K 2 operazione controspionaggio

This is an Off-Beat "Out There" Story of a Female "Cold-War" Spy, Hiding Microfilm in the Collar of a Circus-Panther and the "Game is Afoot".

Marta Toren is the Spy and Howard Duff is the "Caught in the Web" Bystander.

The "Spy Hunt" of the Title is a bit Misleading...The Spy is Actually the "Hunter" and the "Hunt" is Literally a "Big-Game" Pursuit when the "Cats" (there are 2) Escape After a Thrilling Train-Wreck.

It Takes Place in the Mountains of Switzerland and the Expanding Cast...Adding a Journalist...an Artist...a Doctor/Innkeeper (Walter Slezack)...and More,

All Lodged Shoulder-to-Shoulder as the "Hunt" Takes Place. Everyone is a "Suspect" and May Not be What They Seem.

The Movie Fails in Some Respects with an Over-Use of Back-Screen at Times, at other Times the Scenery and the Hunt are Quite Impressive.

The Set-Up is Ludicrous (with the Cats used as a transporting mechanism in the first place),

but it is Certainly a Different Take and a Unique Back-Drop for the "Spy vs Spy" Game that was just Beginning its Long-Run and Became a Genre All its Own.

Slightly Above Average...

But can seem a bit Ridiculous...

the Tension is Terse, the Suspense Palatable, and the Ending, while somewhat Labored Satisfies.

The Beautiful, Short-Lived Marta Toren and the Off-Kilter Template Make it Definitely...

Worth a Watch

Note...The Cat-Wrangling is superb. The "Black-Panthers" are actually Mountain Lions with a Dye-Job.

Howard Duff has picked up a couple of black panthers -- the animal kind -- which he is delivering by train to a circus in Germany. Little does he know that spy Märta Torén has hidden important microfilm in one of their collars. Other spies have gotten wind of this, so they derail the railroad car he is traveling in with the beasts, sending him tumbling down a Swiss mountain. When he awakes, he is in a hotel being tended by the owner, Doctor Walter Slezak, and various characters, all made suspicious by their non-American accents are showing up. Are they there for a newspaper story, or to sketch the beasts, hunt them, or to get the microfilm?

The story of how the term 'maguffin' came to mean something in a film that everyone wants, but it doesn't really matter what it is, is an joke. Two men are traveling in a railroad car. One points to a device the other has. "What's that?" "That's a maguffin." "What's a maguffin." "It's a device for hunting tigers in the Scottish highlands." "There are no tigers in the Scottish highlands." "Then that's never a maguffin."

I'm pretty sure that's the impetus behind the Victor Canning novel this movie is based on. Making them panthers in Switzerland was just intended to obscure the origins. Director George Sherman continues the joke by using he opening music from the Universal Sherlock Holmes series as the opening music to this one, but mostly he handles the story in a straightforward fashion. It's moderately suspenseful. With Philip Friend, Robert Douglas, Philip Dorn, and Kurt Kreuger.

The film is tense and exciting throughout. A panther has a message inserted into a collar around its neck, a message which is of great interest to some questionable characters. The panther escapes its cage and is tracked by Howard Duff, representing the U.S. and by parties who represent the subversives (Ivan Tresault being one of them). The entire film deals with the search and provides some very tense moments. Marta Toren is the beauty who has questionable credentials which have one guessing as to which side she is on. A good film which deserves some recognition.



J.W.

The story is very predictable but everything is well done so 74 minutes pass very quickly. Especially since there are some very good actors, all of them, Märta Torén, Howard Duff, Philip Friend, Robert Douglas, Philip Dorn, Walter Slezak, Otto Waldis, etc. Plus, no joke, there are also two dogs that play the role of followers very well. And, even better, two black panthers (if they really exist...), who actually perfectly play their roles to be hunted by everyone, people, all the characters, and the two dogs. I don't know how they managed to film those scenes with the panthers. And, all in the picturesque setting of the mountains of Switzerland.

George Sherman, better known as a second feature or assistant director despite having an A flick like COMANCHEROS in his curriculum, comes up with a visually spectacular spy yarn in SPY HUNT, further enhanced by the entrancingly beautiful Marta Toren, herself a spy trying to conceal a negative with supposedly crucial data.

Although what the negative might contain, who it might belong to, and who the information is intended for is never clarified, it is safe to assume that either the action relates to WWII and Germanic-looking heavies are after it, or this is already the Cold War boiling over in the Italian/Swiss Alps.

Regardless of the conflict, it is a riveting film with credible dialogue, good acting from Duff, Friend, Douglas, Donn and Slezak, here playing against type a non-sleazy medical doctor and inn owner. The show, though, is stolen by the mesmerizing beauty of Toren and the panthers roaming wild over lovingly shot rocky, snowy, or arborous landscape. Great action sequences involving the felines, including a fight with a bloodhound. Truly wonderful cinematography by Irving Glassberg.

Well worth watching: 8/10.