Gli spettri del capitano Clegg

"Captain Clegg" is definitely not the best Hammer movie ever (that is in my opinion "Dracula"(1958) which is one of the best horror movies ever by the way) but it still generates some fine acting and a pleasing 80 minutes of non pretentious fun.

This is not a genuine horror movie,it is more a costume drama with some horror elements but it never becomes scary of gruesome.The best part of the movie is the acting by Hammer legend Peter Cushing.He carries the movie with his usual skills,it is a shame that he was never recognized as a first class actor which he is in my view.Only George Lucas gave him a big time role in the original "Star Wars"(1977).The other actors also do their best.There is a wonderful performance from Patrick Allen and even Oliver Reed is not annoying.

Overall,I can't say that is a classic but it is enjoyable in ways that is difficult to explain.It probably is the strength of Peter Cushing that helps a lot. 6/10

Captain Clegg (AKA: Night Creatures) is a Hammer-Major production in Eastman Color, it's directed by Peter Graham Scott with a screenplay written by John Elder. It stars Peter Cushing, Yvonne Romain, Patrick Allen, Oliver Reed, Michael Ripper and David Lodge. Music is by Don Banks and cinematography by Arthur Grant.

"The Romney Marshes-Flat And Desolate-Was The Land Of A Proud And-Independent People. Their Shores Faced The Shores Of France-And Many Was The Shipload Of Wine And Brandy Smuggled Across The Sea In Defiance Of The King's Revenue Men. Many Legends Have Come From This Corner Of England-But None So Widely Believed Or Widely Feared-As The Legend Of The Marsh Phantoms-Who Rode The Land On Dark Misty Nights And Struck Fear Into The Hearts Of All Who Crossed Their Paths."

Hammer's film is actually a remake of a little known 1937 film called Doctor Syn that starred George Arliss as the title character and featured Margaret Lockwood in support. For their take on the Captain Clegg/Marsh Phantoms story, Hammer craft a colourful Gothic like mystery/thriller that contains horror elements. It's certainly not overtly horror, something that has undoubtedly threw some horror seekers venturing into the film for the first time. This may explain why to a large extent it remains a largely unknown Hammer picture, which doesn't as yet have a DVD release in the country of its birth! The story is a very good one with smugglers, murders, romantic passions, ghostly apparitions and duplicitous characters. All given an excellent period production design by Bernard Robinson for the interiors, while the exteriors are nicely filmed out of the village of Denham in South Buckinghamshire.

Pigeon Pie, Creepy Scarecrow and the Romney Marsh Phantoms.

Of course none of the period flavourings and narrative intrigue would mean much if the acting wasn't up to scratch. Which on reflection is another reason why this is something of a criminally under seen Hammer picture. For not only does it have Cushing turning in one of his best performances (blending dandy fop with a crafty undercurrent), it also has a cast around him that are fully committed and effective in their roles. Which nicely includes Hammer stalwart Michael Ripper (as Mipps the undertaker) getting a more meatier role than usual. Patrick Allen (Dial M for Murder) is imposing as the officious Captain Collier, Martin Benson (The King and I) is suitably shifty as Rash and David Lodge (The Cockleshell Heroes) adds the muscle presence as Bosun. Standing out is Olly Reed as Harry, wonderfully dominating his scenes, he does a neat line in brooding, while Romain (The Curse of the Werewolf) is the classic Hammer wench type, pretty with a heaving bosom, she induces lusty lustations in Harry and Rash.

There's some plot holes that the alert will not miss, and the big reveal is pretty much sign posted to us at the mid-point. But this is a little cracker that Hammer fans, Cushing fans and fans of period mysteries should definitely seek out. 8/10

Hammer Films, the British studio famous for their horror films of the 50s and 60s, produced "Captain Clegg" based on Russell Thorndike's novel, "Doctor Syn: A Tale of the Romney Marsh". An atypical choice for Hammer, this swashbuckling melodrama had the bad luck of being produced the same year as Disney's version of another Dr. Syn novel ("The Scarecrow of Romney Marsh"), which forced Hammer to change the names of the characters to avoid legal issues. Disney's competition and the fact that it was not exactly a horror movie (despite being called "Night Creatures" in the U.S.) contributed to send the film to oblivion for several years. After being lost in limbo, "Captain Clegg" is finally available again, and now it's possible to see this wonderful lost treasure in all its glory.

Set back in the 18th-century, the Royal Crown suspects that smuggling is being done near Dymchurch, so Captain Collier (Patrick Allen) and his crew to investigate. After they arrive, they learn of the legends of the ghosts of Romney Marsh and the curse of the pirate Captain Clegg, but Collier believes that it's all superstitions, and continues his investigations. Collier suspects that the kind village priest, the Reverend Dr. Blyss (Peter Cushing) knows more about the smuggling that what it seems and he'll do whatever is necessary to discover the truth. Even if that means to face the curse of Captain Clegg.

