Sierra

Sierra is an unpretentious little western that paired Mr.&Mrs. Audie Murphy at the time, Audie and his leading lady Wanda Hendrix. Audie is cast in the first of many roles as a callow western youth who was raised by his father Dean Jagger who is a fugitive from the law.

Way back when Jagger was charged with the murder of Sara Allgood's husband and fled to the high Sierra country where he raised his son and now both make a living catching young wild mustangs of which there are plentiful in the Sierra foothills.

Hendrix is a rarity for the time, a female attorney who might gain acceptance back east, but in the rough and testosterone driven west is finding it hard to get clients. Audie and Dean might be the way to break into the man's world of the court, but both them are fighting their own sexist nature and don't take her advice.

There's a nice part in Sierra for Richard Robert who would die two years later in an automobile crash cutting short a promising career as a film villain. Tony Curtis has a small role as the son of another fugitive whose family teams up with Murphy and Jagger.

In his memoirs Tony Curtis says that soon afterward the tempestuous two year marriage of Murphy and Hendrix broke up. He tried to date Hendrix but Murphy was a jealous man with a bad case of post traumatic stress courtesy of the late World War and all the action where Audie Murphy became our most decorated soldier. Curtis describes himself as young and stupid and thinking not with his brain. He made it a point to avoid Audie for years afterward.

Best of all is Burl Ives, a hermit who lives close to Murphy and Jagger and who has some nice ballads to sing in Sierra.

Sierra is a nice western, made better with Burl Ives and his singing.

Audie Murphy and his aging, fugitive father Dean Jagger, live deep in the mountains, away from trouble. A chance encounter with lost lady lawyer Wanda Hendrix and a serious injury to Jagger sends Audie to town for the first time since he was a small boy, where he finds trouble with the law.

Striking locations, good photography, and a well-plotted story combine to make a fairly entertaining movie. Action scenes are handled quite nicely as well, especially the climax, involving a stampeding of hundreds of horses, back and forth between the good guys and the bad! The only problem with the movie is that the ending (satisfying as it was) is just a little too convenient.

An interesting cast includes Burl Ives as a singing mountain man and early performances from Tony Curtis and James Arness as brothers and part of an outlaw family hiding on Audie and Jagger's mountain

Meanwhile, Audie plays pretty much the same type of character you always see (and love to see) him playing, that of a young, angry, brooding, misunderstood young man, real-life traits, shaped by his service in World War II, that Hollywood seized upon and interestingly enough, inspired writer David Morrell to create the character of Rambo, a piece of trivia that makes seeing Audie elude a posse in the mountains all the more interesting.

This early Audie Murphy western for Universal has Murphy as the feral son of Dean Jagger, a man "everyone knows" committed murder and then fled. No one believes in his innocence except for lawyer Wanda Hendrix (they were married at the time, but broke up soon after production ended).

Directed by Alfred Green, this movie is a master class in Technicolor camerawork by DP Russell Metty. The opening sequence in Cedar Breaks National Monument looks like an oil painting; the night scenes look like Rembrandt, and the entire movie has the rich, black undertoning that disappeared from the Technicolor lexicon soon after. Metty's reputation as an artist with the camera would continue to rise until he won an Oscar for SPARTACUS; his later work was mostly on undistinguished movies and distinguished TV specials. He died in 1978 at the age of 71.

There is quite a supporting cast, including Burl Ives -- who sings a few songs -- Tony Curtis, Sarah Allgood and James Arness. Mostly, though, I just enjoyed Metty's work.

This lesser known Western film features WWII hero Audie Murphy as a young Mountain dweller on the hideout for years with his Dad , played by the great Dean Jagger. As Murphy is forced to confront Horse Thieves and Town crooks, he demonstrates once again that fierce toughness we so often see in all his roles.

The great Burl Ives is terrific as a singing troubadour friend of Murphy. The outdoor cinematography is stunningly beautiful and we are also treated to early screen appearances by young Tony Curtis and James Arness as two rough and tumble bad guys. Lotsa action and cool dialogue.

The storyline is solid, though a little familiar. An enjoyable film and a treat for those fortunate enough to see this rarely shown film !!

Handsomely photographed on location under blue Technicolor skies by Russell Metty shortly before he brought high contrast gloss to his work with Douglas Sirk. The presence of Burl Ives sauntering in and out of the action (occasionally resembling Sancho Panza straddling a mule) singing and strumming a guitar marks this out as a piece of Americana rather than a conventional Audie Murphy western. Centre stage are baby-faced newlyweds Murphy and Wanda Hendrix (both of whom died young), while sixth-billed 'Anthony' Curtis gets a few lines but no close-ups.