4 giorni a settembre

The year is 1969. Brazil is under a brutal military dictatorship. Political prisoners are being held and tortured. In order to get the junta to free some of their comrades, a group of ragtag "revolutionaries" kidnap the U.S. Ambassabor and threaten his life unless their demands are met.

Well-written and tense, the film ably demonstrates the flaws of people trying to fight fire with fire: "an eye for and eye". Alan Arkin is wonderful as the ambassador. His character gives incisive psychological sketches of his kidnappers: fervent and brooding; yearning and lost.

Fernanda Torres and Pedro Cardoso are marvelous as comrades who become lovers by their admittance of how really scared they are.

My subject line refers to a line in the script that aptly describes the bending of the political spectrum at its ends. I'm glad I found this movie.

Four days in September is not supposed to be funny, predictable, or boring. It is a piece of Brazilian history from the 60's and based on real events. Those dark years of Brazilian history are not supposed to be fun. It was certainly not boring either. For those who admire different cultures it is a great movie and a great introduction to contemporary Brazilian history. It starts with Girl from Ipanema and lots of images of a country that was enjoying itself in the years before the military coup. Leila Diniz, Bossa Nova, all was allowed before the military coup in 1964 and hence compose the first scenes of the movie. Characters are based on real participants of the kidnapping and Fernando Gabeira (Paulo) is still engaged in politics in Brazil. It's also worth noting that Fernanda Montenegro (Dona Margarida) and Fernanda Torres (andreia/Maria) (mother and daugther in real life) are both in this movie. It's a great piece for those who are willing to learn a little bit more about an amazing country that is Brazil.

"Four Days in September" is a film that most here in the United States know nothing about--even though the film is a recreation of the real life kidnapping of the US ambassador to Brazil back in, 1971. Frankly, here in the States, we know very little about the country and many people I know think they speak Spanish there! It's sad and those who DO know a bit about the country get it from films like "City of God"! Because I am a history teacher, I was thrilled to learn more about the political turmoil in Brazil in the 1970s and their military dictatorship--as, I hate to admit it, my knowledge of the country is lacking. And, for me, the most surprising thing about the film was to learn that this government was in place all the way until 1989! Wow.

As for the film, it's a recreation of the evens leading to and following the abduction of the American ambassador--with a strong emphasis on the motivations and reactions of the younger members of this Communist group, MR8. Aside from a case of very capable Brazilian actors, American actor Alan Arkin is on hand as the ambassador. Overall, the film is excellent for many reasons. The script and direction are very good (without a lot of politics and without a strong bias) and the acting very good. In fact, I have no real complaints about the film, though I wonder about the further adventures of MR8--the film really had me wonder about the decades following this kidnapping.

By the way, though the film is about communist revolutionaries, the film is handled in a relatively dispassionate way and can be enjoyed by anyone regardless of their political orientation. It did seem to paint these leftists somewhat favorably, but not in a manner that seemed overly sentimental or biased. Plus, it did show the characters on the right as well--a smart move in the long run. Well worth seeing.

When the Brazilian Government is overthrown by a military uprising, the result is a dictatorship over the people. With protests violently broken up on the streets, armed struggle is seen as the only solution and leads to the formation of the 8th October group (MR8). Desiring direct action, Fernando and Cesar join the group and are trained in weaponry and the likes. However during a bank job, Cesar hesitates to kill and is shot and captured by the police, while the others flee. It is this that gives Fernando the idea to kidnap the American ambassador in return for the release of 15 captured revolutionaries and bringing the events to the attention of the world. This film tells the story of the four-day hostage situation in the mid-sixties.

I'm not a particularly well-read person and there is a lot of history (even recent history) that I am simply not aware of and this includes the events and times presented in this film. For that reason I cannot really comment on the accuracy or level of detail containing in this telling but what little I have since gleamed from other sources tell me that it is pretty fair and close enough to being accurate. The plot is well told and is made interesting by the attention paid to the people involved in the situation; the drama and tension comes from them rather than false action sequences or stand-offs. The thanks for this should lie with the cast but also with the script that creates the characters and makes them 'real', meaning we find it easier to understand them and feel for the positions they are in. The historical context is well done and I did find it very easy to get engaged in.

The characters are where it is at and they are all very 'human'. We are never made to totally root for them because of what they are doing, but we are helped to understand why they are doing this and how hard it is for some of them to actually turn their words into action. Cardoso does this best and he is the real heart of the film and easily the most sympathetic character. He has good chemistry with Arkin, who does well acting in a foreign film. Torres does well to gradually soften her character as the film goes and it makes her more interesting than she was early on. Support is all pretty good with no really weak performances anywhere but the film mostly belongs to these lead three. The direction is good, capturing the feel of the period early on (where stock footage blends seamlessly into the main film) and producing tension without overdoing the style over substance.

Overall this is a pretty good film, telling a straight story using the characters to drive it forward and involve the audience. The film has tension but it comes from the people involved and the situations they face in the attempts to do the 'right thing'. The script delivers the characters to the actors and the actors are convincing in their delivery, producing an engaging and interesting film that helps deliver historical relevance in a miniature story.

In 1964, the military deposes the democratically elected Brazilian government. By 1969, the military has imposed a police state. Friends Fernando Gabeira and César decide to fight back by joining revolutionaries. The group MR8 is led by Maria. César is captured during a bank robbery. Fernando comes up with the plan to kidnap the American Ambassador Charles Burke Elbrick (Alan Arkin). They seek to exchange him for 15 prisoners.

I like the mix of characters in the revolutionary group. Each character is well defined and fully complete. It's not that much of a thriller despite a few action scenes. It has some psychological aspects. It's really the interactions within the group and with Alan Arkin that is the most interesting.