Stark Fear

"Stark Fear" is the story of Ellen Winslow (Beverly Garland), who hungers for affection but finds herself chained to a hate-warped husband Gerald (Skip Homeier.)Once Skip shows up as the husband, there is little doubt where this one will go, as Skip was always scary, even when he wasn't playing scary characters.

Ellen gets a job, which is more than George seems to be able to do, but he disappears in a jealous rage, but Ellen's sense of loyalty and duty won't let her abandon him---she intends to stick by her man---so she goes looking for him in his home town. Gerald attacks her anew, and she is subjected to painful humiliation and abuse by Gerald's best friend, lecherous old Harvey Suggett, at a Comanche tribal dance. The hidden Gerald watches with sadistic delight.

Ellen buries herself in her work, to forget her anguish, and falls in love with her employer, Cliff Kane (Ken Tobey), and they both take a business weekend at the "Little Switzerland" resort in Arkansas, which may or may not feature both yodeling and hog-calling. But Ellen and Cliff, good for them, are not willing to let love slip over into a shoddy affair. Shoddy does not bother Gerald, especially when Hannah Stone is wandering about in her undies.

Ellen tells Gerald that he is too emotionally warped for marriage and divorces him, and to prove she is wrong he tries to kill her. No one can go around calling a Skip Homeier character warped and not expect to pay some consequences. She also learns that he witnessed her humiliation by Harvey Suggett at the Comanche dance.

What's a poor girl to do? Marie Windsor would have cashed Skip's ticket in the first reel.

The title, date, subject matter and the presence of Beverly Garland and Kenneth Tobey led me to expect a rough, tough woman-in-peril psycho thriller; which it certainly has elements of, the script including words like 'rape' and 'pervert', the rape taking place in the graveyard of a creepy small southern town straight out of 'Deliverance'.

But heroine Ellen Winslow also pulls herself up by her bootstraps and gets a responsible job, and has several heart to hearts with manless female buddy Ruth Rogers. The film's troubled production in Oklahoma shows in the often disjointed and overwritten end product, and it has a wholly inadequate music score that is often either inappropriately jaunty or simply not up the demands of the dramatic moments. But some of the photography is excellent, and most of the supporting cast (presumably recruited locally) turn in memorable work.

(1962) Stark Fear PSYCHOLOGICAL DRAMA

Co-produced and directed by Ned Hockman has Gerald Winslow (Skip Homeier) scolding his wife, Ellen Winslow (Beverly Garland) for accepting a desk job from his rival Cliff Kane (Kenneth Tobey) during when she was trying to celebrate his birthday. And before he breaks up with her, he gets more rough with her, even slapping her around. And then after she makes a call to Cliff to turn down for a job, it is not long before he scolds her some more before he demands for a divorce. She then confides to her best friend, Ruth (Hannah Stone) pledging for her job back. There is no mention about dividing up assets or the house they use to live in, for Gerald appears to just like disappear. When she is informed by her husband's bosses her husband is this close to getting himself fired, she then goes on a search rant, just so she can tell him of the news. And while she does this dumb thing by visiting the same city where he grew up in, she then gets herself assaulted by an old friend of his we find out later it was all part of Gerald's plan in the first place.

If it was not for Ellen's best friend Ruth, she would have made so many dumb and idiotic choices it would not even be worth mentioning. She neither calls the police when her husband assaults her or that during that era or on that environment the police do not care whether women are assaulted or not. Anyways, the does have a good ending but one would have to go through a lot of nonsense to get their. 5 out of a 10 is a respectable thumbs down for me despite those good things.

Beverly Garland finds her husband, Skip Homeier, has abadoned her. When she goes looking for her, she finds a bunch of people whoink he's a swell fellow, and don't understand why he never introduced them to his wife. Eventually she shrugs her shoulders, gets a job, and discovers Homeie is planning to kill he.

I don't undestand why a divorce won't answer. butis set in Texas. The movie seems querulous and whiny, although Miss Garland is not. Perhaps this attitude is due to the fact that the original director, Ned Hockman, quarreled with the cast, en walked off, leaving Homeier to finish the shoot.

Ned Hockman's STARK FEAR is yet another obscure low budget "psycho- thriller" heavily influenced by PSYCHO and not just because B-movie babe Beverly Garland resembles Marion Crane while looking at herself in the rear view mirror on her way to a sleazy motel. Husband Skip Homeier (who took over directing when Hockman quit) is a sadistic "pervert" (read homosexual) with a mother fixation and Bev's a plucky masochist who blames herself for everything that happens. When Skip goes missing, she looks for him (God only knows why) in an Oklahoma hometown just this side of DELIVERANCE where she's raped in a cemetery by his childhood friend. Unbeknownst to his ravaged wife, her husband's secretly watching in the shadows of his mother's grave and keeps her bloody bra as a souvenir. He's later holed up in a motel room with her rapist and no explanation's given (connect the dots) as Garland goes home and throws herself into her work where her boss (genre fave Kenneth Tobey) falls in love with her ...but he's got a secret, too, of course. There's no end to this woman's woes.

The IMDb Trivia on the film says it was Beverly Garland's least favorite of all her movies but I don't know why since she gives it all she's got and turns in a sincere performance in a film that's equal parts sleaze and hokum. Bev's best friend actually tells her to stay with her abusive husband rather than end up a spinster like herself and after Garland is raped, she, of course, blames herself and not her attacker. And although she loves him, she won't go all the way with her boss because she's (gasp) still married. Geez Louise. A truly bizarre "shocker" that looks like it's trying to say something, I just don't know what.