Aggiungi una trama nella tua linguaThe classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of c... Leggi tuttoThe classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of course, attack Rome to get their wives and daughters back.The classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of course, attack Rome to get their wives and daughters back.
- Regia
- Sceneggiatura
- Star
Giorgia Moll
- Lavinia
- (as Georgia Mool)
Recensioni in evidenza
Roger Moore (of "The Saint" and 007 fame) toplines this all but forgotten Sword and Sandal excursion, assaying the role of Romulus, the founder of Rome. As King, his mission is to find women for his ragtag (and nearly 100% male) congregation of Roman "citizens".
So what does he do? He sets his sites on a vestal virgin from nearly Sabinia, along with as many unattached women he can round up. Successful in corraling an army of lasses, he presides over their pairing off with his host of horny men (this is where the raping starts, I guess, although most of the captured women seem happy with the prospect of hitting the sack in no time flat with their new mates).
But the men of Sabinia, deprived of their wenches, mount an attack against Rome to rescue the damsels, leading to a conflagration of swordplay as the film winds it's way towards conclusion.
Yet another poorly dubbed Italian Peblum, one of hundreds produced in the late 50's and early 60's in the wake of the success of "Hercules" starring Steve Reeves. This one is mostly bereft of action, replaced instead with much wooing and pseudo lovemaking. Several of the ladies appear quite fetching, however, as their bosoms heave with desire in their low cut frocks.
Not much to recommend it, other than the guilty pleasure of watching a future James Bond, in his salad days, slumming about the Italian countryside.
So what does he do? He sets his sites on a vestal virgin from nearly Sabinia, along with as many unattached women he can round up. Successful in corraling an army of lasses, he presides over their pairing off with his host of horny men (this is where the raping starts, I guess, although most of the captured women seem happy with the prospect of hitting the sack in no time flat with their new mates).
But the men of Sabinia, deprived of their wenches, mount an attack against Rome to rescue the damsels, leading to a conflagration of swordplay as the film winds it's way towards conclusion.
Yet another poorly dubbed Italian Peblum, one of hundreds produced in the late 50's and early 60's in the wake of the success of "Hercules" starring Steve Reeves. This one is mostly bereft of action, replaced instead with much wooing and pseudo lovemaking. Several of the ladies appear quite fetching, however, as their bosoms heave with desire in their low cut frocks.
Not much to recommend it, other than the guilty pleasure of watching a future James Bond, in his salad days, slumming about the Italian countryside.
This wasn't a bad film, another take on those horny Roman guys and the Sabine women they kidnap. (I often wonder what really happened back then, as you get myths, stories, songs by Howard keel, etc. But you'll never know unless you time travel.)
It was nice to see Roger Moore in his pre-Bond days (was this pre-Saint, too?) he made a good Romulus, though a bit on the fickle side, and a bit tactless when he told his soon-to-be-discarded girlfriend "I no longer want you." (That's right Rom, break it to her gently!) Just his luck, his second love is a dedicated vestal virgin, torn between her love for him and duty to her vows.
There was some action as well as comedy, and I like the way the kidnapped ladies remained independent and feisty, rejecting Romulus's plan to have a lottery to assign partners, no way! These ladies were choosing their own husbands! Just because they were kidnapped, didn't mean they'd be bossed around!
A fun movie !
It was nice to see Roger Moore in his pre-Bond days (was this pre-Saint, too?) he made a good Romulus, though a bit on the fickle side, and a bit tactless when he told his soon-to-be-discarded girlfriend "I no longer want you." (That's right Rom, break it to her gently!) Just his luck, his second love is a dedicated vestal virgin, torn between her love for him and duty to her vows.
There was some action as well as comedy, and I like the way the kidnapped ladies remained independent and feisty, rejecting Romulus's plan to have a lottery to assign partners, no way! These ladies were choosing their own husbands! Just because they were kidnapped, didn't mean they'd be bossed around!
A fun movie !
Below-par peplum which, more than anything else, serves to demonstrate that Roger Moore (playing Romulus, ruler of Rome and the son of a deity!) is as ill-suited to the genre as John Wayne or Alan Ladd had been!! Dealing with the popular legend of the Rape Of The Sabine Women - which also inspired the musical SEVEN BRIDES FOR SEVEN BROTHERS (1954) - the film is strictly a potboiler, with colorful scenery but little real action and obligatory hit-or-miss comedy relief provided by Moore's pint-sized, myopic spokesman. Mylene Demongeot - who seemed to have been a fixture with this type of film - is, as ever, a most lovely heroine (sparring for Moore's attentions with the duplicitous Scilla Gabel, who eventually expires in an incredible manner by way of a deflected arrow); meanwhile, Giorgia Moll and Marino Mase' fill in for the secondary romantic interest - while the thing is given some measure of dignity by the presence of Folco Lulli, playing the jovial Sabine king, and cameos (in the film's most interesting scene) by Jean Marais and Rosanna Schiaffino as Roman Gods, respectively Mars and Venus, who appear before the sleeping Romulus - pretty much in the style of the Tom & Jerry cartoons! - to 'influence' his thoughts (i.e. whether to pursue the path to war or love). While not quite as bad as the similar (and similarly-titled) COLOSSUS AND THE AMAZON QUEEN (1960), the best film to incorporate the Battle Of The Sexes into the peplum genre remains AMAZONS OF ROME (1961; co-directed by Vittorio Cottafavi).
There are many versions of this movie kicking around but the original is still the best. LBX and all the topless scenes included. If you watch the TRAILER on Y/T you can see glimpses of the topless bits. If you watch any of the movies, those breast scenes are all cut out. I have the original with everything showing. Plus in LBX and great colour it fantastic. Roger Moore is perfect for the role of the Roman leader.
childish, heroic in few moments but not impressive. testimony of a time , in which blockbusters are skin for historical subjects, it is seductive only for cast. and for ambiguous intentions of director. sure, Roger Moore or Jean Marais are perfect names for epic but, in same time, important source of frustration. because the beautiful story is a strange mixture of feminism, myths, jokes and love story. all in same place, maybe the public is master of choices. the tale is thin, the fight scenes - nice, the beauty - not spectacular but interesting for understand sensitivity of a time. but the central error is its role of page from a movie type. after so many films inspired by Antiquity it is difficult to be happy at meeting with "Il ratto delle sabine". not for the force of the other creations - it is not Spartacus or Ben Hur - but for the ambition of director to say all in not well manner.
Lo sapevi?
- QuizItalian censorship visa # 35957 delivered on 9-11-1961.
- ConnessioniFeatured in Best of British: Roger Moore (1999)
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Dettagli
- Tempo di esecuzione
- 1h 38min(98 min)
- Proporzioni
- 2.35 : 1
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