La regina dei tagliaborse

Director Charles Lamont puts together yet another effective docunoir on police addressing the growing organized shoplifting problem in California, and he does with style and lively pace.

Scott Brady looks very fit, Mona Freeman very beautiful, stunning Andrea King the intelligent female criminal, Tony Curtis a baby-faced thoroughly evil robber/potential rapist/murderer, Charles Drake, Rock Hudson in small parts. Curiously enough, Curtis, Drake and Hudson would also all appear in supporting roles in another 1950 movie, the great Western WINCHESTER '73, starring Jimmy Stewart.

Good photography, state of the art 1950 police plane, vehicles, listening devices and operational gadgets, in effective docunoir.

Mona Freeman is the daughter of a judge. She's caught shoplifting, and is made to sign a confession by store detective Larry Keating, in return for not prosecuting... this time. It's standard procedure. What's not standard procedure is she's contacted by a gang of shoplifters who have access to that confession, and who say they will destroy it if she does a few jobs for them.

It's one of those Universal programmers that they produced by the hundreds, played for a few years, and then were forgotten. It's competently directed by Charles Lamont, competently shot by Irving Glasberg, and competent played by the cast. Andrea King is catlike as the manager of the gang, even though it's quite clear from the set-up and a well- focused shot who actually is in charge. Tony Curtis plays a Mexican-American hood in a good-sized role, Rock Hudson a store detective in a blink-and-you'll-miss-him role. Scott Brady and Charles Drake fill out the top of the credit card, and it's another decent time-waster.

Although film noir was very popular in the 1950s in Hollywood, I wouldn't exactly consider "I Was a Shoplifter" to be an example of the genre. It's more a police procedural film...and a darned good one. It's also well worth seeing in order to see two future stars in smaller parts before they became famous, Tony Curtis and Rock Hudson. Of the two, Curtis' role was far larger and meatier...though VERY different from his later roles. He plays Pepe, a guy who is a pusillanimous jerk who loves to stab folks!

The film begins with two shoplifters being picked up by a department store. One (Mona Freeman) is the daughter of a judge...and she seems like a kleptomaniac who has no idea why she's doing it. The other seems like a real hard case...a career criminal who has been stealing for years (Scott Brady). But in reality, he's a detective working a case where they are trying to round up a ring of professional shoplifters as well as determine how and to whom they are selling their haul. Of course, there are lots of possible problems, a few fistfights and a dandy and tense finale.

The film is very well written, never dull and well acted. I noticed some reviewers really disliked this film...but I thought it was excellent from start to finish.

How about, "I became a Hollywood has been in five films or less."

Andrea King and Scott Brady were up and coming stars after World War II. By 1950, Brady was on the booze and it showed. No more A features for him. I don't think Hollywood knew what to do with Andrea King. She ended up on Dragnet 1969 in a turban.

Mona Freeman did nothing but play put upon whiners. When she is listed among the cast you know it is going to be a Stinker.

You are never clear about how their racket is run and you stop caring.

Look out for small roles by Tony Curtis and Rock Hudson during their Universal International starlet days paying their dues on the casting chair.

Universal released this weak crime movie, very low on entertainment content. It's portrayed as one of those "true stories", as phony as any random Hollywood product.

Mona Freeman stars as the winsome kleptomaniac, whose dad is a judge. She gets caught shoplifting and then gets blackmailed by sleazy criminals led by Andrea King, okay as a femme fatale.

Nearly all the roles are stereotypes, including Scott Brady in the lead role posing as a professional shoplifter. From the Universal stable of young talent, Tony Curtis is prominently featured as Pepe, a one-dimensional lady's man and creep. The Rock Hudson bit part is just that, a nothing assignment.

Directed by untalented comedy director Charles Lamont, whose career dated back to Silent Era short films and ended up with the "Mickey Mouse Club".