La bellezza del diavolo

The Faust story has been adapted innumerable times. I have seen three adaptations: "Faust" (1926, Friedrich Wilhelm Murnau), "All that money can buy" (1941, William Dieterle) and this one of 1950 by Rene Clair.

It is interesting to see how different directors give a different interpretation to the story, maybe under influence of their national culture. The American production of Dieterle for example is by far the most materialistic interpretation, as the title already indicates. The European interpretations are more about non materialistic values as scientific curiosity and love (with the accent changing from the former to the latter when the wish of Faust for eternal youth has been granted by the Devil). Within the European interpretations the German one of Faust is much more pessimistic then the French one of Clair.

Not only the Faust character gives rise to different interpretations but also the Devil / Mephistopheles character. In "Le beaute du Diable" Michel Simon plays a sort of funny apprentice Devil, just like Henry Travers plays an apprentice angel in "It's a wonderful life" (1946, Frank Capra)

Though I'm french, I am not a fan of french movies which I usually find boring or too intellectual ( in a pejorative way ).

This being said, I've always liked this movie, greatly because of the incredible performance of Michel Simon, undoubtedly one of the greatest french actors ever. His portrayal of Mephistopheles is delightful in every way. He leaves but little place to the other actors ( mostly Gerard Philippe the avatar of the romantic actor, playing young Faust having sold his soul to the devil ).

In an era where special effects where about non existent, Rene Clair managed to make a really witty comedy about the meaning of life.

Astonishing to see how certain movies, no matter how old they are, remain entertaining. This is definitely one of them.

A must see ! Should you like it, try Belles de Jour from Rene Clair too, another witty romantic old times french comedy. You'll be pleased.

After fifty years of service to the University and science without enjoying the pleasures of life, Professor Henri Faust (Michel Simon) is visited by the servant of Lucifer, Mephistopheles (Gérard Philipe), who offers youth and a new life to him.

Professor Faust switches body with Mephistopheles and the young Henri meets the gypsy girl Marguerite (Nicole Besnard), but he is accused of killing Professor Faust and is arrested. Mephistopheles tries to force Henri to sign a contract to give his soul to Lucifer. Henri refuses and Mephistopheles schemes an evil plot, bringing Henri to the court to become successful, transforming sand into gold and becoming the lover of the Princess (Simone Valère). When Henri is dumped to the poverty again, he is lured by Mephistopheles and accepts to sign the contract. Will Lucifer win the battle against the integrity of Henri and the love of Marguerite with him?

"La Beauté du Diable" is a delightful adaptation of the German legend of Faust. The witty screenplay of René Clair and Armand Salacrou is wonderful and Michel Simon "steals" the film in the role of the wicked Mephistopheles in very funny situations. My vote is eight.

Title (Brazil): "A Beleza do Diabo" ("The Beauty of the Devil")

Note: On 11 April 2024, I saw this film again.

This is such an excellent movie. It's worth calling a masterpiece. I just want to tell everyone I know about it! Gerard Philippe is amazingly handsome. To lots of people, he might look not only handsome but also smart, sophiscated and sexy and he is as a matter of a fact. Plots, performance, direction, casting, music and background. These essences of movies are just outstanding. Told by my friends that he was an amazing actor, I understood that they were right after watching this movie. I felt deeply satisfied by the quality just like I had wonderful meals in the 3-star restaurant.

If you want to explore French movies, I will recommend you this one.

Ah!my beauty past compare these jewels!

René Clair movies are ,in my humble opinion,among the least interesting of the old cinema:Duvivier,Carné ,Renoir,Pagnol,Clouzot and Grémillon are much more exciting.Even the so-called masterpieces such as "le million"(1931) or "quatorze juillet" fail to excite me.In America ,Clair made a valuable adaptation of Christie's "and then were none ,but I'm not sure he was the right director for that.Returning to France ,he released "le silence est d'or' which I personally find unpleasant ,and then "la beauté du diable".

"La beauté du diable" would be interesting,were it only for Michel Simon's sensational portrayal of Mephisto and handsome Gerard Philippe,although very good, is sometimes dwarfed by the old lion of the French cinema.The lines are sometimes witty and hints at the atomic bomb reflect the greatest fear of the era.Simone Valere,Jean Desailly's wife ,as the princess,finds here one of her rare good screen parts -she mainly worked on stage-

That said,Jacques Tourneur made a much better job with the devil in "la main du diable" ,which is the real granddaddy of "Rosemary's baby" or "Angel heart".

Gerard Philippe was to be featured in two Clair's subsequent works ,two overrated works ,"belles de nuit" and "les grandes manoeuvres" ,and alas,sans Michel Simon.