Pazzi, pupe e pillole

Jerry Lewis may have reached his wackiest here. He plays Jerome Littlefield, an orderly who appears to be a combination of Insp. Clouseau and Gilligan. Pretty much most of the movie features him getting into a series of embarrassing situations. I personally think that they could have just left it at that and avoided the love story.

And yes, that's Alice Pearce as the over-communicative Miss Fuzzibee, right before she got the role of a certain nosy neighbor suspicious that there's a witch or something in the neighborhood. All in all, "The Disorderly Orderly" is classic comedy at its best. You gotta wonder how they did some of those scenes. Also starring Kathleen Freeman.

Medical school flunky Jerry Lewis, who turns to jelly when patients talk about their grisly ailments, finds himself employed as an orderly at a private hospital/sanitarium/rest home (the script can't decide which it is). There's a drill sergeant head nurse who shouts at Jerry, a resident manager who dotes on Jerry, a corporation head who wants to fire Jerry, and a student nurse who wants to marry Jerry. In between all this, Lewis crosses his eyes and knocks things over. Some of this slapstick might be funnier if director Frank Tashlin knew how to follow through on a gag--and had possibly found a way to reel Lewis in. The glossy production is bright, the supporting players are good, and there's a funny, frantic chase through the streets and into a supermarket at the finale. Tashlin's outrageous sense of satire is occasionally clever, but it can't really bolster the dim-wittedness of Lewis' geek act, nor the cartoony screwball bits (as when Lewis cracks open a bad TV set and creates a snowy blizzard in a hospital room). Lewis-addicts are obviously the film's prime audience; for everyone else, a few scattered laughs amongst the high-decibel shouting and mugging. ** from ****

When Jerry Lewis had a strong director like Frank Tashlin who had his own ideas about comedy both could turn in a really good film. The Disorderly Orderly ranks up there as one of Lewis's best solo films.

The Disorderly Orderly casts Jerry as a would be doctor who but for one thing might have his MD degree, he's a natural born klutz. He's working at a private hospital where every task he's given turns into a disaster. He'd be fired but for the fact that the hospital head Glenda Farrell was once involved with Jerry's father and she looks on him as a child with special needs. The head nurse played by Lewis film regular Kathleen Freeman would like to strangle him as does Everett Sloane the chairman of the hospital board after a couple of encounters with him.

It's a psychological block that Jerry has, he empathizes too much with the patients and he tries too hard. The scene that brings that out is when he has to listen to Alice Pearce as one of the patients go through her laundry list of ailments. Lewis's reactions are positively hysterical.

Truth be told not everything is his fault. There's a surreal scene where Jerry is trying to fix patient Barbara Nichols's television of the snow showing. He opens it up and an arctic blast comes through the television. Truly not his fault, but also very funny.

As it turns out the cause of his complex arrives at the hospital in the person of Susan Oliver who was a prom queen back in his high school who Jerry didn't have the nerve to approach. Contact with her cures him though not the way you think or what you think.

Lewis's performance hits on all levels from the screamingly funny to a sad kind of pathos especially involving Oliver. His relationship with her as an innocent reminds me a lot of Lou Costello in several of his films.

The last ten minutes involving a chase scene with two ambulances reminds me of the chase in The Bank Dick later revived in In Society. There's also a nice cameo from Jack E. Leonard as another patient who gets the better of Jerry.

The Disorderly Orderly is an absolute must for Jerry Lewis fans of yesterday and today, it belongs at the top of his comedy classics.

This is the usual Jerry Lewis slapstick, though a lot of it seems somewhat forced this time around. Still, writer/director Frank Tashlin keeps it breezy and fast-paced, and makes some memorable scenes, such as the wild chase at the end. Tashlin's previous work in animation is really evident here.

What's unusual about this J.L. entry is that there are a number of quite serious moments, ranging from a criticism of for-profit medical care, and the saga of a suicidal patient Lewis' character falls for. These moments are treated so serious (and convincingly) it's really odd to find them in such a slapstick movie.

I can watch Jerry Lewis films over and over again and still get the full laugh effect. This one finds him as an orderly in a mental hospital (!) where he manages to fumble everything from breakfast to scrubbing the floors. He meets a destitute patient (Susan Oliver) and then the fun begins. These sequences provide a little of the film's serious side but overall the slapstick and Jerry's mugging are hilarious. Even the kids will get a hoot out of this. Highly recommended for family viewing.