Bonanza

"Bonanza" was the first hour-long TV show in any genre produced in full-color. The continuing cast for the first 6 years featured essentially five persons--Benjamin Cartwright, his three sons and their Chinese cook, along with the local sheriff. Cartwright had been a seaman, who went west and married three times; each time he produced a son and lost his wife. Reaching the ponderosa pine country near Virginia City, Nevada and Lake Tahoe, he built up a large landholding, with cattle, timber, and mines, becoming an important man in the territory. Ben Cartwright was played by Canadian announcer-actor Lorne Greene, who was much younger than the part he played but had Shakespearean training and a powerful speaking voice. Pernell Roberts played his eldest son, Adam, a thoughtful but restless man, 1959-65. Eric "Hoss" Cartwright was portrayed huge Dan Blocker as a man of gentle ways and grit but ordinary intelligence. Attractive Michael Landon played "Little Joe", fast with a gun and learning to be a man; he also write and directed episodes for the series. Victor Sen-Young was Hop Sing, and veteran Ray Teal played Sheriff Roy Coffee. Later, others were added to the series for various stretches, once Adam's part was written out; these included David Canaray as Candy, Bing Russell, Harry Holcombe, Guy Williams, Kathie Browne, and Remo Pisani. Each week guest stars were hired, and a few actors were used in dozens of shows. Among the most memorable guest stars were John Larkin, Ruta Lee, Joan Hackett, Frank Overton, Bruce Yarnall, Inga Swenson as Inger, Ben's second wife, Felicia Farr as his third wife, Grandon Rhodes, Patricia Donahue, Robert Lansing, Lisa Lu and Steve Forrest. Titles such as "The Honor of Cochise", "The Eden Train", "Inger, My Love I,II", "Right is the Fourth "R"", and "The Mountain Girl" among many others bring fond memories. Many directors toiled on "Bonanza", whose title referred to the rich ore found in the Virginia City area during the nineteenth century. The list included Lewis Allen, Leon Benson, William F. Claxton, Herschel Daugherty, Don McDougall, Christian Nyby, Leo Penn and William Witney. Principal writers for the series, with 5 or more credits, included Robert V. Barron, Frank Chase, Suzanne Clauser, Frank Cleaver, the producer David Dortort, Warren Douglas, John Hawkins, Ward Hawkins, Arther Heinemann, Michael Landon, Jo Pagano, Stanley Roberts, Robert Sabaroff, Jack B. Sowards, Thomas Thompson and Al C. Ward. It is difficult to characterize the show except that it was a consistently second-rank attempt to do stories about first-rate ethical people living in an interesting era in a frontier setting. It was the first of the family-oriented westerns, and at the same time a show capable of detaching its principals for dual or independent adventures. If few of its episodes risk to great dramatic heights, many are far-above-average film-making efforts, even by feature-film standards. The production featured clean, straightforward cinematography, Nellie Manley's hairstyles, Wally Westmore's makeup, enjoyable costumes and expert sets, art direction and action scenes. If the family spent too much time at home, seldom were shown with cattle and had virtually no employees, the writers made up for such derelictions by involving the sons and the father in the affairs of town and territory. Innovatve and perhaps inimitable, this was quality dramatic western making from start to finish.

This was probably one of the more influential western series of all time. Along with "Gunsmoke" this also was one of the longest running series in the history of television. The thing that made it great though was that it was able to get better over time. For example, in many of the early episodes, Ben and his sons had an almost antagonistic relationship with anyone who came on their property. In fact, the Cartwrights had an almost shoot first, ask questions later attitude to any stranger that might wander onto the Ponderosa. However, when Lorne Greene suggested that the Cartwrights become more hospitable, that's when the show began to take off. Also, the Adam, Hoss and Joe weren't on the best of terms with each other during the show's early days, but as time went on the three of them grew closer and showed their affection towards each other, especially Hoss and Little Joe. But the thing that really made it great was the fact that the cast and crew were able to go from serious drama to some very light hearted episodes and make it more than just a western but a family drama with stories that could easily fit into any era. This is really a show for the ages.

"Bonanza" aired on NBC in September of 1959. Filmed in color, it was put in the 7:30 PM slot on Saturday nights so that people in the appliance stores could see it on the television sets and be convinced to buy an RCA color television. The ploy worked.

In 1961 it was moved to Sunday nights after NBC realized they had a hit on their hands. It lasted another 13 or so years before being canceled. But it is a landmark in television history.

One suggestion - if you ever find a DVD of "Bonanza" and an episode titled "To Die in Darkness" is listed, don't hesitate to buy the DVD. The episode guest-starred James Whitmore and was filmed in about the mid-1960s. All I will say is that the episode was probably the best of the series.

This series is great for many things. The Cartwrights are righteous, hard working and well respected. They work from early in the morning until they sit down for dinner, eating meat and potatoes. Dan Blocker was Texas heaviest baby when he was born, and Little Joe (Michael Landon) always comments on how much he eats for dinner. Pernell Roberts is very cool as Adam, and Lorne Greene, playing Ben Cartwright depicts a very noble and respectable man. Under the scorching sun they meet problems like racism, indians and every other problem you could expect those days. Great entertainment. A TV-series like this will never be made again.

Although this show has been off the air since 1973, after viewing a DVD set I borrowed at our library, I felt compelled to say a bit about it.

I can remember when it was the only color show on television in the 1960s, and sometimes there would be a little "Sunday Night Party" with friends to watch this on NBC on one of the few color televisions.

I really enjoy history not so much for the names and dates but how it influences us today and how so much can be so profound based on the most inconsequential actions of the time. Case in point: Virginia City, Nevada, which became one of the richest cities in the world because of the silver, got its name from a character named "Old Virginny", who, in the town's early days, stumbled out of a saloon, fell and broke his whiskey bottle.

Old Virginny didn't want to waste the occasion so as the precious liquid was seeping into the dirt he decided to christen the town "Virginia Town". The area became known as the Comstock Lode because another character, Henry Comstock, had the reputation of trying to jump everyone's claim and the area became known as the Comstock Lode.

I just watched an early episode that dealt with these 2 subjects. Other episodes dealt with Mark Twain's literary rise while a reporter for the Territorial Enterprise...

It was wholesome (and frequently educational) family entertainment. As someone else remarked, each episode would really be considered a movie in its own right - rich scripts and characters.

One thing it twisted the truth on was the proximity to Virginia City and the Ponderosa. In truth, to ride from the Ponderosa (all of Northern Lake Tahoe), one would have to ride his horse about 3,000 feet (1,000 meters) down the Spooner Summit to the high desert (3,000-4,000 feet) of the Carson Valley then another 30-40 miles to Virginia city.

Needless to say the Cartwrights would have some sore rear ends doing this on a regular basis. But every writer should have some leeway with the truth.

How I miss that show, even today.