Si spogli... infermiera

"A Stitch in Time" is one of the later movies by British comedy actor Norman Wisdom. I think it is one of his better films. In this one, he had some touching scenes on a serious side, but these relate to the humor he brings in a hospital setting.

Norman Wisdom was a star of British cinema in the mid-20th century. He had a little bit of Jerry Lewis, some Red Skelton and come Lou Costello. But his character had much more and was his own. Three things distinguish Wisdom – his perpetual smile and happy attitude, his exceedingly high energy level, and his physical abilities.

In this film, Wisdom plays his familiar character, Norman Pitkin. Many other comedians used hospital settings in movie plots, and one can expect the same types of hilarious situations in this one. A hospital gurney race is one of the funniest I've ever seen. This film has some slapstick comedy to rival the best of early American comedy teams. And the musical ending is special.

Norman Pitkin works for Mr Grimsdale in a butcher shop. When a robbery goes wrong Mr Grimsdale is put into hospital to recover. While in the hospital he and Norman decide that they have been `called' to serve as doctors. While visiting Norman makes friends with a lonely young girl in the children's wing, even giving her Mr Grimsdale's gold watch to cheer her up. However a series of misunderstandings leads Sir Hector to ban Norman from the hospital. However he tries many tricks to get in to visit the girl.

Norman Wisdom films rarely surprise - you pretty much know what you're going to get and this is no different. Here his wide eyed innocent gets into a raft of comical misunderstandings around the hospital. His innocent act still works well and many of the set pieces are funny and well handled. The actual scenes with the little girl are too cute and sweet to be totally enjoyable but they do set up the usual `message' at the end - this one (as with so many others) allows Norman's working class fool to challenge the selfishness of the upper classes.

Wisdom is good, he still manages to carry off the likeable innocent. Wisdom regulars Jerry Desmonde and Edward Chapman are both good and as usual the rest of the cast is filled out by reasonable attractive girls eager to fall for Norman's charms.

Overall fans of Wisdom will not be disappointed and people who enjoy physical comedy with no nasty or cynical edges will find much gentle charm to enjoy here.

This one is above average, not Norman's best, but still good.

The scenes at the butchers are good, my wife could not stop laughing, , it was worth seeing it just for that.

This one has Jerry Desmonde and Herbert Chapman both supporting Norman and Jeanette Sterke is the pretty girl, Jeanette is one of the few from Norman's films who is still with us, now aged 87, she retired in 1986.

Lookout for Patsy Rowlands, Frank Williams (he did a few of Norman's films), Cyril Chamberlain and Pat Coombs.

The ending was a bit dramatic, but not too cheesy, it turned from a comedy to a social drama.

Even if the story is pretty standard and some parts get a little sentimental, A Stitch in Time is still a charming and funny slapstick comedy. A Stitch in Time is very well made, with nice cinematography and the film overall looks beautiful. The music by Phillip Green is beautiful as well, while there are some nice and funny touches in the screenplay. Not only that the set pieces are efficiently done and just add to the fun, with the slapstick very well timed. The pacing is just fine, the direction is good and the length I had no problem with either. And the acting is little to gripe about; Norman Wisdom is very winning in the title role, very innocent and likable, while Edward Chapman and Jerry Desmonde almost come close to stealing the film and Jeanette Sterke is really beautiful. Overall, classic slapstick comedy, that is very nice to watch while being funny as well. 8/10 Bethany Cox

Very funny and surprisingly well made film. Norman Wisdom does not put a foot wrong, well he does but he's supposed to! What is particularly gratifying here is that whilst Wisdom is his brilliant self, everybody else puts in excellent and thoughtful performances. There is none of the 'prima donna' stuff we tend to get in the 'Carry On' films of the period and everybody is mainly interested in making themselves look good. Peter Jones, for instance puts in a magnificent performance as a St Johns Ambulance Brigade leader in a little scene that becomes central to the whole film. From the very beginning in the butcher's shop the slapstick is immaculate and typified by the hospital trolley race, Wisdom's tone is some magical mix of the male desire to prove himself and wanting to be a little boy again.