Il fuggiasco

It was called "the most repulsive concept ever for television" when Roy Huggins pitched it to ABC in 1960, until Leonard Goldenson of ABC called it the best idea he'd ever heard.

Such summarizes the huge effort Roy Huggins invested to get The Fugitive to television. Teaming with producer Quinn Martin, Huggins' concept was made flesh with the casting of David Janssen as Dr. Richard Kimble and British-born Canadian Barry Morse as his nemesis, Lt. Philip Gerard. Huggins and Martin worked to make a compelling weekly drama via superb scripts, top-notch guest casts, and enticing music by Peter Rugolo, and succeeded perhaps more than they ever dared to hope.

The Fugitive remains compelling television 40 years later. Janssen and Morse imbue tremendous sympathy into their roles and make their characters so compelling that audiences even went too far, assailing Morse by saying, "You dumb cop, don't you realize he's innocent?" It even extended to the one-armed vagrant who was key to the drama, played by stuntman Bill Raisch, who in one incident was even picked up by the real LAPD because they thought he was "wanted for something," before they realized he was just an actor.

If The Fugitive had a drawback, it was because it worked too well - it is emotionally draining watching the show because the sympathy enticed for the characters is so great that seeing them suffer is painful, such as in the two-part episode "Never Wave Goodbye" - the audience is put through the emotional wringer every bit as much as Kimble, Gerard, and the story's supporting players (in this case played by Susan Oliver, Will Kuliva, Robert Duvall, and Lee Phillips).

The series was shot in black and white in its first three seasons, but for the fourth season came the replacement of producer Alan Armer with Wilton Schiller and the switch to color. The quality of the series remained high, but it is a measure of the show's quality that early fourth-season episodes are considered disappointing, and yet are still excellent stories with genuine emotional pull. The fourth-season settled down when writer-producer George Eckstein was brought in early on to help out Schiller, and it helped bring about some of the series' best moments, notably in the episode "The Ivy Maze," where for the first time in the series, all three protagonists (Kimble, Gerard, and Fred Johnson, the one-armed man) confront each other.

The performances and all else within made The Fugitive TV's most compelling drama, then and forever.

This is one of the greatest TV series of all time, why is it not available on DVD? and I'm not talking about bootleg VHS copies from Ebay for $300.00.

An outstanding classic television series that needs to be presented in it's entirety in a DVD set. The movie version was a bunch of bloated, Hollywood tripe all to typical of whats been put out today.

Painstaking effort has been made to present DVD material of such crap as Full House, Saved by the Bell, etc, etc. I'll bet we'll see Love Boat come out next. Why no Fugitive?

This is absolutely unacceptable.

The Fugitive was a top show starring David Janssen as Dr. Richard Kimble. Kimble had been wrongly accused of the murder of his wife and he went on the run pursued by Lt. Gerard (played by Barry Morse). His only method of proving his innocence was to find the one-armed man who had killed his wife.

It was a very realistic drama show and David Janssen drew the audience into his predicament. Whatever pain he was feeling, the audience felt too. He was a man who viewers could empathize with. Each week he travelled from place to place meeting up with people, most of whom sympathized with his predicament. There was tension and drama throughout the entire series run. It was a very believable drama. It's a pity that nobody can produce shows like that any more.

One other thing; I believe this show inspired The Incredible Hulk live action series from the late 70's. In both cases, innocent men were on the run for crimes they didn't commit, both men were pursued (David Banner was pursued by a reporter) and both David Janssen as Kimble and the late Bill Bixby as David Banner drew the viewers into their predicament.

According to both my ears and the book 'TV's Biggest Hits' by Jon Burlingame, much of the music we hear in the episodes of the original version of the TV series 'The Fugitive', first appeared on 'The Twilight Zone'. In fact the musical director of 'The Fugitive', once he heard that the show was coming to an end, went up to the late, great, Jerry Goldsmith, who has composed the original tracts when they were used on 'The Twilight Zone', and said 'What's this I hear: they're going to cancel 'our' show!'.

Still, it was an appropriate choice as Richard Kimble spent four years in his own, personal 'Twilight Zone'. If you look at most of the classic episodes of the earlier show, they involve a troubled hero finding himself in a world that doesn't seem to make any sense any more. He convinces himself if he can figure it out, or find a way out of it, things will be OK again. But he never seems to make it- just like so many of our dreams. Kimble's world is shattered by an argument with his wife and her subsequent murder. He's on the run in his own country, now suddenly hostile to him. He has to suppress his emotions and hide his identity while he pursues 'the way out': the one-armed man; and avoids pursuit by Lt. Gerard, the symbol of all his fears. Goldsmith's music was very well used.

I heartily agree with those that rank this as the best TV series ever. Leonard Goldenson was right: it's the best concept for a show ever. Also the best execution. David Janssen's performance is amazing. He's deprived of most of an actor's tools: he keeps his head down and says as little as possible in order to avoid recognition. Yet he conveys this character's feeling perfectly. The tremendous array of guest actors, playing characters in their own little psychological prisons adds great depth to the show. The directing was sharp, well-paced and uncluttered with too many obvious 'techniques'. The writing was consistently good. Pete Rugolo's wonderful main musical theme could be played allegro for excitement or largo for poignancy- and this was the most poignant show ever. It was about psychological alienation. The only other shows I can think of that reached this deep were 'The Twilight Zone' and, occasionally, 'Star Trek'.

This was one of the few classic TV shows of which a movie version was later made that was any good at all. Roy Huggins, the creator of the show, had some input into the Harrison Ford film. That film, compared to the TV show, is rich in money, production values and excitement. It has flashes of characterization that give the action more meaning than most modern day flicks. However the TV was rich in time, with four years of hour long episodes to tell all its various stories. In the end that made it far more moving. If only the film could have been the ending of the TV show, ('The Judgment' is not really all that good, despite its historical ratings).

My dream ending for the show is Kimble leaving the courthouse and suddenly finding himself surrounded by the women who fell in love with him in all his travels, and then running down the street to escape from them! Actually, I think it would have been nice if he found Vera Miles and the boy from 'Fear in Desert City' waiting for him. That would have been the most poetic ending of all. I wonder what Goldsmith might have written for that.

'The Fugitive' is a classic dramatic series I watch whenever I have an opportunity. David Janssen was (and still is) the best Dr. Richard Kimble (sorry Mr. Ford and Daly!). Barry Morse was equally effective as Lt. Philip Gerard, the man obsessed with capturing our hero. This classic lasted four years and 120 episodes. (The real reason I watch this show is because some of its elements would be later used in 'The Incredible Hulk,' which is my all-time favorite episodic TV series.)

Of course, the character of Richard Kimble was loosely inspired by Dr. Sam Sheppard. The major difference was that while Dr. Richard Kimble spent four years chasing the real killer (a one-armed man) of his wife Helen, Dr. Sheppard spent ten years in jail for the 1954 murder of his wife Marilyn.

It might be interesting to note that when Dr. Sheppard was acquitted in a second trial in November of 1966, 'The Fugitive,' which was then in the middle of its fourth season, began to slip in the ratings. For this reason, the producers were smart not to wait for the ax to fall and risk having the series cancelled without doing a finale.

"The Judgment," the two-hour series finale, aired in the summer of 1967. After four years of chasing and being chased, Kimble finally catches up with Fred Johnson, the one-armed man, who admits to having been Helen's real killer. He is then shot and killed by Lt. Gerard, who saves Kimble in the process.

While the finale was weak in some respects, it was generally a fitting conclusion to the 'Fugitive' series. Of course, it was also one of the highest rated TV finales of all-time.