The Patty Duke Show

Having grown up in the 60's I like thousands of other boys fell in love with Patty Duke! Wednesdays at 8:30 on ABC were reserved for our date with Patty and Cathy! The show was so well done and Patty was wonderful as the 2 completely different cousins! It is a shame that television does not offer such wholesome entertainment today! I am a teacher and have shown my class clips from this show and believe it or not even inner city kids found this 60's relic entertaining! I hope TV Land brings it back!

Teenage actress Patty Duke,fresh from her riveting motion picture triumph in the 1962 film "The Miracle Worker",co-starring Anne Bancroft for which Duke won an Academy Award for her brilliant performance was ready to make the jump from feature films to starring in her own weekly television series. Patty Duke plays a dual role in this light-hearted family comedy titled "The Patty Duke Show",which was on ABC-TV from September 18,1963 until the final episode of the series on April 27,1966 with repeated episodes airing until August 31,1966. In all,a total of 105 episodes were produced all in classic black and white and produced through Miss Duke's own production company(the youngest person ever to be an executive producer in charge of production)Chersaw Productions in association with United Artists Television. The show ran for three seasons on the air in prime-time and it survived the network's transformation years as some of the programs that were in black and white were about to make the jump to color in the show's final season. However,this series was still in black and white in its final season and never got the chance to make the change to color,and it was there that ABC pulled the plug on the series in the spring of 1966 after four seasons. Under the creation of Sidney Sheldon and William Asher(who also served as executive producers of this series),this was a show that was patterned after the classic 1961 Disney film "The Parent Trap" starring Hayley Mills(who also played dual roles in the film)and here on "The Patty Duke Show",Miss Duke plays dual characters. As Patty Lane she was a perky,bubble-gum chewing loudmouth teenager who digs Paul Anka tunes,worships The Beatles,dances to the latest teen-oriented musical tunes,and has "slumber parties",with her girlfriends.

As Cathy Lane,she was Patty's intellectual Scottish cousin,newly arrived from overseas to live with the Lanes,complete with bagpipes and burr. The girls confused everybody in their middle-class Brooklyn Heights,New York neighborhood by mischievously switching personalities at critical moments. Since they were exact look-alikes,no one could tell them apart. The rest of the family consisted of the father figure Martin Lane(William Schallert),who was Patty's harried father, a newspaper editor for the New York Times;Natalie Lane(Jean Byron),the mother was the stay-at-home housewife who basically kept the kids at bay while daddy was away at work or whatever he was implied to doing. The 12-year old Ross Lane(Paul O'Keefe)was the younger brother,who was constantly at war with the girls and basically got blamed for everything that he didn't do but in just about every episode the girls get away with their mischief while poor Ross gets severely punished for something he didn't do,but was forgiven for it. Richard Harrison(Eddie Applegate)was Patty's boyfriend who was a part-time Western Union messenger(she liked men in uniform). If that is not all,Patty also had a rival who was always after the affections of Richard too,the underhanded Sue Ellen(Kitty Sullivan). The show itself was hilarious to boot with Patty coming up with one hair-brained scheme after another and of course always got in some kind of trouble with Cathy or Dad for help her out of a tight situation.

The show was so good that several guest stars made appearances. One episode I do recall had two of the hottest British musical acts of their day which was the hit recording duo of Chad and Jeremy. The others featured Bobby Vinton,teen heartthrobs Fabian and Frankie Avalon and not to mention appearances by Sammy Davis,Jr. really help the show's popularity among the teenage audience too. In filming some of the episodes for the show however was difficult since having one actress play two parts did present many problems during production especially when both girls were in the same scene. The young woman who served as Patty/Cathy's double,and was seen from the back as one girl while Patty Duke faced the camera as the other was Rita McLaughlin,who was the exact look-a-like complex of Miss Duke herself. In perspective, "The Patty Duke Show",brought out some of the things that teens in the 1960's faced especially when dealing with football games,parties,and other things of interest and this show handled that very well. However,a reunion of the original cast came back in 1999 for ABC however in a two hour television movie based on the hit series from the 1960's with Patty Duke again in the dual roles that made her a household name.

Patty Duke was a very popular actress at the time, one of a handful of teen/child stars who was taken seriously. To take advantage of that the Patty Duke Show was conceived. It ran for 3 years on ABC network.

