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In the 1870's London, the middle-aged Dr. Henry Jekyll lives a reclusive life with his young wife Kitty. Jekyll has given up lecturing in Universities and dedicates his time for charity works and his personal research in his private lab. He completely neglects his wife Kitty, who has started an affair with Jekyll's friend Paul Allen, who also spends Jekyll's money on his gambling debts. One night, Jekyll tests a drug he has invented to separate the good and evil in man, on himself. As a result he becomes young and handsome Edward Hyde, who soon begins his mission of not only to destroy Kitty and Paul, but Jekyll as well.

Terence Fisher's film "The Two Faces of Dr. Jekyll" is one of the most original and underrated adaptations of Robert Louis Stevenson's classic "The Strange Case of Dr. Jekyll and Mr. Hyde". Since the three most well known movie versions of Jekyll & Hyde before this (1920 silent film with John Barrymore, 1931 classic with Frederic March and 1941 remake with Spencer Tracy) all repeated similar plot pattern, the Hammer Films wanted to give something different.

Like with Hammer's other adaptations of classic horror stories, the film only keeps the essential backbone of the original story and changes all else. Unlike in the three previous movies where Jekyll was presented as a young handsome and likable man and Hyde as evil looking ugly monster, here Jekyll is middle-aged bearded and very cold and harsh towards others. Hyde on the other hand is smooth, handsome player who gets everyone to like him like that. However, he is no less evil then other versions of Hyde. This time Hyde doesn't use Jekyll as a hiding place to escape to, but he puts the blame of his crimes on Jekyll. Nasty piece of work.

The film has been much underrated because it doesn't have the same kind of Hammer horror feel to it. But Fisher and others are not even trying to make this same kind of shocking horror film as their previous works "The Curse of Frankenstein", "Horror of Dracula" and "The Mummy" are. Instead Fisher and screenwriter Wolf Mankowitz are telling a tragedy of how one man's quest for knowledge ultimately destroys everything and everyone around him. The makers are more interested in showing the duality of Victorian era, where people were respectable during the day and transformed during the night. Jekyll in the movie is just the only one who does it literally.

The role of Jekyll/Hyde was originally meant for Christopher Lee, but not wanting to be type casted as the monster, since he had already played Frankenstein's creature, Count Dracula and the Mummy, Lee was casted as Paul Allen instead. Obviously glad to play different kind of part, Lee delivers one of his best Hammer performances as the suave and unreliable gambler. Lee played Jekyll and Hyde later in a movie called "I, Monster" from 1971, which follows Stevenson's book more faithfully than this one.

In the role of Jekyll/Hyde, Paul Massie is really underrated. Sure, I could name half a dozen other actors who have played the part better. But Massie is one of the few actors, along with Frederic March and Jack Palance, who managed to make both Henry Jekyll and Edward Hyde interesting characters. Most actors I've found are rather boring when playing Jekyll, only coming to life when changing to Hyde. In the role of Jekyll's cheating wife Kitty, Dawn Addams is not just a candy to the eyes, she really fits the part perfectly and is one of the few Hammer leading ladies with some other talent than just their looks. In minor roles you can see Norma Marla and her very erotic snake dance, as well as young Oliver Reed in one of his earliest movie roles.

All in all, "The Two Faces of Dr. Jekyll" is a forgotten gem, an enjoyable film from Hammer's highlight era, as long as you keep open mind and not expect gallons of blood.

I really like Paul Massie in the lead role and I feel he does manage to give a compelling performance here. However the film itself proves unfortunately melodramatic (too many long scenes of Jekyll having outbursts of guilty emotions over the actions of Hyde is the biggest shortcoming). The changes to the story were novel but at the same time managed to turn Jekyll into a simpering wimp compared to a much stronger Hyde. I also fails to make us feel sympathy for any of Hyde's victims..still for some reason I find myself sometimes going back to this one.

The Two Faces of Dr. Jekyll (1960) is a Hammer Films movie that I recently watched on Tubi. The storyline follows Dr. Jekyll experimenting on the good and bad within people. As he experiments on himself he experiences random twitches where sometimes he's good and sometimes he's bad but it turns him into almost completely two different people. How will this impact his coworkers, friends and family?

This movie is directed by Terence Fisher (Horror of Dracula) and stars Paul Massie (Orders to Kill), Christopher Lee (Lord of the Rings), Dawn Addams (The Hour of 13), Norma Marla (The Ugly Duckling), Francis De Wolff (From Russia with Love) and David Kossoff (Chance Meeting).

The storyline for this is just okay and I think I prefer Dr. Jekyll and Mr. Hyde over two Dr. Jekyll's. I will say the ending twist is great as is the final scene - Perfectly executed and something I never saw coming. The belly dancer in this is gorgeous (Norma Marla) and Christopher Lee delivers an amazing performance creating a worthwhile subplot. The horror elements were minimal, and the mustache and beard in this is horrendous. The scene where he pushes and bullies the girl was a bit much and hard to watch.

Overall, this is far from one of Hammer Films best movies but it was worth a watch. I would score this a 6/10.

Having long been a serious Hammer fan, this film somehow escaped me for years. I recently viewed it for the first time, and was very impressed. Christopher Lee rarely had such a delicious part, as the pompous and sleazy Paul Allen. Director Terence Fisher and composer Monty Norman are in top form as well. Of course, the story itself is familiar but thoroughly engaging.

One thing troubles me, the tape I saw had a few obvious dialog cuts. If you've never seen The Two Faces of Dr. Jeckyll, AND you like the horror cinema of this period, I strongly urge you to see this one.

Robert Louis Stevenson's 1886 novella Strange Case of Dr. Jekyll and Mr. Hyde has provided inspiration for many a film-maker throughout the years, with various degrees of faithfulness shown to the source. Always eager to put their own Gothic spin on a popular tale, Hammer Films tackled the story in 1960, not only ensuring that debauchery levels were maximised, but changed a key aspect to the plot that makes the whole experience all the more delightfully wicked. Here, in Terence Fisher's film, Dr. Jekyll is dull and ugly, while Mr. Hyde is handsome and highly charismatic, as well as being an utter bastard.

Believing the human mind to consist of two personalities from opposite sides of the spectrum - good and evil - outcast Dr. Jekyll (Paul Massie) sets out to separate the two in order to help mankind embrace the good. Living almost in solitude, he neglects his wife Kitty (Dawn Addams), a promiscuous, spoilt woman currently embarking on an affair with her husband's best friend, Paul Allen (Christopher Lee). Jekyll drinks his newly created potion and Hyde emerges, introducing himself at a social gathering with swagger and charm (and getting into a fight with a young Oliver Reed). There he meets Paul and Kitty, who don't recognise him, and begins to toy with the two of them, all the while indulging on the many seductive pleasures of London.

Although it's difficult to believe that Jekyll's wife and best friend wouldn't recognise him without his ludicrous fake beard and mono- brow, The Two Faces of Dr. Jekyll is a enjoyable romp from start to finish. Massie is clearly having a ball in the dual role, and convinces as Hyde grows bored with money, gambling and women, and soon turns to darker alternatives, notably murder and manipulation. It doesn't pull it's punches either, portraying Hyde's journey into the further extremities of debauchery as intoxicating as Hyde clearly finds it, featuring the odd swear word and a scene of heavily implied rape. Special mention must also go to the recently departed Lee, who somehow finds a shred of sympathy for his cocky and pathetic rich boy character. One of Hammer's most effortlessly gratifying gems.