In un pomeriggio d'estate la piccola Alice, sdraiata all'ombra di un albero, vede passare un coniglio bianco, che corre in fretta, lo insegue e precipita in una voragine che la porta alla sc... Leggi tuttoIn un pomeriggio d'estate la piccola Alice, sdraiata all'ombra di un albero, vede passare un coniglio bianco, che corre in fretta, lo insegue e precipita in una voragine che la porta alla scoperta del Paese delle Meraviglie.In un pomeriggio d'estate la piccola Alice, sdraiata all'ombra di un albero, vede passare un coniglio bianco, che corre in fretta, lo insegue e precipita in una voragine che la porta alla scoperta del Paese delle Meraviglie.
- Candidato a 1 Oscar
- 2 vittorie e 2 candidature totali
Kathryn Beaumont
- Alice
- (voce)
Ed Wynn
- Mad Hatter
- (voce)
Richard Haydn
- Caterpillar
- (voce)
Jerry Colonna
- March Hare
- (voce)
J. Pat O'Malley
- Walrus
- (voce)
- (as Pat O'Malley)
- …
Bill Thompson
- White Rabbit
- (voce)
- …
Joseph Kearns
- Doorknob
- (voce)
Larry Grey
- Bill
- (voce)
- …
Dink Trout
- King of Hearts
- (voce)
Doris Lloyd
- The Rose
- (voce)
James MacDonald
- Dormouse
- (voce)
The Mellowmen Quartet
- Card Painters
- (voce)
- (as The Mellomen)
Don Barclay
- Other Cards
- (voce)
Lynn Bari
- Lily of the Vally
- (non citato nei titoli originali)
Recensioni in evidenza
...and certainly "Pinocchio" had a more popular and memorable song score, but for my money I'd pick "Alice In Wonderland" as one of Walt Disney's top achievements in animation. From Lewis Carroll's story, and filled with knock-out colors (pinks and blues and reds on inky blacks), this episodic tale would not have worked so well if the direction hadn't been so graceful, setting a light, jovial mood, and the songs so tongue-trippingly clever. Alice herself (voiced by Kathryn Beaumont) is lovely and funny, the supporting characters appropriately manic, and the quiet moments gently even out the craziness (as with the Tulgey Wood/"Very Good Advice" sequence). Disney certainly runs hot ("Pinocchio", "Bambi") and cold ("The Sword and the Stone"), but this fantastic journey into nonsense, from a practically-unfilmable book, is endlessly interesting from a visual standpoint. ***1/2 from ****
For material that does not lend itself very easily to cinema, this is a pretty good adaptation of "Alice in Wonderland" with some enjoyable characters and sequences. It succeeds, at least in a basic way, in capturing part of the manic but imaginative nature of Lewis Carroll's story.
Much of the language, poetry, and ideas that make the original story so captivating cannot really be conveyed very easily in a movie, and so it would be nearly impossible for any cinema version of Alice to be completely satisfying to those who love the book. Instead, this version simply tries to make the characters come to life, and to use the animation to recreate the feel, if not the depth, of Alice's experience.
The animation drives most of the movie, and at times it is pretty imaginative. Some of the voices work very well, too, with the likes of Ed Wynn and Sterling Holloway fitting the animated characters quite well.
Carroll's stories are so enchanting and creative that it is no surprise that there have been so many efforts through the years to capture the magic of the Alice stories on film. None of the cinema versions has yet come close to matching the books, yet the material itself has made most of them worth watching. In this one, the overall production has a definite Disney style to it, which makes it different from the original, but as a movie it works pretty well.
Much of the language, poetry, and ideas that make the original story so captivating cannot really be conveyed very easily in a movie, and so it would be nearly impossible for any cinema version of Alice to be completely satisfying to those who love the book. Instead, this version simply tries to make the characters come to life, and to use the animation to recreate the feel, if not the depth, of Alice's experience.
The animation drives most of the movie, and at times it is pretty imaginative. Some of the voices work very well, too, with the likes of Ed Wynn and Sterling Holloway fitting the animated characters quite well.
Carroll's stories are so enchanting and creative that it is no surprise that there have been so many efforts through the years to capture the magic of the Alice stories on film. None of the cinema versions has yet come close to matching the books, yet the material itself has made most of them worth watching. In this one, the overall production has a definite Disney style to it, which makes it different from the original, but as a movie it works pretty well.
When I was six, I had my tonsils out. The anaesthetist used ether and I hallucinated. My mother had bought me two comic books. One was Krazy Kat and the other the Disney "Alice in Wonderland." If you wanted something to set you up for delirium try those on for size. When I finally saw the movie, I was reminded of those subconscious images. This is an excellent animated film. I love its hard edge and portrayal of Lewis Carol's characters. It also features some wonderful songs. The Queen of Hearts is maniacal and the Mad Hatter diabolical. All the images of random craziness are in here, brought to life with artistic skill, making them unforgettable images.
