O Pagador de Promessas

In my opinion this is one of the best Brazilian movie ever made and also the best movie about religion and its implications to a society in general.

It is a mix of religion, politic, culture, beliefs, prejudices, intolerance. It starts as a simple and innocence gesture from a poor man to pay homage to a Saint after his donkey gets miraculous healed, but instead it becomes a bizarre show of enormous proportions. The authority of the church, the misleading politicians, the media and the crowd use the cause for their own gain. It's a battle between the bureaucracy of norms and the innocence of simple causes. Amazing performances by the main cast.

This movie was awarded with Palme D'Or and the Oscar candidate for Brazil.

THIS IS A MUST SEE MOVIE, it worth every minute of it.

The only old thing about this movie is its release date. It's very contemporary and universal. O Pagador de Promessas (1962) is based on a play written by Dias Gomes and performed for the first time in 1960.

(About the first scene so not really a spoiler) Zé and his wife, Rosa, left their land, in the country, and went to the city so Zé could pay a promise he made for a saint called Santa Bárbara. He promised to carry a wooden cross all the way to the city and enter Santa Bárbara church with it if his best friend was healed by the saint. (Paying promisses is still common in Brazil ).

I won't say why exactly but the priest doesn't let he enters the church.

It might seem a minor conflict, but it's not and it escalates through the narrative in a chocking way to Zé, Rosa and audience.

Through the obstacles, Gomes criticizes many social institutions and Brazilian society as a whole in a brilliant way, mixing comedy with drama, what was totally brought to light in Anselmo's adaptation.

In this path, the acting is really important and it's fantastic.

Leonardo Villar portrays perfectly Zé certainty and naivety; Glória Menezes thought of everything, from the accent to the way of moving and the confusion Rosa shows; Dionísio Azevedo made a perfect traditional priest and everybody else were great in their respective roles, an awesome cast.

The technical features are amazing, the sets, the costume design, Duarte's shots, Chock Fowle cinematography and Gabriel Migliori scores.

What stands out in the movie is the representation of Brazilian Culture, which is what the film defends, the beautiful mix Brazil is, of European, Indian, African and many other cultures.

It's really a shame that this masterpiece is constantly overlooked by All-Time Greatest Lists, even though it won the prestigious Palm d'Or at Cannes.

"The Bicycle Thieves" is frequently cited as the greatest entry into Social Cinema, yet unfortunately the public and the critics seem to forget the sheer beauty that "The Payer of Promises" is. While "Bicycle"'s influence is undeniable, "Payer" goes beyond that.

Honest, multi-layered and amazingly contemporary, this is one of those movies that have admirably stood the test of time - specially if one considers the difficulty it is making Films in Brazil.

Featuring incredibly believable and dramatic performances, a rich, vivid setting and neo-realist technique employed in an elegant and sincere manner, this movie should not be missed. I found impressive how well the film flows - nothing is there gratuitously and the pacing is pitch perfect.

The amazing strength, courage and valor of Brazilian Cinema is a force to be reckoned with, as we take a look at the works of Film Makers such as Peixoto, Duarte, Rocha, Candeias, Bressane, Khouri, Salles and most recently, Meirelles. To list a very short list.

In fact, I can say without fear that it is a better Film than The Bicycle Thieves. It is easily one of the Best Brazilian Films in History - if not one of the Best in Film History. Period.

One of those overlooked Films in Cinema History, Honest, multi-layered and amazingly contemporary, this is one of those movies that have admirably stood the test of time, add to that Winning the prestigious Palm d'Or at Cannes 1962.

A shame such an important movie has no poster here on IMDb. I wanted to add the one that is used on Wikipedia, but I would have to pay to do that. Strange. (Edit: it has a poster now.)

If you are critical of religion fanaticism, you must see this movie! It shows what can become of fanatic people, how lack of education plays an important role in fanaticism, the arrogance of the church and the hypocrisy of our society.

Zé do Burro (Joe of the Donkey) has the soul of a child. He is a good guy, but extremely naive. His naivety is shamelessly exploited, and people cruelly distort his good intentions, making an evil person out of him, when all he wanted was to do good.

The movie won the Golden Palm in Cannes and other prizes. It's a classic. Dialogs are a bit theatrical (only if you understand Portuguese), but so they used to be that time. A movie that will get under your skin.