The program featured Duke in dual roles as herself (Patty) and her Scotch cousin (Cathy). The two are very different: Patty supposed to be the 'average' American era teen and Cathy the more mature and traveled counter. The show was set in Brooklyn Heights, New York.

The format, with Duke playing dual roles, was a real first for TV at the time. TV, films and music were riding a wave of teenage girls in the early 60's. Duke was an actress, although she, like many other girl teen stars gave singing a go and appeared on several music shows in the mid-60's.

The program itself was one of the last actually filmed and produced in New York. Others, such as 'The Naked City' and 'Car 54 Where Are You?' had gone off the air by the time Duke's program started. The Duke program, taking advantage of New York states lax child labor rules, was made there due to Dukes age (16) when production began. The program actually moved to Hollywood for a few of the final episodes. Although filmed in New York, and unlike most New York produced programs, the program was filmed in studio with no outside or remote scenes.

TPDS evolved over its broadcast run. At times a source of conflict, Patty and Cathy come to terms and eventually co-conspirators in many antics. Patty's boyfriend manages to stick around during her many flights of fancy, chasing other boys and generally using him and taking advantage. He provides a base and sense of continuity. Patty's family are all wary of her (from experience) but are supportive. Many guest stars appeared as well, most from the music field and popular with teens at the time.

William Asher was involved with the show, leading a team of successful producers and directors. Asher eventually left to focus on 'Bewitched'.

Although still doing well in the ratings, TPDS show was canceled after its 3rd season (105 episodes).

One of my personal questions about the program was why the use of look alike cousins? The whole premise was far-fetched and probably not needed to make it successful. Cathy's part in the plots were often superficial and didn't contribute much. Asher had noted it was used as a 'hook' or 'gimmick' to stand out, however, you can easily argue Duke was talented enough to carry the program as just the Patty character. Cathy's on screen time and lines were reduced over the programs run, and she was actually not in at least 5 episodes in season three. Something to ponder.

I only stumbled across this classic 1960s sitcom about two months ago, having been vaguely aware of its existence beforehand and only knowing Patty Duke - who I couldn't have picked out of a line-up - as being Sean Astin's mum. After watching the insanely catchy opening credits, I decided to watch an episode of the series for two main reasons: (a) I've always been a big fan of the wonderful character actor William Schallert, who is probably best known for playing Nilz Baris in the classic "Star Trek" episode "The Trouble with Tribbles" and who still occasionally acts at nearly 91 and (b) there was an adorable Old English Sheepdog. Having previously owned one, I'm extremely partial to the breed! I wasn't expecting much, if I'm honest, but I found it to be an utterly charming and very funny series from the get go and began watching it from the beginning. Well, the dog disappeared without explanation about halfway through the first season but otherwise no complaints from me!

The series' premise may be a bit far-fetched but, considering the 1960s produced sitcoms featuring witches, genies and talking horses, it's pretty damn realistic, comparatively speaking. It concerns 16-year-old Cathy Lane (Patty Duke), the daughter of a globetrotting foreign correspondent, going to live with her uncle Martin (William Schallert) and aunt Natalie (Jean Byron) in Brooklyn Heights. Martin and Natalie have a daughter named Patty who is the same age as Cathy and just happens to look absolutely identical to her. The "explanation" for this is that Cathy and Patty's fathers are identical twins, which is quite funny as Patty Duke doesn't resemble William Schallert (who plays Cathy's father Kenneth in a few episodes) even slightly! While the premise is certainly gimmicky, the cousins' resemblance is used as a plot device far less than you might think. It's mostly an excuse for Patty Duke to play two completely different characters, the constantly scheming and slightly crazy Patty and the quiet, polite and demure Cathy, which she does to perfection. I sometimes forget that they are played by the same person. She won an Oscar at the age of 16 and it's easy to see why. Rounding out the main cast are Paul O'Keefe as Patty's wisecracking little brother Ross and Eddie Applegate as Richard Harrison, her gormless but good-natured half-puppy, half-ape of a boyfriend.

