VALUTAZIONE IMDb
6,3/10
1067
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaErnie's uncle has just died, but to claim his inheritance he must spend the night in the ancestral home with the rest of his relatives. Before long, the guests begin to drop dead.Ernie's uncle has just died, but to claim his inheritance he must spend the night in the ancestral home with the rest of his relatives. Before long, the guests begin to drop dead.Ernie's uncle has just died, but to claim his inheritance he must spend the night in the ancestral home with the rest of his relatives. Before long, the guests begin to drop dead.
- Regia
- Sceneggiatura
- Star
Adam Faith
- Adam Faith
- (non citato nei titoli originali)
Recensioni in evidenza
What a great movie, laugh, jump with terror (ish) a classic story with a obvious ending but still funny. Sid James and Kenneth Connor are a great comedy pair.See how young Shirley Eaton is WOW. Nice film in the middle of the carry on's.
With leads like Sid James and Kenneth Connor No Place Like Homicide could easily be classified as a Carry On film. It really isn't though because Carry On films were strictly comedy and this one does have a bit of a story to it albeit just one to display the characters.
Connor and James are best friends and roommates, Connor a proofreader for a publishing company and James is a bookmaker which a profession of a slightly higher social standing in the UK than on this side of the pond. In any event in that plot gimmick from a Zillion films on both sides of the pond Connor is an heir and he and the other heirs have to spend a long night in a creepy mansion to inherit his late uncle's estate.
Of course a lot of the night is spent by Connor with the lovely Shirley Eaton who's another heir. Another heir is Dennis Price with a rakish Terry-Thomas mustache which makes me think Terry-Thomas had been slated to be in this. Michael Gough is a sinister butler and Donald Pleasance a sinister lawyer.
Nothing sinister about Connor who's wondering if the inheritance is really worth it and James who's wondering how he got into this mess. The usual kind of gags are present here though nothing terribly original.
British pop star Adam Faith shows up at the end without billing and unless you knew the British music scene of 1961 it's not a gag you will get.
The cast looks like the're having fun and I think you will to.
Connor and James are best friends and roommates, Connor a proofreader for a publishing company and James is a bookmaker which a profession of a slightly higher social standing in the UK than on this side of the pond. In any event in that plot gimmick from a Zillion films on both sides of the pond Connor is an heir and he and the other heirs have to spend a long night in a creepy mansion to inherit his late uncle's estate.
Of course a lot of the night is spent by Connor with the lovely Shirley Eaton who's another heir. Another heir is Dennis Price with a rakish Terry-Thomas mustache which makes me think Terry-Thomas had been slated to be in this. Michael Gough is a sinister butler and Donald Pleasance a sinister lawyer.
Nothing sinister about Connor who's wondering if the inheritance is really worth it and James who's wondering how he got into this mess. The usual kind of gags are present here though nothing terribly original.
British pop star Adam Faith shows up at the end without billing and unless you knew the British music scene of 1961 it's not a gag you will get.
The cast looks like the're having fun and I think you will to.
Spooky-looking Donald Pleasance visits Kenneth Connor to tell him that his uncle is dead and he must be present for the reading of the will. Out at the castle on the moor, there is the usual assortment of greedy relatives, Shirley Eaton, the cute nurse, and Michael Gough doing a Boris Karloff impression as the butler. Plus of course, Connor's pal Sid James, who figures he's on to a good thing. When Pleasance reads the will, however, only Miss Eaton is left anything: the pill bottles. They all settle in for the night, and then someone starts killing them all in this Old Dark House comedy.
There's long been a tendency of the Old Dark House genre to indulge in comedy, and this looks suspiciously like a feature-length version of THE LAUREL-HARDY MURDER CASE, with James and Connor playing a variation on the Boys. While the mystery aspect of the movie is pretty good, the comedy is fairly standard.... but very well executed.
There's long been a tendency of the Old Dark House genre to indulge in comedy, and this looks suspiciously like a feature-length version of THE LAUREL-HARDY MURDER CASE, with James and Connor playing a variation on the Boys. While the mystery aspect of the movie is pretty good, the comedy is fairly standard.... but very well executed.
I've finally managed to get my hands on a copy of this movie, after searching websites, video stores, and many a failed bid on eBay. And although it's a while since I last watched it, this movie is as good, if not better, than I remember.
Sid James gets the best lines, and delivers them with the consummate ease of a true professional. Kenneth Connor is a bit like his roles in the early Carry On's - but he was very good in them. Throw in a wonderfully sinister Donald Pleasance, the typically statuesque and beautiful Shirley Eaton, and a host of other suitable strange and quirky characters, all locked in a creepy mansion where the guests begin dropping like flies one by one. It all adds up to a marvelous romp - not so much scary as very creepy, very suspenseful, and very, very funny.
Sid James gets the best lines, and delivers them with the consummate ease of a true professional. Kenneth Connor is a bit like his roles in the early Carry On's - but he was very good in them. Throw in a wonderfully sinister Donald Pleasance, the typically statuesque and beautiful Shirley Eaton, and a host of other suitable strange and quirky characters, all locked in a creepy mansion where the guests begin dropping like flies one by one. It all adds up to a marvelous romp - not so much scary as very creepy, very suspenseful, and very, very funny.
A good film that borrowed on the 'mousetrap' plot, & rather predictable. Acted out at a fast pace with great enthusiasm by all. Sid James was his usual brilliant self & Ken Connor too. Shirley Eaton played her part well. Dressed in a shift over a nylon slip for much of the film, strange how, when running from room to room, she'd continually hold her shift together in an attempt to stop it falling open thus giving us a glimpse of her slip underneath. Naively prudish of her, & ironic in that 2 yrs later she would appear in a Bond film wearing nothing but a coat of paint! At the time Ken Connor was one of the most sought after comedy film actors.
Lo sapevi?
- QuizA spellbound Fisk reads a paperback copy of D.H. Lawrence's "Lady Chatterley's Lover". This was a timely gag in 1961, as its publishers Penguin Books had been prosecuted under the Obscene Publications Act in a widely-publicized trial at the Old Bailey the previous year.
- BlooperAs the "dead" body of Everett Sloane goes into the fish-pond, he puts out his arms to protect himself.
- Citazioni
Syd Butler: Do you know, you're beginning to get on my nerves?
Ernie Broughton: No, but if you'll hum it... I can remember the tune.
- ConnessioniRemake of The Ghoul (1933)
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Dettagli
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Proporzioni
- 1.66 : 1
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