaptations of a book I've seen in a long time. Disney took the delightful and touching 1929 novel by Erich Kästner and turned it into something utterly ridiculous. In the first half-minute I knew something was going to be off when they revealed straight away who the robber was for certain, thus destroying any sense of mystery and tension the book had. Moreover they made the Grundeis character so grossly unbelievable as a person, it was hardly watchable. And the detectives...all the charm and comradery of the group of boys who help Emil in the book was lost in this film. In the film, they were basically hired for a tenner.

First saw this in a movie theater when I was 11 years old and just saw it again this week on Turner Classic Movies. It made a big impression on me when I was a kid and I'm pleased the experience stood up. Understand that this is completely a kids movie. The characters are very broad and actually quite cartoonish (though the same could be said for Quentin Tarantino movies). Gender stereotypes are consistent with the period. The plot is wildly implausible, like many children's books, but who cares?

So what did I like about it so much? All the main actors had charisma to spare and the minor actors were quirky and more than a little unusual. Bryan Russell and Walter Slezak are particular favorites. Though I hardly understood World War II as a child I now appreciate seeing Berlin less than 20 years after that war ended. And the attitudes towards Germany at this time. The photography is vividly colorful and flattering to Berlin. The bouncy score is happy-making and infectious. Mostly, I loved the sense of ebullient, delirious adventure and camaraderie among the detectives. Really echoes my idea of the limitless adventure of childhood at its best. Bravo!

This is the third movie version of Eric Kastner's oft-filmed story I've seen in the last few years. Once again, Emil, in the form of Bryan Russell, is on his way to spend the summer with his grandmother and cousin in the big city of Berlin; again, the Man In The Bowler Hat steals the money he is carrying for grandma; again, he encounters local kids, who organize and eventually bring justice.

In this Disney version, a major subplot is added (or perhaps restored; I've never read Herr Kastner's story). The Man With The Bowler Hat is involved in a bank robbery ringled by Walter Slezak. There's a nice amount of the effectiveness of gangs of children versus gangs of adults (including the stodgy and thoughtless police), with the points going to the kids; adults refuse to take them seriously at their peril.

The movie is shot in a bright and clean world that emphasizes the benign nature of reality for children, while the bank robbers toil in the grim underworld, trying to tunnel to the bank. the score by Heinz Schreiter is full of woodwinds which constantly informs the audience of the harmless silliness of this particular cinematic universe -- a mistake, I think, but what's a composer to do?

In the end, this is another pleasant version of the story, adding little to it of moment, but giving it a contemporary, 1960s air. I think the best version I've seen remains the original version, released in German in 1931, in no small part because the world in that movie is not so sunny, but the children ignore that in favor of their own constructed world.

"Emil and the Detectives" is the type of kids adventure stories that Walt Disney Studios made several of in the 1950s and 1960s. They were always fun and somewhat interesting, though no one ever thought any real harm would come to the heroes. Still they could keep kids on the edge of their seats at times.

This is a fun family film that youngsters especially should enjoy. Although older kids who are addicted to video games and non-stop action films will have to learn how to sit still to enjoy it.

The only actor of any note in this film is Walter Slezak, an Austrian-born character actor who played in dramas, thrillers and comedies. He will be most familiar for his roles in films about WW II when he usually played German officers or high-ranking officials.

Bryan Russell was a fine young actor, playing Emil in this film. But he made only one movie after this, and after a TV series in the mid-1960s, he quit acting.

An interesting aside in this film was its shooting locations in Germany. This was 1964, and it shows some of the rubble yet from World War II. I can attest to that fact, having served in the U.S. Army in Germany from 1962 to October of 1964. I was stationed near Mainz, Germany, and that city still had partial blocks in rubble that had not yet been cleaned up and rebuilt.

While Walt Disney began his film-making dynasty with Mickey Mouse and animated films, Disney moved into real-life film later. He developed a mixed genre that incorporated some animation within live action film. A classic example of that was "Mary Poppins."