Most episodes focus on Patty's dating life or feature her jumping into a new project or scheme with a huge amount of (i.e. too much) enthusiasm, realising that she's gotten in over her head and being rescued by either Cathy or her parents. Cathy often acts as Patty's conscience and puts her back on the right track. The best thing about Patty is that, rather unusually for sitcoms of the era, she was a multi-faceted character who could at turns be kind, manipulative, sweet, egotistical, vulnerable and a fire storm. Cathy is a bit more one note at times but that's okay as she was designed as a foil for Patty anyway. William Schallert and the late Jean Byron are both extremely good as Patty's kind, patient, loving and often extremely understanding parents as they make Martin and Natalie seem like real people. They have fast become one of favourite TV fathers and mothers.

The humour is the series is gentle, generally producing a steady stream of chuckles and the occasional belly laugh in this fan, with many of the funniest lines being delivered (perfectly) by Paul O'Keefe, who was only 12 when the series started, almost all of which are at Patty's expense. It's a shame that he never got another big role (and only a few small ones) after the series ended. From what I can tell, the series is an accurate if idealised depiction of middle class 1960s America with Patty being a typical American teenager of the era, albeit one who faces more farcical situations and less serious problems than her real life counterparts. Overall, the Lanes feel like a real family, which isn't often the case with sitcom families of the era.

One thing that I found refreshing about the series is that quite a few of the extras, particularly in the school scenes, are African-Americans, which again wasn't common in late 1950s and early 1960s sitcoms. Apparently, only one single solitary black person appears in "Leave It to Beaver", which ran for 234 episodes. However, none of them are in Patty and Cathy's circle of friends and in the first two seasons only two black people - one of them being Sammy Davis, Jr. - have any dialogue. Still, it was a baby step in the right direction.

I'm curious to see how well and how fondly remembered the series is by people who watched it while it was originally on from 1963 to 1966. For those of you who aren't familiar with it, I can't recommend it highly enough. The acting, particularly from Patty Duke and William Schallert, and comic writing are both top notch. As an Irish person born in 1987, I'm proof that you don't need to be an American baby boomer to enjoy the series!

I was born in the middle of this show being in its heyday, but thanks to syndication, I got to see it and grow up with it as a child, and again as an adult on Nick At Nite. Patty Duke has always been among my favorite actresses, and the sheer simplicity of this show was a relief in and of itself. Surrounded today as we are by base violence and drug problems and other things, the simplicity of the Patty Duke Show is a welcome respite from all that. It wouldn't win any awards for compelling writing, possibly, but its a cherished and loved show from my younger days all the same and I hope TV Land resurrects this gem of a show as well.

In contrast to today's world, where TV revolves around inane writing and situations, this show truly showcased the acting talent of the actors and actresses within it, especially the fabulous Anna Marie "Patty" Duke-Pearce. Though the vehicle itself was simplistic and even somewhat "childish" in nature at times, she used the talent she had to forge two very distinct and different personalities, so distinct and different that you actually catch yourself believing there ARE two cousins, instead of one actress in two parts. The stories were very situation and character driven, without the absurdity of some of the things that we see in modern TV today. They actually had a plot, even if it was over the top and hare brained at times.

The true joy of the show was the subtle morals and family and personal values the show portrayed. Like good television of any era, and especially of that time period, lessons were brought to us by wonderful fictional characters that we could identify with, that we felt we knew, recognized and loved dearly. How many times have you watched the show and wished your parents were as understanding and easy to get along with as Martin and Natalie Lane were? That your parents showed you the sort of interest that they did their daughter, son and niece? Life today is much faster and much more hectic, and often we miss out on the simplistic idea of our parents taking time out as this particular set did.

The entire show was one filled with good, solid values and a lot of pure, real fun, portrayed in a very realistic, but also very funny, way. We learned to laugh at ourselves and keep ourselves going from watching this show. We learned that while life is serious, we shouldn't be overly serious with it, and that just because we laughed at a situation or ourselves, it didn't subtract from the seriousness of it.

In my personal opinion, you'll find very little TV today with similar merits, honestly. The casting and acting of the show was brilliant, and I think the writing was excellent, perfect for what it was intended to be: life lessons delivered in a contemporary and fun way. I think everyone should be exposed to this show, and ones of its caliber to relearn what real, honest, good and just plain fun really is. You'd probably find yourself surprised.