Un alibi (troppo) perfetto

This is a not particularly famous comedy starring Peter Sellers. It's rather sad that all Sellers is known for today, for the most part, are the Pink Panther movies, as he made many lovely small-time movies in the UK that are hardly ever seen in the United States. Most were made before the Panther movies and sadly, other than Panther films, most of what we do seem to see here are his lesser films from the 60s and 70s. Thankfully, THE FIENDISH PLOT OF FU MANCHU is seldom seen on American television (uggh).

Unlike so many of these little films, however, Sellers plays a role that is relatively "normal"--without the odd accents or flamboyant acting. Instead, while a comedy, he plays his part of a prisoner rather straight. This isn't bad, however, as the film is a very low-key comedy and many of the supporting actors help out quite a bit with the comedy--particularly Lionel Jeffries, who plays a rather uptight guard.

The film begins with Sellers and his buddies incarcerated in one of the worst prisons in the UK. Colonel Klink of "Hogan's Heroes" did a much better job of running a tight prison compared to the Governor (Maurice Denham)! Despite being a con-man and habitual crook, Sellers is made a trustee and practically every sort of vice occurs right under the guards' noses. In fact, it's so lax there that when an old partner (Wilfrid Hyde-White) of Sellers arrives (disguised as a minister), Sellers and his friends agree to sneak out of prison a day before their discharge to commit a crime and then sneak back--guaranteeing them the perfect alibi. All looks like it will go like clockwork until the head guard is replaced by a martinet played by Lionel Jeffries. They are ready to abandon their plans when they realize that they can get past Jeffries--it will just take a lot more patience and planning.

There's a lot more to the film than this, but I don't want to spoil it. The bottom line is that the script is just lovely and it's no wonder that the film works so well. A nice little almost forgotten gem.

A very influential film in the history of the British cinema that spawned one of the most popular TV series that there has ever been in Britain.

The characters are all wonderful. Peter Sellers as the suave and crafty Dodger, Bernard Cribbins as the not too bright Lenny, David Lodge as the old lag Jelly, Lionel Jeffries in a masterful performance as Mr. Crout (who bears more than a passing resemblance to Hitler), Wilfred Hyde White as the slippery and devious Soapy Stevens and, my favourite, Liz Fraser as the ravishing Ethel. Most of these characters plus others were lifted wholesale from the film, with name changes, to form the cast of the hit TV series 'Porridge', still one of the funniest things on British TV, even 30 years down the line.

The plot is inventive and extremely silly, if a little predictable, and there are plenty of laughs even if some of the vehicles are pretty well tried. The film stands the test of time well I feel. The characters are well stereotyped and so live on and prison doesn't change much, I suppose, and so it retains its relevance.

Quite what non-British viewers would make of it, I'm not sure, as there is much British slang in the dialogue and much of it would be meaningless, but if you can get round that, this film is well worth a watch.

A wonderful film, a classic with so many brilliant performances from almost everybody involved.

A clever plot with a plan so cunning you are willing the "bad guys" to get away with it. It stands the test of time and seemed to improve with every viewing. Sellers, David Lodge and Bernard Cribbins are likeable rogues and Lionel Jeffries fits the sadistic warder part like a glove. Liz Fraser and Irene Handel are their usual excellent selves and Wilfred Hyde White shows his versatility throughout.

A splendid film - when it's scheduled for TV again, watch it or tape it - an underrated British Classic!

This effort may not have been all that taxing on the considerable talents of the great Peter Sellers, but the character of Dodger Lane is an original, and the star gives a sly, confident performance as an unreformed "model prisoner" and untrustworthy trustee.

TWO-WAY STRETCH involves a trio of prison cell-mates who help to devise a crime with a twist. All they have to do is sneak out on the night before they're due to be released, pull off their latest heist, and then return before being missed, thereby providing themselves with a foolproof alibi in addition to their ill-gotten gains.

Huntleigh Prison is a very liberal institution, and Dodger (Sellers) takes full advantage of this, making his cell a home away from home. With the assistance of his two partners, Lennie Price (Bernard Cribbins) and Jelly Knight (David Lodge), he's practically running the place, and the three of them make a great comic team.

They don't plan on having any trouble sneaking out of Huntleigh, but that was before the appointment of the new head guard, Sidney "Sour" Crout (played by Lionel Jeffries), a tough disciplinarian, who barks rather than speaks. Why, he even expects the inmates to actually do some work in the rock quarry . . .before the arrival of their morning newspaper. Although Crout's presence disrupts their escape plans, the intrepid Dodger refuses to give up.

Also on hand is old reliable Wilfrid Hyde-White as Soapy Stevens, a crony who enlists Dodger for the heist; Maurice Denham as the hopelessly well-meaning warden; Irene Handl as crooked Ma Price; and the indispensable Liz Fraser as Ethel, Dodger's shapely girlfriend.

Everything clicks and there is never a dull moment in this hilarious comedy. There's nothing profound or insightful about it but that's one of the reasons why it's good. My rating of TWO-WAY STRETCH is a definite four stars out of five.

A trio of prisoners, aided by outsiders, plan and execute an elaborate escape plan from under the nose of militant prison guard (Jeffries) and the gardening fanatic warden (Denham). Sellers is superb as the mischievous Dodger, with David Lodge and bumbling Bernard Cribbins his cohorts on the inside. Criminal mastermind Soapy Stevens (Hyde-White) who engineered Sellers' incarceration is top of the wanted list, and Sellers is determined to get him his comeuppance. Also hilarious is Irene Handl and Liz Fraser as the 'girls', using their collective skills (brains and beauty, respectively) to aid and abet Sellers' escape plan.

Jeffries is the real sleeper here; his comical, gestapo like prison captain, continually tortured by Sellers' antics, earns him the ire of the usually passive warden Maurice Denham (Denham more concerned with the quality and size of his garden produce than Jeffries' constant bleating about Sellers). The bane of his existence, Jeffries promises to catch Sellers out, but of course, he only ends up with egg on his face, again and again. Poor Lionel.

Liz Fraser is a voluptuous beauty, and her thick cockney accent and dumb-blonde demeanour make her the ideal vice. Her knack for these type of parts earned her recurring roles in several "Carry On" films later in the sixties, a series that excelled at 'accentuating' her talents, you might say. The mercurial Bernard Cribbins, a relative newcomer in this picture, also had the good fortune to team up in a couple of "Carry On" films, as well as several other Sellers' vehicles.

Not just a Sellers picture, all the cast succeed with their timing and delivery, but it's Lionel Jeffries who showed here his diverse ability to express humour, in addition to the straight roles he played throughout his long and distinguished career. Slapstick and farce, simple to enjoy, highly recommended.