Il sottomarino Seaview è incaricato di indagare sui misteri dei mari. Di solito trova più problemi che risposte.Il sottomarino Seaview è incaricato di indagare sui misteri dei mari. Di solito trova più problemi che risposte.Il sottomarino Seaview è incaricato di indagare sui misteri dei mari. Di solito trova più problemi che risposte.
- Vincitore di 4 Primetime Emmy
- 4 vittorie e 9 candidature totali
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Recensioni in evidenza
The Seaview is confronted by a giant seaweed monster with two eyeballs. "I've never seen anything like it!" Exclaims Nelson. Yes, you have, it was on three episodes previously. In fact that eyeball monster was a regular fixture on the show. Whenever they ran out of ideas (which was all too frequent) out would come Mr Eye balls. In one episode they couldn't be bothered to show some rogue scientists so they just had someone relay the information that there were a bunch of rogue scientists on the seabed controlling Mr Eyeballs. They had a villain on board who kept talking to them through a walkie-talkie. Spare no expense!
But you gotta love those titles, usually self explanatory such as 'Terror on dinosaur island' or my personal favourite, 'The monster from outer space.' Highlights include a scientist who took a drug that expanded him in size. It also expanded his clothes and he sprouted fangs ('Behemoth', God, why do I remember that?) Also the under-sea spider. Well cool. Every week Kowalski would be chewed out by the chief or the crew would fling themselves from side to side of the sub. Getting bored with this they introduced a flying sub that would fly around endlessly for little reason and inevitably crash land.
On and on the series went. Eventually they dispensed with all the monsters and had the crew just walking up and down the corridors with the odd lobster man dropping in to break the monotony. Richard Basehart, seeing a once promising career disappearing under the beach break, became increasingly irritable as the series staggered on. In one episode the Seaview was taken over by seaweed for the umpteenth time and he was hilariously indifferent and short-tempered. Grabbing a laser gun with a 'don't-bother-me-with-this' shrug he flatly said "We'll burn it with this" and proceeded to do so with all the urgency of a man filling in a tax bill. Eventually the writers ran out of final scenes so the cast would just stand there looking at each other uncomfortably waiting for Nelson to ad lib something like "er, let's get under way."
It's missed. Sort of.
But you gotta love those titles, usually self explanatory such as 'Terror on dinosaur island' or my personal favourite, 'The monster from outer space.' Highlights include a scientist who took a drug that expanded him in size. It also expanded his clothes and he sprouted fangs ('Behemoth', God, why do I remember that?) Also the under-sea spider. Well cool. Every week Kowalski would be chewed out by the chief or the crew would fling themselves from side to side of the sub. Getting bored with this they introduced a flying sub that would fly around endlessly for little reason and inevitably crash land.
On and on the series went. Eventually they dispensed with all the monsters and had the crew just walking up and down the corridors with the odd lobster man dropping in to break the monotony. Richard Basehart, seeing a once promising career disappearing under the beach break, became increasingly irritable as the series staggered on. In one episode the Seaview was taken over by seaweed for the umpteenth time and he was hilariously indifferent and short-tempered. Grabbing a laser gun with a 'don't-bother-me-with-this' shrug he flatly said "We'll burn it with this" and proceeded to do so with all the urgency of a man filling in a tax bill. Eventually the writers ran out of final scenes so the cast would just stand there looking at each other uncomfortably waiting for Nelson to ad lib something like "er, let's get under way."
It's missed. Sort of.
This was my favorite TV series, growing up in the 1960's. And it still is a fun show for a lazy afternoon, or late at night. Richard Basehart, as Admiral Nelson, was (and still is) like an uncle or grandfather to me. He always knew just what to do in any emergency, and his subtle sense of humor really makes him very likable too. David Hedison, playing Captain Lee Crane, was the person I wanted to be someday. And the relationship between Captain Crane and Admiral Nelson is almost like a father and son - some tension now and then, but they always respect each other in the end. Of course, the real stars of this TV series are the Seaview and the Flying Sub. Even today, many fans of the show collect and build model kits of these two amazingly cool submarines. No matter how silly some of the series plots and monsters look today, the Seaview and Flying Sub are still two of the best designed vehicles in the history of science fiction television. For this alone, Irwin Allen will always have my most heartfelt thanks and appreciation. Hopefully someone will attempt a new feature film of 'Voyage' someday, as was done with 'Lost In Space' in the late 90's.
Irwin Allen became known as a special effects wizard because of this series which was the most successful. The photography in it was always great, & Allen knows how to create effects. The SeaView - the main sub in the show would still be futuristic today. Of course the ideas for this series was spawned by the movie that preceded it with the same name.
Richard Basehart & David Hedison were great choices to be in command. They carried the dialog real well & there were plenty of good name guest stars in episodes too. Once in a while a pretty woman would stop in for an episode but most of the time the male cast carried this show to the top for ABC.
Later in the series, they introduced a flying submarine, something which in reality has still never been created. This show can really fire the imagination with how it worked. Now that it is on DVD, it might get some more new fans. As for Irwin Allen Productions, while they have done more recent work, since 1982's Code Red, there has not been as much success as this & the 60's & 70's stuff they did.
Richard Basehart & David Hedison were great choices to be in command. They carried the dialog real well & there were plenty of good name guest stars in episodes too. Once in a while a pretty woman would stop in for an episode but most of the time the male cast carried this show to the top for ABC.
Later in the series, they introduced a flying submarine, something which in reality has still never been created. This show can really fire the imagination with how it worked. Now that it is on DVD, it might get some more new fans. As for Irwin Allen Productions, while they have done more recent work, since 1982's Code Red, there has not been as much success as this & the 60's & 70's stuff they did.
If you want to be really entertained, then watch Voyage to the Bottom of the Sea. With a wide variety of monsters, aliens, and special guest stars, you'll want to watch this show again and again. I personally think it was one of the most clever shows and it should always be remembered.
I watched "Voyage..."as a kid in the 60's. I still love it. My favorite episode is "Menfish". This episode also is the only one were I've seen obvious goofs. Capt.Crane actually pulls off a piece of the set as the Seaview rocks back & forth. Great TV! Great Sci-fi! Always entertaining. Mr.Allen will be missed.
Lo sapevi?
- QuizAt first, David Hedison turned down the role of Lee Crane, until he learned that Richard Basehart was signed to play Nelson.
- BlooperDespite being on a ship that is routinely rocked side to side, nothing is ever secured on shelves; items are just placed there and would be a hazard during their numerous adventures.
- Citazioni
Captain Crane: [after watching a flying saucer depart] We can expect to see it again someday. I hope they'll remember they were treated as friends.
Admiral Nelson: They'll remember all right. I wonder if we will.
- ConnessioniEdited into Attack of the 50 Foot Monster Mania (1999)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Voyage to the Bottom of the Sea
- Luoghi delle riprese
- Santa Catalina Island, Channel Islands, California, Stati Uniti(underwater scenes - first season)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione52 minuti
- Colore
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By what name was Viaggio in fondo al mare (1964) officially released in India in English?
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