Capitan Newman

Though highly entertaining at many points (largely due to the antics of Cpl. Jackson 'Jake' Leibowitz and his band of merry Italian POWs who sing semitic native American songs--don't ask, don't try to figure it out, just see the movie--and even some of the very well executed art of subtle humor carried out by Capt. Newman, MD) this movie manages to have a quite serious theme at its core . . . the intense psychological effects on a soldier's mind which can be brought upon by the reality of war. It's refreshing to see a movie from this period that touches on these more delicate, in-depth themes of war rather than portraying the glories of war as so many other films contemporary to this one do. Not to say that all other films from this era or before don't touch on these themes. One other great example would be 1949's Twelve O'Clock High, also starring Gregory Peck. The dialog is consistently fresh, and I found the pace to move along quite nicely. This movie features a superb cast who performs wonderfully throughout the film. If you like serious, thought-provoking, emotional themes, yet also enjoy lots of good laughs, then I would recommend seeing this film.

*On a side note, given the fact that this movie--from my perspective--seems to be somewhat ahead of its time in subject matter, directing style in some of the scenes, and even some concepts not too common during the 60s, it's interesting to point out that the movie still portrays the classical female role in life. There is one line that is spoken by Lt. Francie Corum that shows this perfectly. The line doesn't seem to be necessary and doesn't really fit with what the characters are discussing. I won't tell you the line, but try to find it for some fun.

I enjoyed the movie very much. Of course I am one of those baby boomer's born after World War II. So I and my siblings would play war (those were the days when parents would remind their charges that movies were make believe). So being 12 years old at the time, "Captain Newman, M.D." was one of the few adult films that I as a kid that I enjoyed and understood. Even being that young I had for the most part enjoyed, Gregory Peck, Tony Curtis, Bobby Darin and Eddie Albert in their respective rolls. I felt for Eddie's character as a Colonel Norval Algate Bliss. Having sent his people out to death, it was a memory his character could not live with. To me, he played the character well, not just acting, but because he had "been there, done that" and so he had seen his share of death during World War II at Tarawa. I would recommend this movie to anyone who enjoys acting at its best.

Uh, Hello!? Bobby Darin was nominated for Best Supporting Actor for his amazing portrayal of shell-shocked airman Jim Tompkins in this great film. (The script and sound were also nominated). And what a cast, Gregory Peck, Angie Dickenson, Tony Curtis, Robert Duvall and Eddie Albert (as the psychotic Col. Bliss), along with a great cast of fine character actors: Larry Storch, Jane Withers, Dick Sergeant and Vitto Scotti. The acting, music, casting and direction are just right. It's one of the first films to deal with we now call Traumatic Stress Disorder in a thoughtful way. Hey, if you don't like this movie…you don't know movies. Great stuff.

It's 1944 and Capt. Josiah J. Newman (Gregory Peck) is in charge of the military neuropsychiatric ward. Other staff includes Cpl. Jake Leibowitz (Tony Curtis) and nurse Lt. Francie Corum (Angie Dickinson).

The military is resistant to Newman and his views on PTSD. He is challenged at every turn. The movie itself was probably at the cutting edge in 1963. The movie was filmed 10 years after the end of the Korean war, and that usually is when the Hollywood reflection movies start to be made. The acting is still movie versions of crazy in today's terms. But it was probably a good improvement on a realistic look at mental illness at the time.

Captain Newman, M.D. (1963)

Almost twenty years after WWII, a movie that reflected the growing public admission that there were many psychological victims from the war, often ignored or minimized at the time (unlike, say, Vietnam, which was just unfolding, and which demanded a different kind of accountability). And this one is set in the middle of the war, though in an Arizona military hospital far from direct action.

The star is certainly the title character, played by Gregory Peck, and Peck is his usual highly respectable self, moral and a natural leader, but likable and willing to take chances, too. That is, an ideal male, in many ways, the kind you might like to have as President, or at least the chief doctor in your hospital. He is, in particular, in charge of the mental ward, and his main intern played by Tony Curtis steals the show, on purpose. While much of the movie is funny, or at least peculiar enough to be ironic and wry, there are moments of heartfelt tragedy and even heartwrenching trauma (especially when a couple of the inmates go berserk). Third in line is a strong, sympathetic nurse (Angie Dickinson) and these three run the ward with unusual verve and intelligence. It clearly is a case in favor of the military giving good psych treatment.

There are several interesting patients, as well as a band of Italian POWs brought in for some nice comic relief (and for a reminder that people are people, even if they are enemies). The most famous and unusual is played by Bobby Darin, who I just saw in another movie from the period where he played a patient in an army psych ward, the riveting "Pressure Point." This is a whole different kind of movie, though Darin's performance is strong in similar ways in both cases. Here he even plays an impressive ten seconds on the guitar, and if you watch closely you'll see it's the real deal, not recorded later.

The color in the filming is unusually clear and vivid in a realistic way, and Russell Metty behind the camera has made a number of really solid, beautiful, richly colorful films ("That Touch of Mink" and "Imitation of Life" as well as the more earthy "The Misfits"). The lighting is usually fairly bright and broad, though there are some scenes pumped up with shadows. A couple of shots toward the end are oddly filmed against an obvious back projections (when they are rounding up the sheep) which is too bad because otherwise the standards are very high. Director David Miller isn't especially legendary, but he has one terrific film I'd recommend to anyone, "Sudden Fear" made a decade earlier. Here he shows general high production values and a sense of humor (mostly through the endlessly lively Curtis).

A nice little colorful film with a gently persuasive subtext.