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Il grande Caruso

Titolo originale: The Great Caruso
  • 1951
  • T
  • 1h 49min
VALUTAZIONE IMDb
6,5/10
1609
LA TUA VALUTAZIONE
Ann Blyth and Mario Lanza in Il grande Caruso (1951)
This film traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant.
Riproduci trailer2: 59
1 video
42 foto
BiografiaDrammaMisteroMusicaRomanticismo

Aggiungi una trama nella tua linguaThe film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.The film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.The film explores the life of tenor Enrico Caruso, a vocalist who faces rejection from Musetta and Dorothy, and struggles to find acceptance in New York.

  • Regia
    • Richard Thorpe
  • Sceneggiatura
    • Sonya Levien
    • William Ludwig
    • Dorothy Caruso
  • Star
    • Mario Lanza
    • Ann Blyth
    • Dorothy Kirsten
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    1609
    LA TUA VALUTAZIONE
    • Regia
      • Richard Thorpe
    • Sceneggiatura
      • Sonya Levien
      • William Ludwig
      • Dorothy Caruso
    • Star
      • Mario Lanza
      • Ann Blyth
      • Dorothy Kirsten
    • 34Recensioni degli utenti
    • 12Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 4 vittorie e 6 candidature totali

    Video1

    Trailer
    Trailer 2:59
    Trailer

    Foto42

    Visualizza poster
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    + 34
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    Interpreti principali99+

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    Mario Lanza
    Mario Lanza
    • Enrico Caruso
    Ann Blyth
    Ann Blyth
    • Dorothy Benjamin
    Dorothy Kirsten
    Dorothy Kirsten
    • Louise Heggar
    Jarmila Novotna
    Jarmila Novotna
    • Maria Selka
    Richard Hageman
    • Carlo Santi
    Carl Benton Reid
    Carl Benton Reid
    • Park Benjamin
    Eduard Franz
    Eduard Franz
    • Giulio Gatti-Casazza
    Ludwig Donath
    Ludwig Donath
    • Alfredo Brazzi
    Alan Napier
    Alan Napier
    • Jean de Reszke
    Pál Jávor
    Pál Jávor
    • Antonio Scotti
    • (as Paul Javor)
    Carl Milletaire
    • Gino
    Shepard Menken
    • Fucito
    Vincent Renno
    • Tullio
    Nestor Paiva
    Nestor Paiva
    • Egisto Barretto
    Peter Price
    • Caruso (as boy)
    • (as Peter Edward Price)
    Mario Siletti
    Mario Siletti
    • Papa Caruso
    Angela Clarke
    Angela Clarke
    • Mama Caruso
    Ian Wolfe
    Ian Wolfe
    • Hutchins
    • Regia
      • Richard Thorpe
    • Sceneggiatura
      • Sonya Levien
      • William Ludwig
      • Dorothy Caruso
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti34

    6,51.6K
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    Recensioni in evidenza

    Doylenf

    Lanza's greatest role...highly fictionalized biography...

    I suppose it would be too much to expect a studio like MGM to produce a realistic biography of the legendary tenor in 1951--a year when the studio's reputation for glossy technicolor musicals was at an all-time high. They overproduced many a musical with strong star drawing power to fill the Radio City Music Hall with their products--and were certainly aiming to target the widest possible audience for this Caruso story with their new discovery--Mario Lanza.

    Lanza's rich lyrical tenor is given a showcase in which to perform both Neapolitan songs and operatic arias and he doesn't disappoint. Casting him as Caruso was a shrewd and clever decision--but the letdown comes in the fictionalized story that bears little resemblance to the true background of the singer. Artificial touches abound--including Ann Blythe as his wife. Nevertheless, since enjoyment of the film depends entirely on whether or not you enjoy the singing talent of Mario Lanza (and his limited acting abilities), you should find this biography a lightweight treatment of Caruso's life--although highly incomplete and sometimes even inaccurate. Perhaps some day there will be a true biography of the singer.