Disney has a knack for enlightening children to tales from centuries ago by animating them, adding some songs and making everything pretty and colourful, Alice In Wonderland is that and a whole lot more.
Learning about Literary Classics from Disney cartoons is the most convenient, entertaining and wildly amusing ways of seeing what an author had intended the viewer to create in their mind. But nowadays, thanks to television, children can hardly get past the first sentence of a book without wanting a Pikachu or some sort of explosion to take place.
That's where the magic of Disney films come in. The animators, imagineers, musicians and creators take massive pride in the making of their literary classics to Disney masterpieces and Alice In Wonderland is a prime example.
The story of young Alice toppling down a rabbit hole and meeting a bunch of locals in the magical world of Wonderland is created perfectly through this Disney adaptation. Taking aspects from both the original Alice and Through The Looking Glass, the exploits of Tweedledum and Dee to the Mad Hatter's Tea party blend seemlessly in this brilliant animational masterpiece.
The musical score, with each character owning their own theme music, and the various songs throughout are enjoyable and fantastic.
The characters themselves shine, making each and everyone of them memorable especially the talents of Ed Wynn as The Mad Hatter and the brilliant J. Pat O'Malley as the Tweedles and their story telling equivalents.
So, the ideal way to introduce children, or even Highschool Students having to do books from the 19th Century, is to find a Disney Classic such as Alice In Wonderland and marvel at the creative genius behind the team that made books exciting for the new generation.
Learning about Literary Classics from Disney cartoons is the most convenient, entertaining and wildly amusing ways of seeing what an author had intended the viewer to create in their mind. But nowadays, thanks to television, children can hardly get past the first sentence of a book without wanting a Pikachu or some sort of explosion to take place.
That's where the magic of Disney films come in. The animators, imagineers, musicians and creators take massive pride in the making of their literary classics to Disney masterpieces and Alice In Wonderland is a prime example.
The story of young Alice toppling down a rabbit hole and meeting a bunch of locals in the magical world of Wonderland is created perfectly through this Disney adaptation. Taking aspects from both the original Alice and Through The Looking Glass, the exploits of Tweedledum and Dee to the Mad Hatter's Tea party blend seemlessly in this brilliant animational masterpiece.
The musical score, with each character owning their own theme music, and the various songs throughout are enjoyable and fantastic.
The characters themselves shine, making each and everyone of them memorable especially the talents of Ed Wynn as The Mad Hatter and the brilliant J. Pat O'Malley as the Tweedles and their story telling equivalents.
So, the ideal way to introduce children, or even Highschool Students having to do books from the 19th Century, is to find a Disney Classic such as Alice In Wonderland and marvel at the creative genius behind the team that made books exciting for the new generation.
For a lot of people on this site, this is either one of thew best Disney movies or one of the worst. There is about 40 animated Disney movies and my personal favourite will always be the mad world of Wonderland. I don't actually know why but to me this is what i always thought about as a child, a mad world where simply nothing made sense. It goes like dynamite at only seventy two minutes and in that they have an array of entertaining characters and fourteen entertaining songs. To me it is the genius of Disney creating an entertaining look at a child's world. I think it is because of the Jungle Book that this is not as popular as some of the Disney Classics but you can't help but smile when you watch the Queen of hearts and the Mad Hatter being their own creative self's in the wonder of this amazingly clever gem
Lo sapevi?
- QuizIn the Walrus and the Carpenter sequence, the R in the word "March" on the mother oyster's calendar flashes. This alludes to the old adage about only eating oysters in a month with an R in its name. That is because those months without an R (May, June, July, August) are the summer months in England, when oysters would not keep due to the heat, in the days before refrigeration.
- BlooperIn the opening credits, Lewis Carroll is spelled Lewis Carrol, missing the last letter L.
- Curiosità sui creditiThe RKO Radio Pictures logo appears on a banner held by two playing cards.
- Versioni alternativeThe 1954 TV screening on the Disneyland (1954) series was edited down to a one hour running time, and contained an introduction from Walt Disney at the start. This introduction appears on the Region 1 Masterpiece Edition of the film.
- ConnessioniEdited from Bambi (1942)
- Colonne sonoreVery Good Advice
(1951) (uncredited)
Lyrics by Bob Hilliard
Music by Sammy Fain
Performed by Kathryn Beaumont
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Alicia en el país de las maravillas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo in tutto il mondo
- 1246 USD
- Tempo di esecuzione
- 1h 15min(75 min)
- Colore
- Proporzioni
- 1.37 : 1
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