Attente ai marinai!

This B&W film reached the spartan movie house of my Frisian village about 18 months after its release. In those days much of our full-length comedy fare hailed from Denmark (Nils Poppe anyone?) so this movie struck like a thunderbolt -- it had me weeping with helpless mirth, ROTFL as we'd now put it. OK, so some of the sight gags were in fact recycled vaudeville 'schtick', but how was this 'barefoot boy with cheeks of brass' to know that at the time? In any case, my favorite scenes had Jerry's unique brand of frantic clowning, like that Hawaii boxing match.

Seeing "Sailor Beware" again fifty years later I still guffawed loudly at the goings-on. Granted, without the nostalgia component it would probably be just another fair-to-middling comedy. But then, another movie that once had me in stitches even more helplessly, the Spike Jones outing "Fireman Save My Child", now seems dated and stilted apart from some too-short orchestra bits and Doodles Weaver scenes. Must be some special ingredient that makes Martin & Lewis product stay fresher longer. To me this one at least rates eight out of ten.

One has to take Martin & Lewis like a dash of salt & pepper. Why does Martin put up with Lewis? Then again, why do all the women in this movie like Jerry? Because he is innocently likeable! Martin sings a few good songs (lip-sync'd at least once) and Jerry manages to kiss more girls than in all his other movies combined. I generally find that I can take just so much of Jerry's antics before they become aggravating. BUT.... in this film, watch when Jerry gets stuck outside on a submerging Navy submarine! EXCELLENT! Buster Keaton should have been proud. I give the film a 7.

This is another Martin & Lewis movie I watched on YouTube. In this one, they become sailors-Jerry because he needs a sea vacation to cure his ailments, Dean because having been rejected several times, the standards are now lowered. With this one, two previous leading ladies return-Marion Marshall, who was with Dean in That's My Boy, gets Jerry this time and Corinne Calvet, who had to compete with Diana Lynn in My Friend Irma Goes West, gets Dean to herself playing herself. Lewis is mostly funny when by himself though he and Dean have a hilarious conversation before a boxing scene. They also share a couple of funny numbers with the second one showcasing their tap dancing talents. There's also an appearance by then-big star Betty Hutton and one from upcoming star James Dean. And, since I like to mention whenever a player from my favorite movie It's a Wonderful Life appears, Mary Treen has a few amusing moments as Ms. Calvet's assistant. This was also the first time Lewis did an Asian stereotype which I didn't find funny though I did like it when he danced with those Hawaiian natives. Oh, and it's always nice to see Don Wilson outside of "The Jack Benny Program". So on that note, I highly recommend Sailor Beware.

When I see these old Martin and Lewis films again, I'm always amazed and curious. Curious as to why I found them so funny when I saw them at the time of their release and amazed that I enjoyed them so much. Martin was always the essence of Mr. Cool. Good looks, smooth with the chicks and that soft Italian voice. Lewis was always a loose cannon, with his goofy slapstick and sentimental shifts. This film is typical with an implausible story and lots of crazy situations but memorable mostly for (later-to-be) screen legend, James Dean's first film lines, "That man's a professional!"

You can't judge these films on the same level as today's comedy. Martin had a style of his own and showed he could act in later films. Lewis just kept being Lewis, which if you enjoyed him, you caught his later films (I'd outgrown him by then and thought Geisha boy was one of the silliest films I've ever seen). He could never do a prat-fall like Peter Sellers nor be as genuinely goofy as Robin Williams, but he could tickle your funny bone at times.

Sailor Beware is the 5th big screen outing for Dean Martin & Jerry Lewis. It's directed by Hal Walker and also stars Corinne Calvet, Marion Marshall, Robert Strauss & Leif Erickson.

As was normally the way with a Martin & Lewis vehicle, the plot is rather thin. This one sees the boys, against all odds, pass the requirements for joining the Navy. When Lewis' bumbling kissing phobe Melvin Jones is mistaken for being "Mr Temptation" on a TV show, it leads to a big wager amongst the ranks that he can't kiss supposedly ice cold Corinne Calvet. The bet is on and chaos follows. Sailor Beware is one of the better black & white pictures from the duo. It finds Lewis on particularly manic form, suffice to say those with an aversion to his high energy buffoonery are best advised to stay away. Highlight here is the whole boxing sequence, the pre fight chatter and the actual fight itself. Some good tunes like Sailor's Polka and Blue Hawai brighten up proceedings, while Robert Strauss as a Bluto type character is perfect foil for the duo.

As a double act they were just about finding their feet in this one. Better things were to come but this certainly pays dividends for the Martin & Lewis fan. 7/10