    If nothing else, should compel some viewers to explore Caruso's life for the real story. Incidentally, there is a new song, "The Loveliest Night of the Year", which rates utmost respect. The soundtrack is great to listen to--Lanza was in the best of voice at the time of recordings.
    TxMike

    "A man thinks he owns a voice, but the voice owns him. Whenever he wants to be somewhere, the voice requires him to be somewhere else."

    "The Great Caruso" is truly a magnificent movie. Mario Lanza does the role flawlessly, and his singing is in top form. Throughout he is depicted as a thoughtful person who went out of his way to be kind and helpful to others. Like playing Santa Claus the first night on his return to NY after a world tour. Or giving jobs to friends who had fallen on hard times. My favorite scene is where he proposes to Doro, his expressions as he pleads with her to say something, then her saying "I loved you from the first moment you sang." Ann Blyth was beautiful as his love interest. All the operatic production numbers are first-rate. I can easily see why Mario Lanza was so popular.
    didi-5

    engaging opera biography

    By far the best thing about 'The Great Caruso' is not its stodgy script or its slightly silly plot (not very likely that much of this equates to the true story of Enrico Caruso, the first opera star to have his voice immortalised for all time), but the first rate singing throughout. Mario Lanza of course was a great asset to MGM through the late 1940s and early 1950s, with a fabulous voice and an attractive personality on the screen. This film also gives us the opportunity to see the lovely Dorothy Kirsten, who seems to have made very few films, and a sweet performance from Ann Blyth as the main love interest for Caruso.

    We watch the young Enrico (played with charm by Peter Edward Price) grow into an enterprising young man who realises his voice is potentially his fortune. As the young talent flourishes and develops we follow his rise to fame through to his eventual inevitable ending. I didn't get much sense that the character we were seeing in this film was 'Caruso'; having heard his recordings he projected a very different personality than that we see in Lanza; still, this production is entertaining enough.
    paul-reichberg

    Extraordinary experience

    I was 12 living in the coastal industry city of Luleå. I had never heard of Opera. My father was a movie projectionist. One evening i happened to see The Great Caruso. It was a breathtaking experience deep into my body. I was caught for ever by opera and I remember the deep sadness I felt in 1959 when my idol Mario Lanza died (similar to my sons feelings some 30 years later when John Lennon was killed). I have the Video and I have seen it many times on TCM Cabel TV - The Great Caruso will stay forever as the film that opened my eyes and emotions for music in general and opera in particular. Thank You MGM, Caruso but in particular thank You Mario Lanza.
    Billy-34

    Great Entertainment...Lanza is terrific!

    I loved this film and it's both moving and well acted. Lanza's best film I think...he really is terrific and his co-stars as well. Rent this or buy it...it's that good.

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    Trama

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    Lo sapevi?

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    • Quiz
      This was the next-to-last completed MGM film under Louis B. Mayer's supervision (the last was Show Boat (1951), released in the summer of that year). A proxy fight soon after would see him removed as the head of the studio he helped to found. He was replaced by his former chief of production, Dore Schary. Mayer ran MGM for 27 years, Schary for barely 6.
    • Blooper
      Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental. Says it ALL.
    • Citazioni

      Enrico Caruso: It is true, Señor Barretto, that right now I sing for pennies. Pennies are not very important in a big house like this. But the singing, that is important everywhere. It makes people feel good inside, takes away the ugliness, the sadness, and it fills the empty place here. That too is something Señor, isn't it?

    • Curiosità sui crediti
      Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms is purely coincidental.
    • Connessioni
      Featured in The Metro-Goldwyn-Mayer Story (1951)
    • Colonne sonore
      The Loveliest Night of the Year
      Lyrics by Paul Francis Webster

      Music adaptation by Irving Aaronson

      Also performed by Ann Blyth (uncredited)

      Adapted from "Sobre las olas" (uncredited)

      Music by Juventino Rosas

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    Dettagli

    Modifica
    • Data di uscita
      • 25 ottobre 1951 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
    • Celebre anche come
      • El gran Caruso
    • Luoghi delle riprese
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Stati Uniti(studio: made in Hollywood, U.S.A.)
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 49 minuti
    • Proporzioni
      • 1.37 : 1

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