Le 7 facce del Dr. Lao

There's a proverb somewhere that states that youth is wasted on the young.One might similarly feel that the wisdom of fairy tales,folklore,and fantasy are wasted on children.While I,for one would hesitate to go that far,I feel that the messages contained in this film,like so many other classic children's stories,are best understood in an articulate fashion by adults.Kids will unconsciously and intuitively pick up the meanings,but it requires more maturity and life experience to fully appreciate what's going on here.So,here ends my pontificating,and begin the review.The plot with Arthur O'Connell trying to take over the town is a simple,relatively benign framework to introduce the real story;the necessity of looking at ourselves,our flaws,our foibles,and the illusions we need to protect ourselves,and to keep on living.And the circus of Dr.Lao does provide that chance,in a gentle and compassionate way.We can complain about the dated quality of the special effects,but don't forget,this was 14 years before Star Wars.The villains are a couple of stupid oafs who are easily disposed of in a benevolent fashion,and the other characters are shown the ways in which they stunt their own development,and then are given the chance to change IF THEY CHOOSE TO DO SO!(Let's face it,some of them decide to stay the same.)Randall gives a tour de force performance as the circus cast(although I believe that stuntman Janos Prohaska actually did the Abominable Snowman)and the true development of Merlin,from doddering has-been to capable miracle worker is am impressive display of character creation and sustenance.(I've always wondered if the bagpipes accompanying the growth of the Loch Ness Monster was some sort of inside joke.)This is the kind of film that the entire family should see together;everyone could get something out of it.

In the turn of the Twentieth Century, the Chinese Dr. Lao (Tony Randall) arrives in Abalone, Arizona, riding a donkey carrying a fishbowl with a small fish and goes to the local newspaper Diary Star. He asks the owner Ed Cunningham (John Ericson) to publish one-page advertisement for two days for his traveling circus. Ed has unrequited love for the widow librarian Angela Benedict (Barbara Eden) and opposes to the powerful rancher Clint Stark (Arthur O'Connell) that wants to buy the lands of the inhabitants of Abalone. He uses the argument that the water supply pipe is decayed and needs to be replaced and it will be very expensive. However Stark has inside information that the railroad will pass by Abalone and will increase the value of the lands. There is a meeting in the town to decide whether the locals will sell their real estates to Stark or not but the decision is postponed after the arrival of Dr. Lao. During the night, the dwellers go to the circus to see The Abominable Snowman, Merlin the Magician, Apollonius of Tyana, Pan, The Giant Serpent and Medusa. Each attraction gives a lesson to each resident, changing their future and behavior for the better.

"7 Faces of Dr. Lao" is a delightful and magic cult-movie, with a beautiful and entertaining story and great direction of George Pal. Tony Randall "steals" the movie performing seven different roles. Barbara "Jeannie" Eden is gorgeous and her encounter with Pan the God of Joy is wonderfully erotic. Apollonius of Tyana telling the truth about the future of his clients is hilarious. My vote is eight.

Title (Brazil): "As 7 Faces do Dr. Lao" ("The 7 Faces of Dr. Lao")

My friends and I were used to going to lightweight movies in the Sixties. We would see Doris Day or Rock Hudson or Shirley MacLaine. Tony Randall often played a best friend to a romantic lead or some other less significant role. This one shows what a wonderful actor he was. He plays a strange Chinese "magician" who comes to a dying town in Arizona. The people are in disarray because they see that things are falling apart. Arthur O'Connel (who usually played kindly types) is aware of the railroad going through the town and is doing everything to get people to sell him their land. The thing with Dr. Lao's circus is that when one goes to it, they learn things about themselves. Some of things are very disturbing. Lao is able to bring up monsters and mythological figures. When someone does something evil, he counteracts their actions or punishes them in some way. Randall plays all seven faces, each having significant effect on the town-folks. Mostly, I remember how I could not get this film out of my head for weeks because it was like nothing I had ever seen before. I have since read the book and watched the film a couple more times. It has aged really well.

"The whole world is a circus, if you know how to look at it." The inhabitants of an old western town are being terrorized by a corrupt mayor and his cronies. Only a handful of people are brave enough to fight back, until a strange old Chinese man appears in town and opens up a circus. I grew up watching this movie. It contains excellent lessons about life, magic, fighting for what you believe in, and love. The scene with Merlin makes me cry without fail every time I watch it. This is something I intend to raise my children on. The moral message is strong without being preachy or adhering to any religious preference.

I saw this film again yesterday, just when I needed to. I was a bit depressed and the film, with its essentially Taoist philosophy, picked me up. Is Dr. Lao really Lao Tsu, famous Taoist immortal? Maybe, maybe not. What matters here though is the message that the movie gives, and the charm with which it delivers this. There is a quote from the film that sums it all up:

"The world is a circus if you look at it the right way. Every time you pick up a handful of dust, and see not the dust but mystery, a marvel, there in your hand. Every time you stop and think, 'I'm alive. And being alive is fantastic.' Every time such a thing happens, you are part of the circus of Dr. Lao."

Go see this film, but not more than once in a while. Its message can be considered a bit "corny" by today's standards, but still has merit when taken at face value.