"Captain Clegg" is a wonderful and sadly forgotten film that mixes everything that made Hammer famous in the horror genre with the classic swashbuckling adventures of old. The amazing and beautiful sets and costumes, the cleverly written plots, and the brilliant performances of the cast combine to create a terrific and very enjoyable film. The fact that its director, Peter Graham Scott had a lot of experience with drama and ensemble casts definitely was a defining factor in the result, and while certainly different than most of other Hammer films, the movie retains that certain magic the Studio gave to everything it did.

The film is a better adaptation to Russell Thorndike's novel than Disney's mainly in the fact that the screenplay (by John Temple-Smith) retains the character's anti-hero status, and plays with his dubious morality. Forecasting the renewal of cinema of the 60s, the film has not a definite good and evil, it's all gray scales and the very well constructed characters move from one side to the other in a very realistic manner. The film also makes an interesting point of how our past actions can affect us in the future. Like they did with the horror genre, Hammer modernizes the swashbuckling melodrama with great power and superb care.

The acting is the film's strongest feature and basically every member of the cast is remarkably good. Hammer regular Peter Cushing gives one of his best performances ever and he seems to enjoy the whole movie. It's a joy to watch him in a more complex character than his usual heroic Van Helsing or his wickedly evil Victor Frankenstein. Oliver Reed is also present and his performance as young Harry Cobtree is quite effective. Along with Yvonne Romain they form the romance side of the film and both of them have great chemistry. Patrick Allen and Michael Ripper complete the cast with equally good performances as the script gives everyone a chance to shine.

The film is near perfect and very enjoyable, as it delivers its mix of action, well-handled suspense and old school melodrama blends together smoothly delivering high doses of entertainment. However, some of its scenes at first sight seem definitely outdated (as always happen), later they become part of the film's charm and add to the fun of the story. It was near tragic that the film nearly got lost due to its legal problems and probably bad marketing, as while its American title and its Hammer pedigree suggest Horror, it's far from being in the genre which may turn off viewers expecting a scare-fest.

"Captain Clegg" is a very enjoyable film that modernizes swashbuckling films and gives the chance to watch a different side of Hammer and a wonderful performance by Peter Cushing. It's definitely a must-see and fans of period films filled with suspense and adventure will feel right at home here. A wonderful lost treasure that finally sees light again. 9/10

Well, here's one Hammer movie that was rather difficult to come across! Especially in comparison to the British studio's classic horror, Sci-Fi and psychological thriller efforts, this mixture between historical drama and swashbuckler adventure (don't let the cover image or US title "Night Creatures" mislead you; it's not a horror film) is obscure and little seen. To my recollection it has never even been aired on the BBC, and that's where I personally watched a lot of Hammer horror movies from the sixties and seventies. I wonder why, because "Captain Clegg" is a solid and engaging film with a good script, fine performances and a handful of truly ingenious highlights. The story takes place around the end of the 18th Century in a small English coastal village named Dymchurch, and I must say it's a downright fantastic little place! Not only does the entire village participate in a giant smuggling network, they also have imaginative ways for transporting bootlegged liquor around town and all the villagers collectively help to mess around with an official delegation of soldiers sent by the British Crown to investigate! They even have an utmost brilliant signaling process with scarecrows in place and call upon sinister skeleton horsemen to scare off potential perpetrators! The charismatic leader of Dymchurch is Reverend Blyss, but serving God obviously isn't his primary mission in life. "Captain Clegg" is a fun watch, neatly written by Anthony Hinds and well-directed by the fairly unknown Peter Graham Scott. The cast is top-notch, with glorious roles for Peter Cushing (reliable as always), Oliver Reed (back when he still appeared on film sets in a sober state), Martin Benson (as the town's weakest link) and Michael Ripper (phenomenal as the local undertaker). There aren't many women in the cast, but the beautiful and curvy Yvonne Romain is astonishing enough to represent a whole army of women. Recommended!

One of Hammer's finest films yet unseen for years. It has not been broadcast on British television since 1981 when it was under its American title, Night Creatures. But it's a wonderful little movie. Peter Cushing is on fine form as is the ever-reliable Patrick Allen and Oliver Reed gives a nice performance as an innocent young man (as if!) The irreplaceable Michael Ripper gets a bigger role here than in most of his films and shines too with a nice line in sarcasm. The story is fun and the location filming is very pleasant (actually Denham in Bucks and not Dymchurch at all!) but the thing that lifts this movie to classic status is the electrifying scenes of the Marsh Phantoms, a brilliant realisation of real fear. Remarkably considering that the viewer is aware from the start that they are villagers dressed up, their appearance is incredibly convincing! The opening sequence of scrolling scene setting and narration with a faint glimpse of a skeletal figure on horseback weaving through the background is only a hint of the awesome scenes that follow. After that the film settles down to good historical adventure, lively and funny and only occasionally marred by slapstick, as in the fight in the church. A neglected gem from a more simplistic age.